(Hard Bop, Post-Bop, Modal Music) [CD] Miles Davis - Nefertiti - 1967 (2015 MFSL), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 12. July 2017, 23:17
Miles Davis / Nefertiti (2015 MFSL)
Used drive  : PLEXTOR CD-R   PREMIUM   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 30
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
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TOC of the extracted CD
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    ---------------------------------------------------------
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        2  |  7:54.39 |  6:38.02 |     35589    |    65440
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        6  | 34:07.74 |  5:07.72 |    153599    |   176695
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Track  5
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
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Submit result: 0l3vc653rOLT9KbByh6Hf19t6Dw- has been confirmed
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  1   | (16/16) Accurately ripped
  2   | (15/16) Accurately ripped
  3   | (16/16) Accurately ripped
  4   | (16/16) Accurately ripped
  5   | (15/16) Accurately ripped
  6   | (16/16) Accurately ripped
==== Log checksum A4070F1341775EE429EED37332AFC709C5A423F2A3367250C529F9AD24A0DC03 ====

REM GENRE Jazz
REM DATE 1967
REM DISCID 4F093306
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Miles Davis"
TITLE "Nefertiti"
FILE "01 - Nefertiti.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Nefertiti"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "02 - Fall.wav" WAVE
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    TITLE "Fall"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "03 - Hand Jive.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Hand Jive"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "04 - Madness.wav" WAVE
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    TITLE "Madness"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "05 - Riot.wav" WAVE
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    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
FILE "06 - Pinocchio.wav" WAVE
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[CUETools log; Date: 15.07.2017 18:08:43; Version: 2.1.5]
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Track | CTDB Status
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  2   | (16/17) Accurately ripped
  3   | (17/17) Accurately ripped
  4   | (17/17) Accurately ripped
  5   | (16/17) Accurately ripped
  6   | (17/17) Accurately ripped
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 --  100,0 [AD9EA05B] [E5B8F553]
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Nefertiti, the fourth album by Miles Davis' second classic quintet, continues the forward motion of Sorcerer, as the group settles into a low-key, exploratory groove, offering music with recognizable themes -- but themes that were deliberately dissonant, slightly unsettling even as they burrowed their way into the consciousness. In a sense, this is mood music, since, like on much of Sorcerer, the individual parts mesh in unpredictable ways, creating evocative, floating soundscapes. This music anticipates the free-fall, impressionistic work of In a Silent Way, yet it remains rooted in hard bop, particularly when the tempo is a bit sprightly, as on "Hand Jive." Yet even when the instrumentalists and soloists are placed in the foreground -- such as Miles' extended opening solo on "Madness" or Hancock's long solo toward the end of the piece -- this never feels like showcases for virtuosity, the way some showboating hard bop can, though each player shines. What's impressive, like on all of this quintet's sessions, is the interplay, how the musicians follow an unpredictable path as a unit, turning in music that is always searching, always provocative, and never boring. Perhaps Nefertiti's charms are a little more subtle than those of its predecessors, but that makes it intriguing. Besides, this album so clearly points the way to fusion, while remaining acoustic, that it may force listeners on either side of the fence into another direction.