(Jazz) [2LP] [24/96] Miles Davis - Someday My Prince Will Come (1961) - 2010, Analogue Productions 45 rpm 2 LP-Set, (Hank Mobley, John Coltrane, Wynton Kelly, Paul Chambers, Jimmy Cobb), FLAC (tracks+.cue)
![(Jazz) [2LP] [24/96] Miles Davis - Someday My Prince Will Come (1961) - 2010, Analogue Productions 45 rpm 2 LP-Set, (Hank Mobley, John Coltrane, Wynton Kelly, Paul Chambers, Jimmy Cobb), FLAC (tracks+.cue)](/upload/000/u2/e5/fe/96-miles-davis-someday-my-prince-will-come.jpg "(Jazz) [2LP] [24/96] Miles Davis - Someday My Prince Will Come (1961) - 2010, Analogue Productions 45 rpm 2 LP-Set, (Hank Mobley, John Coltrane, Wynton Kelly, Paul Chambers, Jimmy Cobb), FLAC (tracks+.cue)")
Треклист:
Miles Davis - Someday My Prince Will Come (1961)
Жанр: Jazz
Год выпуска: 2010
Лейбл: Analogue Productions 45 rpm 2 LP-Set (APO-8456-45)
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 00:41:55
Треклист:
Side A
01 - Someday My Prince Will Come (Frank Churchill) – 9:04
Larry Morey wrote lyrics for this song, but this recording is instrumental.
Side B
01 - Old Folks (Willard Robison) – 5:14
Dedette Lee Hill wrote lyrics for this song, but this recording is instrumental.
02 - Pfrancing – 8:31
(A pun on his wife's name, Frances, and dancing)
Side C
01 - Drad-Dog – 4:29
02 - I Thought About You (Jimmy Van Heusen) – 4:53
Johnny Mercer wrote lyrics for this song, but this recording is instrumental.
Side D
01 - Teo – 9:34 (in reference to Teo Macero)
All tracks written by Miles Davis unless otherwise noted.
Источник оцифровки: aksman, AvaxHome
Код класса состояния винила: Ex
Устройство воспроизведения: Music Hall MMF 9.1 Turntable
Предварительный усилитель: Brocksieper Phonomax (Tube Phono PreAmp)
АЦП: E-MU 0404 external USB 2.0 Audiointerface
Программа-оцифровщик: WaveLab 6 recording software
Обработка: iZotope RX Advanced 1.21 for resampling and dithering
На пятаках и обложке почему-то указано: Originaly released 1963.
Жанр: Jazz
Год выпуска: 2010
Лейбл: Analogue Productions 45 rpm 2 LP-Set (APO-8456-45)
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Формат записи: 24/192
Формат раздачи: 24/96
Продолжительность: 00:41:55
Треклист:
Side A
01 - Someday My Prince Will Come (Frank Churchill) – 9:04
Larry Morey wrote lyrics for this song, but this recording is instrumental.
Side B
01 - Old Folks (Willard Robison) – 5:14
Dedette Lee Hill wrote lyrics for this song, but this recording is instrumental.
02 - Pfrancing – 8:31
(A pun on his wife's name, Frances, and dancing)
Side C
01 - Drad-Dog – 4:29
02 - I Thought About You (Jimmy Van Heusen) – 4:53
Johnny Mercer wrote lyrics for this song, but this recording is instrumental.
Side D
01 - Teo – 9:34 (in reference to Teo Macero)
All tracks written by Miles Davis unless otherwise noted.
Personnel
Personnel
Miles Davis - Trumpet
Hank Mobley - Tenor saxophone (on all tracks except #6 (first solo on #1))
John Coltrane - Tenor saxophone (only on tracks 1 (second solo) & 6)
Wynton Kelly - Piano
Paul Chambers - double bass
Jimmy Cobb - drums
Miles Davis - Trumpet
Hank Mobley - Tenor saxophone (on all tracks except #6 (first solo on #1))
John Coltrane - Tenor saxophone (only on tracks 1 (second solo) & 6)
Wynton Kelly - Piano
Paul Chambers - double bass
Jimmy Cobb - drums
Код класса состояния винила: Ex
Устройство воспроизведения: Music Hall MMF 9.1 Turntable
Предварительный усилитель: Brocksieper Phonomax (Tube Phono PreAmp)
АЦП: E-MU 0404 external USB 2.0 Audiointerface
Программа-оцифровщик: WaveLab 6 recording software
Обработка: iZotope RX Advanced 1.21 for resampling and dithering
Спектр, АЧХ, Уровень записи
Доп. информация:
На пятаках и обложке почему-то указано: Originaly released 1963.
Техническая информация
Technical Log
RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering
Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.
Personal Note (from aksman)
With my vinyl rips I try to catch the whole beauty of records. Therefore I don't use any post-processing or any sound improver. What you get is a clear and flat transfer.
For getting a clear sound I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing for each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to loose any musical information.
Surface noises, as long they are not to high, are left in place. Only on bad pressings or on records recorded with extremly low level I do a fade in-/-out. As John Peel said, 'Life is full of surface noises'.
In some cases this means I have to do a compromise... The result has to pass my personal quality criteria which is IMO quite high.
RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering
Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21)
No silence been removed, please burn gapless to match original tracklayout.
Personal Note (from aksman)
With my vinyl rips I try to catch the whole beauty of records. Therefore I don't use any post-processing or any sound improver. What you get is a clear and flat transfer.
For getting a clear sound I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing for each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to loose any musical information.
Surface noises, as long they are not to high, are left in place. Only on bad pressings or on records recorded with extremly low level I do a fade in-/-out. As John Peel said, 'Life is full of surface noises'.
In some cases this means I have to do a compromise... The result has to pass my personal quality criteria which is IMO quite high.