(jazz) Arnett Cobb - Live - 1982, FLAC (tracks+.cue), lossless
Arnett Cobb - Live (1982)
Жанр: jazz
Дата записи: November 13th, 1982, jazzhuis "de Spiegel" Groningen, Holland
Дата выпуска: Nov 1982
Производитель диска, страна: Timeless SJP 174
Тип: Live
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Источник: коллекция Л.Рендера
Риппер: Musicgate
Трэклист:
1. Cobb's Idea (Cobb) - 11:00
2 Sweet Georgia Brown (Bernie, Casey, Pinkard) - 10:56
3 Just a Closer Walk With Thee (Traditional) - 7:54
4 Body and Soul (Eyton, Green, Heyman, Sour) - 6:33
5 I Got Rhythm (Gershwin, Gershwin) - 6:02
6 Final Words By Arnett Cobb - 2:04
Состав:
Arnett Cobb - Sax (Tenor)
Rein de Graaff - Piano
John Engels - Drums
Jacques Schols - Bass
Recording Engineer: Sem van Gelder.
Издания:
LP - Timeless SJP 174
CD - Timeless 174 (2000)
CD - Timeless Holland 174 (2000)
Мои раздачи на треккере - jazz / fusion / prog
Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов)
Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш
Я вернусь, если меня попросят в топике или в ПМ
Жанр: jazz
Дата записи: November 13th, 1982, jazzhuis "de Spiegel" Groningen, Holland
Дата выпуска: Nov 1982
Производитель диска, страна: Timeless SJP 174
Тип: Live
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Источник: коллекция Л.Рендера
Риппер: Musicgate
Трэклист:
1. Cobb's Idea (Cobb) - 11:00
2 Sweet Georgia Brown (Bernie, Casey, Pinkard) - 10:56
3 Just a Closer Walk With Thee (Traditional) - 7:54
4 Body and Soul (Eyton, Green, Heyman, Sour) - 6:33
5 I Got Rhythm (Gershwin, Gershwin) - 6:02
6 Final Words By Arnett Cobb - 2:04
Состав:
Arnett Cobb - Sax (Tenor)
Rein de Graaff - Piano
John Engels - Drums
Jacques Schols - Bass
Recording Engineer: Sem van Gelder.
Издания:
LP - Timeless SJP 174
CD - Timeless 174 (2000)
CD - Timeless Holland 174 (2000)
Мои раздачи на треккере - jazz / fusion / prog
When Arnett Cobb gets on the bandstand there is always a hush from the audience - especially the few people on hand who've never seen him before or haven't seen him in 30 years. When Cobb hobbles up to the stage on crutches and props himself up, half the time he doesn't look as if he's got the energy to blow his nose, let alone play the tenor saxophone. Finally he has himself comfortably balanced, he has his horn where he wants it, he begins to sway and pop out his eyes and play. And the walls come tumbling down. For Arnett Cobb possesses one of the most fierce, driving, rough-and-tumble saxophone tones on the market today. He roars like a hurricane, he barks like a herd of wild dogs, he growls like a pride of lions. Don't let those crutches fool you - there are few stronger things in music than the tenor playing of Arnett Cobb. When Arnett Cobb was dubbed 'The Wild Man Of The Tenor Sax" it was a sobriquet well earned.
As I write these notes I realize that this year, 1983, Arnett Cobb is celebrating his 50th anniversary as a professional musician. It was in 1933 that the 15-year-old Cobb joined Frank Davis' band in Houston, Texas, Cobb's home. He went from there to the territory bands of Chester Boone and Milton Larking. Then, in 1942 - 40 years before this live date was waxed - Arnett Cobb joined forces with Lionel Hampton.
Hamp was looking for a replacement for Illinois Jacquet. All he had to do was find a gutsy, blues-drenched, extroverted, crowdrousing tenor saxophonist, who could play chorus after chorus untill his arms fell off and he couldn't be heard over the din of appreciative fans. Arnett Cobb fit the bill perfectly.
After five years with Hampton, Cobb went out on his own and showed the world that while there wasn't anybody more exciting on the tenor, there also were few who couldn't handle ballads with such romantic aplomb.
Cobb could tear the house down, but he could also purr like a contented tabby. His audience grew and grew. There is no way to measure the affect that Cobb, on those late-40s dates, had on the music that was to come - rock and roll, rhythm and blues, and soul. By the end of the 1940's, at the height of his popularity, Cobb began having the health problems that continue to plague him. A spinal operation sidelined him briefly, but then he was back on the road, earning himself new fans on the burgeoning rock and roll circuit. Then in April of 1956, while driving through Connecticut, Arnett Cobb blacked out at the wheel of his car, collided with a tree and shattered both of his legs.
The subsequent 15 years found Arnett Cobb playing - when his health allowed - in relative obscurity. He would surface here and there - in Philadelphia, managing the Club Ebony in Houston, at the odd concert appearance in Texas. Finally, in 1972, keyboard whiz Milt Buckner, another Hampton alumnus, helped convince Cobb to make his first trip to Europe. He hasn't looked back since.
The past 16 years have been good ones for Arnett Cleophus Cobb. He played Europe a number of times - leading his own bands, on Hampton reunions, in various saxophone combinations - and has become a popular attraction on the American circuit. His saxophone prowess is undiminished - he easily brings an audience to a frenzy and just as easily can get them weeping in their beer over a sensual ballad. But that's not all, because Arnett Cobb is not just a man who playes the saxophone - he's a man who loves to play the saxophone. He loves it so much that I've seen stage managers ask him to please end the set - the club has got to close. On the European festival circuit, when most of the veterans have gone to bed, Arnett Cobb can be found jamming with the locals in a corner saloon. He prowls festivals looking for an invitation to join a set. And don't think Cobb just wants to join in and breeze
along - he is always out to mow down any tenor player in his path. The competitiveness, the joie de vivre, the absolute happiness the man displays every moment he's on stage makes an Arnett Cobb performance a special joy. A couple of years ago Lionel Hampton assembled an all-star band for a European tour and then had to drop out of the tour due of illness. However, he sent the unit out with his two star tenormen - Cobb and Jaquet - to make up for any disappointment that Hampton's non-appearance would cause. Now this was truly an all - star band - Ricky Ford, Kai Winding, Curtis Fuller, Benny Bailey, etc. - but when those two Texas longhorns started butting heads, there was no stopping them. The other musicians had to steal solo space whenever they could get it, but the audience - on the night I saw the band - was goggle-eyed from the deepfried tenor playing from those two titans.
This album -Arnett Cobb Live -catches the wild man at his best: in front of an audience. He is obviously loose and obviously enjoying himself. Backed by a sympathetic rhythm section - Rein de Graaff, Jacques Schols, and John Engels - Cobb cooks like a demon on this set of blues and standards.
Cobb's Idea opens the album and it's the tenorman's meat and potatoes - the old twelve-bar blues. Arnett growls and billows with a boozy swagger, while Rein de Graaff tosses in some boppish chords. The thing rocks and rolls - the pianist has some fun in the well-worn idiom, bassist Jacques Schols makes his blues credentials well-known, and Cobb honks out some spirited fours with trap manjohn Engels. The audience yelps in response.
Sweet Georgia Brown follows with Cobb's power unleashed - you can feel the wind and the rain in his playing. His solo is raw and lusty and smoking and he ends it with one of his favorite tags, "a-hunting we will go". The rhythm section then dismisses the notion that Americans have a stranglehold on the blues, as Arnett Cobb barks
his encouragement. A performance con brio!
The second side opens with a durable gospel classic, Just A Closer Walk With Thee. Cobb displays his heart and soul here, but not without the dirty grift in his playing that would draw sidelong glances at a Southern Baptist church. Cobb's tone is a three-dimensional tone. Rein De Graaff testifies with some heavy chording and the thing has a tasty down-home ending.
Next comes the international anthem of the tenor saxophone, Body And Soul. Cobb's quavering vibrato on the melody is deep and smooth -there are breezes and canyons in his playing that he saves up for ballads. He's really a genuine romanticist, as you can hear. The acapella coda is also typical Arnett Cobb - there's a taste of Moody's Mood, a dollop of Deep In The Heart Of Texas (you can hear Cobb tell the crowd, "That's where I'm from," after the quote) and some deep honks concluding with a pinch of Here We Go 'Round The Mulberry Bush, proving that there's more than a little corn on this Cobb.
The album concludes with I Got Rhythm, the Gershwin melody which launched a thousand jazz tunes. Cobb's lusty, steam-driven swing just takes over - the man wails. This is a positive, unbridled romp from one of the 100% originals in music. If you've finished listening to this without your leg shaking and your head bobbing and a stupid grin on your face then you need help, my friend.
Fifty years ago this world was a different place, but there are certain things that are still around from that old world that haven't changed. The tenor saxophone of Arnett Cobb is one of those things. Happy 50th anniversary, Arnett Cobb.
Lee Jeske.
Review by Scott Yanow (AMG)
Recorded in Holland, this fine live set features veteran tenor saxophonist Arnett Cobb jamming with a European rhythm section (pianist Rein de Graaff, bassist Jacques Schols and drummer John Engels). The tenor always seemed on the verge of exploding and was still in prime form, as can be heard on four basic standards and his blues "Cobb's Idea." A lesser-known but rewarding effort, one of Cobb's best from his later years.
As I write these notes I realize that this year, 1983, Arnett Cobb is celebrating his 50th anniversary as a professional musician. It was in 1933 that the 15-year-old Cobb joined Frank Davis' band in Houston, Texas, Cobb's home. He went from there to the territory bands of Chester Boone and Milton Larking. Then, in 1942 - 40 years before this live date was waxed - Arnett Cobb joined forces with Lionel Hampton.
Hamp was looking for a replacement for Illinois Jacquet. All he had to do was find a gutsy, blues-drenched, extroverted, crowdrousing tenor saxophonist, who could play chorus after chorus untill his arms fell off and he couldn't be heard over the din of appreciative fans. Arnett Cobb fit the bill perfectly.
After five years with Hampton, Cobb went out on his own and showed the world that while there wasn't anybody more exciting on the tenor, there also were few who couldn't handle ballads with such romantic aplomb.
Cobb could tear the house down, but he could also purr like a contented tabby. His audience grew and grew. There is no way to measure the affect that Cobb, on those late-40s dates, had on the music that was to come - rock and roll, rhythm and blues, and soul. By the end of the 1940's, at the height of his popularity, Cobb began having the health problems that continue to plague him. A spinal operation sidelined him briefly, but then he was back on the road, earning himself new fans on the burgeoning rock and roll circuit. Then in April of 1956, while driving through Connecticut, Arnett Cobb blacked out at the wheel of his car, collided with a tree and shattered both of his legs.
The subsequent 15 years found Arnett Cobb playing - when his health allowed - in relative obscurity. He would surface here and there - in Philadelphia, managing the Club Ebony in Houston, at the odd concert appearance in Texas. Finally, in 1972, keyboard whiz Milt Buckner, another Hampton alumnus, helped convince Cobb to make his first trip to Europe. He hasn't looked back since.
The past 16 years have been good ones for Arnett Cleophus Cobb. He played Europe a number of times - leading his own bands, on Hampton reunions, in various saxophone combinations - and has become a popular attraction on the American circuit. His saxophone prowess is undiminished - he easily brings an audience to a frenzy and just as easily can get them weeping in their beer over a sensual ballad. But that's not all, because Arnett Cobb is not just a man who playes the saxophone - he's a man who loves to play the saxophone. He loves it so much that I've seen stage managers ask him to please end the set - the club has got to close. On the European festival circuit, when most of the veterans have gone to bed, Arnett Cobb can be found jamming with the locals in a corner saloon. He prowls festivals looking for an invitation to join a set. And don't think Cobb just wants to join in and breeze
along - he is always out to mow down any tenor player in his path. The competitiveness, the joie de vivre, the absolute happiness the man displays every moment he's on stage makes an Arnett Cobb performance a special joy. A couple of years ago Lionel Hampton assembled an all-star band for a European tour and then had to drop out of the tour due of illness. However, he sent the unit out with his two star tenormen - Cobb and Jaquet - to make up for any disappointment that Hampton's non-appearance would cause. Now this was truly an all - star band - Ricky Ford, Kai Winding, Curtis Fuller, Benny Bailey, etc. - but when those two Texas longhorns started butting heads, there was no stopping them. The other musicians had to steal solo space whenever they could get it, but the audience - on the night I saw the band - was goggle-eyed from the deepfried tenor playing from those two titans.
This album -Arnett Cobb Live -catches the wild man at his best: in front of an audience. He is obviously loose and obviously enjoying himself. Backed by a sympathetic rhythm section - Rein de Graaff, Jacques Schols, and John Engels - Cobb cooks like a demon on this set of blues and standards.
Cobb's Idea opens the album and it's the tenorman's meat and potatoes - the old twelve-bar blues. Arnett growls and billows with a boozy swagger, while Rein de Graaff tosses in some boppish chords. The thing rocks and rolls - the pianist has some fun in the well-worn idiom, bassist Jacques Schols makes his blues credentials well-known, and Cobb honks out some spirited fours with trap manjohn Engels. The audience yelps in response.
Sweet Georgia Brown follows with Cobb's power unleashed - you can feel the wind and the rain in his playing. His solo is raw and lusty and smoking and he ends it with one of his favorite tags, "a-hunting we will go". The rhythm section then dismisses the notion that Americans have a stranglehold on the blues, as Arnett Cobb barks
his encouragement. A performance con brio!
The second side opens with a durable gospel classic, Just A Closer Walk With Thee. Cobb displays his heart and soul here, but not without the dirty grift in his playing that would draw sidelong glances at a Southern Baptist church. Cobb's tone is a three-dimensional tone. Rein De Graaff testifies with some heavy chording and the thing has a tasty down-home ending.
Next comes the international anthem of the tenor saxophone, Body And Soul. Cobb's quavering vibrato on the melody is deep and smooth -there are breezes and canyons in his playing that he saves up for ballads. He's really a genuine romanticist, as you can hear. The acapella coda is also typical Arnett Cobb - there's a taste of Moody's Mood, a dollop of Deep In The Heart Of Texas (you can hear Cobb tell the crowd, "That's where I'm from," after the quote) and some deep honks concluding with a pinch of Here We Go 'Round The Mulberry Bush, proving that there's more than a little corn on this Cobb.
The album concludes with I Got Rhythm, the Gershwin melody which launched a thousand jazz tunes. Cobb's lusty, steam-driven swing just takes over - the man wails. This is a positive, unbridled romp from one of the 100% originals in music. If you've finished listening to this without your leg shaking and your head bobbing and a stupid grin on your face then you need help, my friend.
Fifty years ago this world was a different place, but there are certain things that are still around from that old world that haven't changed. The tenor saxophone of Arnett Cobb is one of those things. Happy 50th anniversary, Arnett Cobb.
Lee Jeske.
Review by Scott Yanow (AMG)
Recorded in Holland, this fine live set features veteran tenor saxophonist Arnett Cobb jamming with a European rhythm section (pianist Rein de Graaff, bassist Jacques Schols and drummer John Engels). The tenor always seemed on the verge of exploding and was still in prime form, as can be heard on four basic standards and his blues "Cobb's Idea." A lesser-known but rewarding effort, one of Cobb's best from his later years.
[свернуть]
01 - Cobb's Idea.flac
02 - Sweet Georgia Brown.flac
03 - Just A Closer Walk With Thee.flac
04 - Body And Soul.flac
05 - I Got Rhythm.flac
06 - Final Words By Arnett Cobb.flac
Arnett Cobb - Live.m3u
Artwork
info.txt
Live.log
Live_Noncompliant.CUE
Live_Single Wav.CUE
tau.txt
thumb.jpg
Artwork\Back.png
Artwork\Disc.png
Artwork\front.jpg
Artwork\Front.png
Artwork\In 1.png
Artwork\In 2.png
Artwork\In 3.png
02 - Sweet Georgia Brown.flac
03 - Just A Closer Walk With Thee.flac
04 - Body And Soul.flac
05 - I Got Rhythm.flac
06 - Final Words By Arnett Cobb.flac
Arnett Cobb - Live.m3u
Artwork
info.txt
Live.log
Live_Noncompliant.CUE
Live_Single Wav.CUE
tau.txt
thumb.jpg
Artwork\Back.png
Artwork\Disc.png
Artwork\front.jpg
Artwork\Front.png
Artwork\In 1.png
Artwork\In 2.png
Artwork\In 3.png
[свернуть]
EAC extraction logfile from 24. January 2008, 0:01 for CD
Arnett Cobb / Live
Used drive : PIONEER DVD-RW DVR-112D Adapter: 0 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Used output format : C:\Program Files\FLAC\flac.exe (User Defined Encoder)
320 kBit/s
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Track 1
Filename D:\music\rip\Arnett Cobb - Live (1982) [FLAC]\01 - Cobb's Idea.wav
Pre-gap length 0:00:02.00
Peak level 98.9 %
Track quality 100.0 %
Test CRC F51767B3
Copy CRC F51767B3
Copy OK
Track 2
Filename D:\music\rip\Arnett Cobb - Live (1982) [FLAC]\02 - Sweet Georgia Brown.wav
Pre-gap length 0:00:03.24
Peak level 100.0 %
Track quality 100.0 %
Test CRC 3D7F4E2A
Copy CRC 3D7F4E2A
Copy OK
Track 3
Filename D:\music\rip\Arnett Cobb - Live (1982) [FLAC]\03 - Just A Closer Walk With Thee.wav
Pre-gap length 0:00:02.26
Peak level 100.0 %
Track quality 100.0 %
Test CRC 1A76889D
Copy CRC 1A76889D
Copy OK
Track 4
Filename D:\music\rip\Arnett Cobb - Live (1982) [FLAC]\04 - Body And Soul.wav
Pre-gap length 0:00:00.04
Peak level 100.0 %
Track quality 100.0 %
Test CRC 342B0A2B
Copy CRC 342B0A2B
Copy OK
Track 5
Filename D:\music\rip\Arnett Cobb - Live (1982) [FLAC]\05 - I Got Rhythm.wav
Pre-gap length 0:00:00.02
Peak level 100.0 %
Track quality 99.9 %
Test CRC 77D61280
Copy CRC 77D61280
Copy OK
Track 6
Filename D:\music\rip\Arnett Cobb - Live (1982) [FLAC]\06 - Final Words By Arnett Cobb.wav
Pre-gap length 0:00:00.02
Peak level 100.0 %
Track quality 99.9 %
Test CRC 1D11FDAC
Copy CRC 1D11FDAC
Copy OK
No errors occured
End of status report
[свернуть]
3231134379 116424044 01 - Cobb's Idea.wav
4214266756 115864268 02 - Sweet Georgia Brown.wav
448059388 83620700 03 - Just A Closer Walk With Thee.wav
1483666068 69482828 04 - Body And Soul.wav
2442482388 63903884 05 - I Got Rhythm.wav
2265157185 22026524 06 - Final Words By Arnett Cobb.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - Cobb's Idea.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02 - Sweet Georgia Brown.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03 - Just A Closer Walk With Thee.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04 - Body And Soul.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05 - I Got Rhythm.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06 - Final Words By Arnett Cobb.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
4214266756 115864268 02 - Sweet Georgia Brown.wav
448059388 83620700 03 - Just A Closer Walk With Thee.wav
1483666068 69482828 04 - Body And Soul.wav
2442482388 63903884 05 - I Got Rhythm.wav
2265157185 22026524 06 - Final Words By Arnett Cobb.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01 - Cobb's Idea.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02 - Sweet Georgia Brown.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03 - Just A Closer Walk With Thee.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04 - Body And Soul.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05 - I Got Rhythm.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06 - Final Words By Arnett Cobb.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
[свернуть]
Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш
Я вернусь, если меня попросят в топике или в ПМ
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
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