(Hard Bop, Post-Bop) John Coltrane Quintet with Eric Dolphy - The Complete 1962 Birdland Broadcasts - 2009, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 4. June 2011, 14:57
John Coltrane / The Complete 1962 Birdland Broadcast
Used drive  : ATAPI   iHAS324   A   Adapter: 2  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 11:10.47 |         0    |    50296
        2  | 11:10.47 | 10:30.58 |     50297    |    97604
        3  | 21:41.30 | 18:53.55 |     97605    |   182634
        4  | 40:35.10 |  0:55.69 |    182635    |   186828
        5  | 41:31.04 |  7:01.62 |    186829    |   218465
        6  | 48:32.66 |  7:22.25 |    218466    |   251640
        7  | 55:55.16 |  0:52.50 |    251641    |   255590
        8  | 56:47.66 | 13:08.01 |    255591    |   314691
Range status and errors
Selected range
     Filename G:\New Folder (4)\John Coltrane - The Complete 1962 Birdland Broadcast.wav
     Peak level 100.0 %
     Extraction speed 1.2 X
     Range quality 100.0 %
     Test CRC A36732C4
     Copy CRC A36732C4
     Copy OK
No errors occurred
AccurateRip summary
Track  1  not present in database
Track  2  not present in database
Track  3  not present in database
Track  4  not present in database
Track  5  not present in database
Track  6  not present in database
Track  7  not present in database
Track  8  not present in database
None of the tracks are present in the AccurateRip database
End of status report
==== Log checksum 0E342BD38CD7C4D4932E1EA2005F016152531A387F73F11E6CCADA0236CEE66E ====

REM GENRE Jazz
REM DATE 1962
REM DISCID 6C106308
REM COMMENT ExactAudioCopy v1.0b1
PERFORMER "John Coltrane"
TITLE "The Complete 1962 Birdland Broadcast"
FILE "John Coltrane - The Complete 1962 Birdland Broadcast.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Mr P.C."
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Miles' Mode (aka Red Planet)"
    INDEX 01 11:10:47
  TRACK 03 AUDIO
    TITLE "My Favorite Things"
    INDEX 01 21:41:30
  TRACK 04 AUDIO
    TITLE "Announcement by Symphony Sid Torin"
    INDEX 01 40:35:10
  TRACK 05 AUDIO
    TITLE "The Inchworm"
    INDEX 01 41:31:04
  TRACK 06 AUDIO
    TITLE "Mr P.C."
    INDEX 01 48:32:66
  TRACK 07 AUDIO
    TITLE "Announcement by Symphony Sid Torin"
    INDEX 01 55:55:16
  TRACK 08 AUDIO
    TITLE "My Favorite Things"
    INDEX 01 56:47:66

While some of the 1962 gigs by John Coltrane's group from N.Y.C., Philly, and other locales have either been officially released or bootlegged, this is the first time we have the complete Birdland broadcasts collected on a single disc. The John Coltrane Quartet -- Coltrane, McCoy Tyner, Jimmy Garrison, and Elvin Jones with guest Eric Dolphy -- was broadcast twice that February on Symphony Sid's radio program. The first was on February 9 and the second a week later. The program on that fiery first night included three long selections: “Mr. PC,” “Miles' Mode" (aka "Red Planet"), and a nearly 20-minute reading of “My Favorite Things.” On the second night, “The Inchworm” is substituted for “Miles' Mode.” The first broadcast is of much better quality, though both performances are simply stellar. The second performance feels like it was recorded not from the broadcast itself, but from an audience recorder close to the stage. The high point here is actually the interplay between Dolphy and Coltrane on “Mr. PC,” because of its willingness to stretch both arrangement and solos to the breaking point and return to the hard bop domain. This one is mostly for collectors given the ragged sound quality of the second half of the disc, but that shouldn’t deter hardcore fans at all.