(Hard Bop, Mainstream Jazz, Bop) Milt Jackson Quartet - Statements (Japan Edition) - 1961, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 10. August 2012, 10:25
Milt Jackson / Statements
Used drive  : ASUS    DRW-24B1LT   Adapter: 5  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 256 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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        2  |  5:35.62 |  3:08.23 |     25187    |    39309
        3  |  8:44.10 |  5:48.62 |     39310    |    65471
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        6  | 23:11.50 |  2:31.32 |    104375    |   115731
        7  | 25:43.07 |  6:03.40 |    115732    |   142996
        8  | 31:46.47 |  3:10.05 |    142997    |   157251
Range status and errors
Selected range
     Filename F:\audio\Milt Jackson - Statements.wav
     Peak level 93.9 %
     Extraction speed 5.1 X
     Range quality 100.0 %
     Test CRC D1B598DE
     Copy CRC D1B598DE
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 1)  [C58870A6]  (AR v1)
Track  2  accurately ripped (confidence 1)  [9B2C74E8]  (AR v1)
Track  3  accurately ripped (confidence 1)  [CE66355E]  (AR v1)
Track  4  accurately ripped (confidence 1)  [7EF75B0C]  (AR v1)
Track  5  accurately ripped (confidence 1)  [2672FB2B]  (AR v1)
Track  6  accurately ripped (confidence 1)  [5B19C6C1]  (AR v1)
Track  7  accurately ripped (confidence 1)  [B1736808]  (AR v1)
Track  8  accurately ripped (confidence 1)  [A385D9E3]  (AR v1)
All tracks accurately ripped
End of status report
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[CTDB TOCID: UzYGzvNIKoUFSvUiSm1lVVR.aPE-] disk not present in database, Submit result: UzYGzvNIKoUFSvUiSm1lVVR.aPE- has been uploaded
==== Log checksum B739EFFFB0D49C943CD393862D8F4300CD453ACAF9892E1EC5A9F6A3912ACB9B ====

REM GENRE Jazz
REM DATE 1961
REM DISCID 69083008
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Milt Jackson"
TITLE "Statements"
FILE "Milt Jackson - Statements.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Statement"
    PERFORMER "Milt Jackson"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Slowly"
    PERFORMER "Milt Jackson"
    INDEX 00 05:33:03
    INDEX 01 05:35:62
  TRACK 03 AUDIO
    TITLE "A Thrill from the Blues"
    PERFORMER "Milt Jackson"
    INDEX 00 08:41:01
    INDEX 01 08:44:10
  TRACK 04 AUDIO
    TITLE "Paris Blues"
    PERFORMER "Milt Jackson"
    INDEX 00 14:30:11
    INDEX 01 14:32:72
  TRACK 05 AUDIO
    TITLE "Put Off"
    PERFORMER "Milt Jackson"
    INDEX 00 17:28:51
    INDEX 01 17:31:07
  TRACK 06 AUDIO
    TITLE "A Beautiful Romance"
    PERFORMER "Milt Jackson"
    INDEX 00 23:08:38
    INDEX 01 23:11:50
  TRACK 07 AUDIO
    TITLE "Sonnymoon for Two"
    PERFORMER "Milt Jackson"
    INDEX 00 25:40:31
    INDEX 01 25:43:07
  TRACK 08 AUDIO
    TITLE "Theme: The Bad and the Beautiful"
    PERFORMER "Milt Jackson"
    INDEX 00 31:43:71
    INDEX 01 31:46:47

Review by Scott Yanow
Vibraphonist Milt Jackson has been so consistent throughout his lengthy career that his excellence can be taken for granted. This Impulse! recording features Bags with a quartet (including pianist Hank Jones) from 1961. The blues, ballads, standards, and originals are typical of Jackson's recordings, as is the high quality of the swinging music. Nothing too unusual occurs but the results are pleasing.

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Review from vervemusicgroup.com
Along side Lionel Hampton and Red Norvo, Milt Jackson stands as the defining personality for the vibraphone in jazz. Statements was recording in 1961 during the middle of his twenty year tenure with the now legendary Modern Jazz Quartet. Hank Jones, who played piano on the session said, "The biggest thing about Milt is his feeling. He gets more emotional mileage out of a melody than any other vibist. Others may feel a song as deeply as he does, but he somehow can express more emotion. It's fantastic what he can make out of the most simple line."
Connie Kay, Milt's drummer-bandmate from the Modern Jazz Quartet, joined the session as well as bassist Paul Chambers. The resulting tracks were considered to be some of Milt's best as evidenced by the easy-going, free spirited performances heard throughout. Jones later commented on the success of the session, "I've never seen Bags [Milt's nickname], so relaxed."