(Hard Bop) [CD] Pepper Adams - Hollywood Quintet Sessions - 1957 (2008), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 17. August 2016, 19:36
Pepper Adams / Hollywood Quintet Session
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Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
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Gap handling                                : Appended to previous track
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Add ID3 tag                     : No
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TOC of the extracted CD
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        1  |  0:00.00 |  5:53.70 |         0    |    26544
        2  |  5:53.70 |  6:20.42 |     26545    |    55086
        3  | 12:14.37 |  8:26.68 |     55087    |    93104
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        8  | 41:56.01 |  8:41.00 |    188701    |   227775
        9  | 50:37.01 |  6:32.32 |    227776    |   257207
       10  | 57:09.33 |  5:48.42 |    257208    |   283349
       11  | 62:58.00 |  8:10.34 |    283350    |   320133
       12  | 71:08.34 |  4:58.57 |    320134    |   342540
Track  1
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Track  2
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Track  3
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Track  4
     Filename D:\EAC Rips\Pepper Adams - Hollywood Quintet Sessions (1957)\04 My One and Only Love.wav
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Track  5
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Track  6
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Track  7
     Filename D:\EAC Rips\Pepper Adams - Hollywood Quintet Sessions (1957)\07 Blackout Blues.wav
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Track  8
     Filename D:\EAC Rips\Pepper Adams - Hollywood Quintet Sessions (1957)\08 High Step.wav
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Track  9
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Track 10
     Filename D:\EAC Rips\Pepper Adams - Hollywood Quintet Sessions (1957)\10 Alone Together.wav
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Track 11
     Filename D:\EAC Rips\Pepper Adams - Hollywood Quintet Sessions (1957)\11 5021.wav
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Track 12
     Filename D:\EAC Rips\Pepper Adams - Hollywood Quintet Sessions (1957)\12 Four Funky Folk.wav
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All tracks accurately ripped
No errors occurred
End of status report
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Submit result: UIow7fQHJ4RTsoRpy39HXrwCNfs- has been confirmed
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==== Log checksum 48B9418B529C99BBE5E1A0E7DBB1682D2602E61BA7985E48EB1BBF6D37C3D76B ====

REM GENRE Jazz
REM DATE 1957
REM DISCID 9811D70C
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "Pepper Adams"
TITLE "Hollywood Quintet Sessions"
FILE "01 - Muezzin'.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Muezzin'"
    PERFORMER "Pepper Adams"
    ISRC ES7710824601
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Unforgettable"
    PERFORMER "Pepper Adams"
    ISRC ES7710824602
    INDEX 00 05:52:12
FILE "02 - Unforgettable.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Baubles, Bangles and Beads"
    PERFORMER "Pepper Adams"
    ISRC ES7710824603
    INDEX 00 06:18:59
FILE "03 - Baubles, Bangles and Beads.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "My One and Only Love"
    PERFORMER "Pepper Adams"
    ISRC ES7710824604
    INDEX 00 08:25:10
FILE "04 - My One and Only Love.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Freddie Froo"
    PERFORMER "Pepper Adams"
    ISRC ES7710824605
    INDEX 00 03:49:02
FILE "05 - Freddie Froo.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Minor Mishap"
    PERFORMER "Pepper Adams"
    ISRC ES7710824606
    INDEX 00 05:58:32
FILE "06 - Minor Mishap.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Blackout Blues"
    PERFORMER "Pepper Adams"
    ISRC ES7710824607
    INDEX 00 06:24:34
FILE "07 - Blackout Blues.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "High Step"
    PERFORMER "Pepper Adams"
    ISRC ES7710824608
    INDEX 00 04:55:46
FILE "08 - High Step.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Zec"
    PERFORMER "Pepper Adams"
    ISRC ES7710824609
    INDEX 00 08:39:17
FILE "09 - Zec.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
    TITLE "Alone Together"
    PERFORMER "Pepper Adams"
    ISRC ES7710824610
    INDEX 00 06:30:49
FILE "10 - Alone Together.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "5021"
    PERFORMER "Pepper Adams"
    ISRC ES7710824611
    INDEX 00 05:46:59
FILE "11 - 5021.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Four Funky Folk"
    PERFORMER "Pepper Adams"
    ISRC ES7710824612
    INDEX 00 08:08:51
FILE "12 - Four Funky Folk.wav" WAVE
    INDEX 01 00:00:00

[CUETools log; Date: 18.08.2016 0:15:31; Version: 2.1.5]
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Track | CTDB Status
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Track   [  CRC   |   V2   ] Status
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Music in general, jazz in particular, and notably baritone saxophonist Pepper Adams all had a breakthrough year in 1957. Given his New Star award in Down Beat magazine's critics poll and much acclaim working with the Stan Kenton Orchestra, Adams left Detroit that year for important recording sessions on both the East and West Coasts. Teamed here with musicians based in the Los Angeles area, Adams proved as adept at hard bop as with the cool school sound the California jazzmen had established. Two dates from the summer of 1957 (Pepper Adams Quintet for the Mode label and Critics' Choice from Pacific Jazz) feature drummer Mel Lewis on all the cuts, with help from pianists Carl Perkins or Jimmy Rowles, Kenton trumpeters Stu Williamson or Lee Katzman, bassist Leroy Vinnegar, and on the second assemblage fellow Detroiter bassist Doug Watkins. The result is a solid collection of standards and compositions from emerging Motor City jazzmen Tommy Flanagan, Barry Harris, Thad Jones, and Adams. The distinguished sound of the baritone makes for an intriguing partnership alongside the brass of Williamson or Katzman. Five tracks with the Perkins/Williamson combine produced the calypso to hard bop "Muezzin'," with a singing trumpet followed by baritone, and "Freddie Froo," a hard bopper based on the same batting order, both originals by the leader. A spry version of the usually mundane "Unforgettable," a frantic, wow factor-saturated take of "Baubles, Bangles and Beads," and the tender, deep, and mellow "My One and Only Love" round out the first session. Katzman plays very well, trumping his relatively little-known status on three of the next eight tracks. He's excellent taking the lead on Flanagan's now legendary "Minor Mishap," adds to the breezy cool of "High Step" from the pen of Harris, and assists the band in bright, inventive, and adroit 4/4 to 3/4 time changes during the Thad Jones number "5021." Rowles in particular consistently stands out for his inserted solo segments on "5021," and manhandles the other Thad Jones contribution, a furious flyer titled "Zec," in a way original boppers Charlie Parker and Miles Davis would be envious of. His piano leads are simply elegant and refined on two more originals written by Adams: on the bluesy "Four Funky Folk" (originally on the World Pacific LP Blowin' the Blues) and especially during his feature on "Blackout Blues." Of course, Mel Lewis is the consummate professional with every swinging note. But the star here is Adams, emerging with brimming confidence and a solid concept beyond his peers and influences, and exhibiting a style that perfectly reflects his highly intelligent, dry, quick-witted, and fluid personality. For fans and students of the big horn, this is a homework project, and a testament to one of the greatest players of all time on his instrument.