(Hard Bop, Post-Bop) [CD] Freddie Hubbard - Blues for Miles - 1992 (1996), FLAC (tracks+.cue), lossless

EAC extraction logfile from 16. September 2009, 11:27 for CD
Freddie Hubbard / Blues for Miles
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    Native Win32 interface for Win NT & 2000
Track  1
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
     Filename C:\EAC\Freddie Hubbard - 1992 - Blues for Miles\08 - Tenderly.wav
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End of status report

REM GENRE Jazz
REM DATE 1992
REM DISCID 820D6208
REM COMMENT "ExactAudioCopy v0.95b4"
PERFORMER "Freddie Hubbard"
TITLE "Blues for Miles"
FILE "01 - The Thrill Is Gone.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Thrill Is Gone"
    PERFORMER "Freddie Hubbard"
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FILE "02 - I'm a Fool to Want You.wav" WAVE
  TRACK 02 AUDIO
    TITLE "I'm a Fool to Want You"
    PERFORMER "Freddie Hubbard"
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  TRACK 03 AUDIO
    TITLE "Come Rain or Come Shine"
    PERFORMER "Freddie Hubbard"
    INDEX 00 07:44:20
FILE "03 - Come Rain or Come Shine.wav" WAVE
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  TRACK 04 AUDIO
    TITLE "Autumn Leaves"
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FILE "04 - Autumn Leaves.wav" WAVE
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FILE "05 - Gypsy Lament.wav" WAVE
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FILE "06 - Blues for Miles (Hip-Hop Bop).wav" WAVE
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    TITLE "Blues for Miles (Hip-Hop Bop)"
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  TRACK 07 AUDIO
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FILE "07 - Skylark.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Tenderly"
    PERFORMER "Freddie Hubbard"
    INDEX 00 08:15:42
FILE "08 - Tenderly.wav" WAVE
    INDEX 01 00:00:00

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Given the way Miles Davis sharply criticized Freddie Hubbard in various magazine interviews in the 1970s, it's ironic that this decent but less than essential CD finds Hubbard paying tribute to someone who had such unkind words for him. Davis, to be sure, could be a loose cannon. During interviews, he loved to be provocative for the sake of being provocative. So as brilliantly innovative a musician/composer as Davis was, you couldn't take everything he had to say seriously, and that includes his criticisms of Hubbard. Whatever their differences, Hubbard's affection for Davis' contributions to jazz comes through on Blues for Miles, which was recorded six months after Davis' death in April 1992. Joined by pianist Billy Childs, bassist Tony Dumas, and drummer Ralph Penland, Hubbard sticks to a muted trumpet and salutes Davis' standards period. Though Hubbard's "Blues for Miles (Hip-Hop Bop)" acknowledges the funky electric Davis of the '70s and '80s, his main focus is the lyrical Davis of the '50s, who he pays tribute to on such standards as "Skylark," "Autumn Leaves," and "Come Rain or Come Shine." Although not among Hubbard's great albums, Blues for Miles is generally likable -- of course, the master trumpeter who gave us gems like Hub-Tones and Ready for Freddie in the '60s, and Red Clay and Straight Life in the '70s, was a lot more than simply likable. Casual listeners would be much better off with one of those five-star albums; Blues for Miles is primarily for collectors and Hubbard's die-hard fans.