(Hard bop, Trumpet jazz) Miles Davis - Bitches Brew Live - 2011, FLAC (tracks+.cue) lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 12. February 2011, 10:16
Miles Davis / Bitches Brew Live
Used drive : PLDS DVD+-RW DS-8A5SH Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : No
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j--picture="%i"%j %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 10:27.21 | 0 | 47045
2 | 10:27.21 | 3:58.50 | 47046 | 64945
3 | 14:25.71 | 9:44.53 | 64946 | 108798
4 | 24:10.49 | 7:31.12 | 108799 | 142635
5 | 31:41.61 | 10:09.28 | 142636 | 188338
6 | 41:51.14 | 6:17.06 | 188339 | 216619
7 | 48:08.20 | 1:10.35 | 216620 | 221904
8 | 49:18.55 | 8:15.02 | 221905 | 259031
9 | 57:33.57 | 2:10.68 | 259032 | 268849
Track 1
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Track 2
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Track 3
Filename C:\Downloads\03 - It's About That Time-Theme.wav
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Track 4
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Track 5
Filename C:\Downloads\05 - Bitches Brew.wav
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Track 6
Filename C:\Downloads\06 - It's About That Time.wav
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Track 7
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Track 8
Filename C:\Downloads\08 - Spanish Key.wav
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Track 9
Filename C:\Downloads\09 - The Theme.wav
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End of status report

REM GENRE Jazz+Funk
REM DATE 1970
REM DISCID 810E0009
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Miles Davis"
TITLE "Bitches Brew Live"
FILE "01 - Miles Runs The Voodoo Down.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Miles Runs The Voodoo Down"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "02 - Sanctuary.flac" WAVE
  TRACK 02 AUDIO
    TITLE "Sanctuary"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "03 - It's About That Time-Theme.flac" WAVE
  TRACK 03 AUDIO
    TITLE "It's About That Time-Theme"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Directions"
    PERFORMER "Miles Davis"
    INDEX 00 09:40:62
FILE "04 - Directions.flac" WAVE
    INDEX 01 00:00:00
FILE "05 - Bitches Brew.flac" WAVE
  TRACK 05 AUDIO
    TITLE "Bitches Brew"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "06 - It's About That Time.flac" WAVE
  TRACK 06 AUDIO
    TITLE "It's About That Time"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "07 - Sanctuary.flac" WAVE
  TRACK 07 AUDIO
    TITLE "Sanctuary"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "08 - Spanish Key.flac" WAVE
  TRACK 08 AUDIO
    TITLE "Spanish Key"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "09 - The Theme.flac" WAVE
  TRACK 09 AUDIO
    TITLE "The Theme"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00

Before looking into the musical quality on Bitches Brew Live, it's important to note for cost-conscious consumers that none of this material appeared on the Bitches Brew: 40th Anniversary Collector's Edition or the 40th Anniversary Deluxe Edition. The material contained here is compiled from two concert performances. The first three tracks were taken from the Newport Jazz Festival in July of 1969, preceding the release of the album by nine months. The last six were recorded at 1970 Isle of Wight Festival, four months after the album hit store shelves. The three cuts from Newport -- "Miles Runs the Voodoo Down," "Sanctuary," and "It's About That Time/The Theme" -- are previously unreleased. (In fact, "Miles Runs the Voodoo Down" is the first professionally recorded version of the song, and this disc provides the first-known recording of the radically rearranged -- and electrified -- "Sanctuary.") The band on these tracks includes Davis, Chick Corea, Dave Holland, and Jack DeJohnette. Miles is firing on all cylinders on these tunes. Despite electricity and the beginning of the vamp style he would perfect later, his trademark lyricism as a soloist is ever present. Corea's pianism walks a beautiful line between physical comping and atmospheric harmonic counter statements on "Miles Runs the Voodoo Down." The final six cuts did appear on the massive box set Complete Columbia Albums, but have not been widely circulated. The group for the Isle of Wight gig featured an expanded lineup that included saxophonist Gary Bartz, Keith Jarrett on organ, and percussionist Airto Moreira, in addition to the players mentioned above. The fascinating thing about the 1970 band was its intensity and ambition. The versions of "Directions" and "Bitches Brew" are slightly more abstract; edgier, darker, more ambiguous. The reading of "Spanish Key" is downright funky thanks to the rhythm section. It also provides a fine showcase for Bartz's alto soloing, which is soulfully modal even when it makes conscious nods to Coltrane. One would think that because Davis was playing in front of different audiences, these two performances would contrast, or even clash. Not so; the music here feels continuous, of a piece. For Davis fans, Bitches Brew Live is essential: it's inspired, full of surprise twists and turns, and showcases the artist at a high point of both creativity and energy.