(Hard Bop, Post-Bop) Kenny Barron & Buster Williams - Two as One: Live at Umbria Jazz - 1986, WavPack (image+.cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 23. November 2010, 10:26
Kenny Barron / Two As One
Used drive  : HL-DT-STDVDRAM GT20N   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.33 | 11:08.00 |        33    |    50132
        2  | 11:08.33 | 11:31.00 |     50133    |   101957
        3  | 22:39.33 |  3:58.00 |    101958    |   119807
        4  | 26:37.33 | 15:53.00 |    119808    |   191282
        5  | 42:30.33 |  8:35.00 |    191283    |   229907
Range status and errors
Selected range
     Filename D:\EAC\Kenny Barron - Two As One.wav
     Peak level 98.2 %
     Range quality 100.0 %
     Test CRC 44914109
     Copy CRC 44914109
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 3)  [C7905B89]
Track  2  accurately ripped (confidence 3)  [F5755724]
Track  3  accurately ripped (confidence 3)  [65388AF4]
Track  4  accurately ripped (confidence 3)  [F62AB040]
Track  5  accurately ripped (confidence 3)  [22ABC11C]
All tracks accurately ripped
End of status report

Kenny Barron is joined by Buster Williams for this live set from the 1986 Umbria Jazz Festival. Since the two had worked together on a number of recording sessions previously, they were very familiar with each other's skills and they mesh very well on all five of the standards on this date. Williams is not a mere accompanist but a musical equal who finds interesting paths when the pianist is in the lead. Barron's inventive approach to these chestnuts is always inventive, especially in the extended takes of "All of You," "This Time the Dream's on Me," and "I Love You." "Someday My Prince Will Come" is rather brief by comparison to the remaining performances, but the novel treatment includes repeating several of the phrases within its structure before moving on, as well as Williams' pulsing repeated bassline. "My Funny Valentine" especially benefits from Barron's bittersweet arrangement. This rewarding date should be considered essential.