(Hard Bop) Hank Mobley - The Jazz Message of Hank Mobley, Vol. 2 - 1956 (1992 Japan Edition), FLAC (tracks+.cue), lossless

EAC extraction logfile from 27. December 2007, 23:28 for CD
Hank Mobley / The Jazz Message Of Hank Mobley #2
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Track  5
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CATALOG 4988001444398
PERFORMER "Hank Mobley"
TITLE "The Jazz Message of Hank Mobley, Vol.2"
FILE "01 - Thad's Blues.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Thad's Blues"
    PERFORMER "Hank Mobley"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
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    PERFORMER "Hank Mobley"
    INDEX 00 09:49:65
FILE "02 - Doug's Minor B' Ok.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "B. for B.B."
    PERFORMER "Hank Mobley"
    INDEX 00 06:39:41
FILE "03 - B. for B.B..wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Blues Number Two"
    PERFORMER "Hank Mobley"
    INDEX 00 06:28:68
FILE "04 - Blues Number Two.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Space Flight"
    PERFORMER "Hank Mobley"
    INDEX 00 04:57:67
FILE "05 - Space Flight.wav" WAVE
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Impressive lineups, both in the front line and the rhythm section, fuel the two 1956 sessions on this Savoy reissue. The players are committed, the writing is good, and the performances reward repeated listening. The result is a worthwhile precursor to the industry-standard hard bop Mobley would later record for Blue Note.Lee Morgan, then 18, joins Mobley on two tracks that have pianist Hank Jones, bassist Doug Watkins, and drummer Art Taylor in the rhythm section. Even if Morgan at this time was audibly still growing as a trumpet player, his poise, execution, and resourceful imagination were already the tools of a master. Donald Byrd, on form and playing with crispness and authority, moves into the trumpet chair for the three remaining tracks. This time it's Barry Harris on piano, Kenny Clarke on drums, and Watkins (again) on bass. The influence on Mobley of swing era tenors, from Lester Young to Illinois Jacquet, can be clearly heard on these tracks. Mobley's respect for and understanding of the pre-bebop style serve him well in his contribution to the development of the predominant jazz style that followed bebop. In addition to three Mobley originals, there is a blues by Thad Jones and another from Watkins. The standout track is Mobley's "Space Flight," a bright, up-tempo bop number that has memorable solos from Mobley, Byrd, Harris, and Clarke. The recording on this CD is very good but, as is common on Savoy reissues, the running time isn't long -- 32 minutes in the case of this jazz message.

Hank Mobley - tenor saxophone
Lee Morgan (#1,2), Donald Byrd (#3-5) - trumpet
Hank Jones (#1,2), Barry Harris (#3-5) - piano
Doug Watkins - bass
Art Taylor (#1,2), Kenny Clarke (#3-5) - drums
Recorded on July 23 (#3-5) and November 7 (#1,2), 1956.