(Hard Bop) Charlie Rouse & Paul Quinichette - The Chase Is On (Japan Edition) - 1957, FLAC (tracks+.cue), lossless

EAC extraction logfile from 29. May 2008, 20:55 for CD
Charlie Rouse - Paul Quinchette / The Chase Is On
Used drive  : HL-DT-STCDRW/DVD GCC4482   Adapter: 1  ID: 0
Read mode   : Secure with NO C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Used output format : C:\Eac\Codecs\flac.exe   (User Defined Encoder)
                     320 kBit/s
                     Additional command line options : -8 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -T "comment=EAC Flac 1.1.2 -8" %s
Other options      :
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Installed external ASPI interface
Track  1
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     Track quality 100.0 %
     Test CRC F8B55EAD
     Copy CRC F8B55EAD
     Copy OK
Track  2
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     Track quality 100.0 %
     Test CRC 659753B5
     Copy CRC 659753B5
     Copy OK
Track  3
     Filename C:\Documents and Settings\rousquin\03 - This Can't Be Love.wav
     Pre-gap length  0:00:02.53
     Peak level 99.1 %
     Track quality 100.0 %
     Test CRC 6329434A
     Copy CRC 6329434A
     Copy OK
Track  4
     Filename C:\Documents and Settings\rousquin\04 - Last Time For Love.wav
     Pre-gap length  0:00:02.49
     Peak level 99.7 %
     Track quality 100.0 %
     Test CRC 8889A151
     Copy CRC 8889A151
     Copy OK
Track  5
     Filename C:\Documents and Settings\rousquin\05 - You're Cheating Yourself.wav
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     Peak level 99.7 %
     Track quality 100.0 %
     Test CRC 5F282F2C
     Copy CRC 5F282F2C
     Copy OK
Track  6
     Filename C:\Documents and Settings\rousquin\06 - Knittin'.wav
     Pre-gap length  0:00:02.53
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     Test CRC E4DE4568
     Copy CRC E4DE4568
     Copy OK
Track  7
     Filename C:\Documents and Settings\rousquin\07 - Tender Trap.wav
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Track  8
     Filename C:\Documents and Settings\rousquin\08 - The Thing I Love.wav
     Pre-gap length  0:00:02.50
     Peak level 99.1 %
     Track quality 100.0 %
     Test CRC FAA33FFB
     Copy CRC FAA33FFB
     Copy OK
No errors occured
End of status report

REM GENRE Jazz
REM DATE 1957
REM DISCID 54090208
REM COMMENT "ExactAudioCopy v0.95b4"
CATALOG 4988006825101
PERFORMER "Charlie Rouse & Paul Quinchette"
TITLE "The Chase Is On"
FILE "01 - The Chase Is On.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Chase Is On"
    PERFORMER "Charlie Rouse & Paul Quinchette"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "When The Blues Come On"
    PERFORMER "Charlie Rouse & Paul Quinchette"
    INDEX 00 03:15:57
FILE "02 - When The Blues Come On.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "This Can't Be Love"
    PERFORMER "Charlie Rouse & Paul Quinchette"
    INDEX 00 05:46:42
FILE "03 - This Can't Be Love.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Last Time For Love"
    PERFORMER "Charlie Rouse & Paul Quinchette"
    INDEX 00 05:22:38
FILE "04 - Last Time For Love.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "You're Cheating Yourself"
    PERFORMER "Charlie Rouse & Paul Quinchette"
    INDEX 00 04:27:63
FILE "05 - You're Cheating Yourself.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Knittin'"
    PERFORMER "Charlie Rouse & Paul Quinchette"
    INDEX 00 05:14:00
FILE "06 - Knittin'.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Tender Trap"
    PERFORMER "Charlie Rouse & Paul Quinchette"
    INDEX 00 06:17:13
FILE "07 - Tender Trap.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "The Thing I Love"
    PERFORMER "Charlie Rouse & Paul Quinchette"
    INDEX 00 04:22:32
FILE "08 - The Thing I Love.wav" WAVE
    INDEX 01 00:00:00

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Maximum probablis boundary frequency: 2.142300e+004 Hz
Coefficient of nonlinearity of a phase: 2.026335e-001
First order smothness: 4.957061e-001
Second order smothness: 7.395038e-001
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Coefficient of nonlinearity of a phase: 5.302201e-001
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Processing file: [05 - You're Cheating Yourself.wav]
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First order smothness: 3.920596e-001
Second order smothness: 8.851471e-001
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This track looks like CDDA with probability 99%
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Processing file: [08 - The Thing I Love.wav]
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This track looks like CDDA with probability 100%

[CUETools log; Date: 01.09.2012 17:09:56; Version: 2.1.4]
[CTDB TOCID: ZZP1jb6HtmWaOZDTSrb.ccmXcOM-] disk not present in database.
[AccurateRip ID: 000bfb33-0050a2af-54090208] disk not present in database.
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
 --   99,7 [F0315234] [58031256]
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 07   99,7 [500118D9] [1105091E]   CRC32
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The twin tenor sax tradition yielded grand pairings with the likes of Wardell Gray and Dexter Gordon, Arnett Cobb and Eddie "Lockjaw" Davis, Gene Ammons and Sonny Stitt, and Al Cohn and Zoot Sims. This one-shot teaming of Charlie Rouse and Paul Quinichette brought forth a union of two distinctly different mannerisms within the mainstream jazz continuum. Rouse, who would go on to prolific work with Thelonious Monk and was at this time working with French horn icon Julius Watkins, developed a fluid signature sound that came out of the more strident and chatty style heard here. By this time in 1957, Quinichette, nicknamed the Vice Prez for his similar approach to Lester Young, was well established in the short term with Count Basie. His liquid, full-bodied, soulful tone became an undeniable force, albeit briefly, before he dropped out of the scene shortly after this date to be an electrical engineer. The stereo split of the saxophonists in opposite channels, a technique endemic of the time, works well whether they play solos or melody lines together. It enables you to truly hear how different they are. Working with standards, there's a tendency for them to play the head arrangements in unison, but then one of them on occasion plays an off-the-cuff short phrase that strays from the established melodic path. They also seem to do a hard bop jam, then a ballad, and back to hard swinging. The title track is simply a killer, a perfect fun romp of battling duelists, and one that you'd like to hear in any nightclub setting. Some slight harmonic inserts set "This Can't Be Love" apart from the original and "The Things I Love" displays the two tenors at their conversational best, while the lone original, "Knittin'," is a fundamental 12-bar swing blues, straight up and simple but with some subtle harmonic nuances. The rhythm section of pianist Wynton Kelly, bass player Wendell Marshall, and drummer Ed Thigpen do their usual yeoman job. But on two tracks, pianist Hank Jones and rhythm guitarist Freddie Green take over, and the sound of the band changes dramatically to the more sensitive side on a low-down version of "When the Blues Come On" and the good-old basic vintage swinger "You're Cheating Yourself." An LP-length CD (under 40 minutes), it is a shame there are no extra tracks or alternate takes. The combination of Rouse and Quinichette was a very satisfactory coupling of two talented and promising post-swing to bop individualists, who played to all of their strengths and differences on this worthy -- and now legendary -- session.

Paul Quinichette (tenor sax)
Charlie Rouse (tenor sax)
Wynton Kelly (piano)
Hank Jones (piano)
Freddie Green (guitar)
Wendell Marshall (bass)
Ed Thigpen (drums)
New York: August 29 and September 8, 1957.