(Hard Bop) [CD] Cannonball Adderley Quintet - The Price You Got To Pay To Be Free (1970) - 2016, FLAC (tracks+.cue), lossless
![(Hard Bop) [CD] Cannonball Adderley Quintet - The Price You Got To Pay To Be Free (1970) - 2016, FLAC (tracks+.cue), lossless](/upload/000/u2/d6/7c/hard-bop-cd-cannonball-adderley-quintet-the-price-you-got.jpg "(Hard Bop) [CD] Cannonball Adderley Quintet - The Price You Got To Pay To Be Free (1970) - 2016, FLAC (tracks+.cue), lossless")
Треклист:
Cannonball Adderley Quintet - The Price You Got To Pay To Be Free (1970) Жанр: Hard Bop
Носитель: CD
Год издания: 2016
Издатель (лейбл): Blue Note/Capitol/Real Gone Music
Номер по каталогу: RGM-0453
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 76:00
Источник (релизер): ruskaval
Наличие сканов в содержимом раздачи: да
Треклист:
01. Soul Virgo (1:44)
02. Rumplestiltskin (5:15)
03. Inquisition (2:31)
04. Devastatement (3:29)
05. Pra Dizer Adeus (To Say Goodbye) (2:48)
06. The Price You Got To Pay To Be Free (4:39)
07. Some Time Ago (4:28)
08. Exquisition (4:02)
09. Painted Desert (6:11)
10. Directions (1:18)
11. Down In Black Bottom (5:17)
12. 1-2-3-Go-O-O-O! (4:43)
13. Lonesome Stranger (1:57)
14. Get Up Off Your Knees (4:58)
15. Wild-Cat Pee (3:17)
16. Alto Sex (1:42)
17. Bridges (4:47)
18. Out And In (5:47)
19. Together (6:24)
20. The Scene (0:41)
Personnel:
Cannonball Adderley - as, ss, vo
Nat Adderley - cor, vo
Joe Zawinul - p, el-p, ring modulator
Walter Booker - b
Roy McCurdy - d
Nat Adderley, Jr. - p, el-p, vo
Bob West - b
Носитель: CD
Год издания: 2016
Издатель (лейбл): Blue Note/Capitol/Real Gone Music
Номер по каталогу: RGM-0453
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 76:00
Источник (релизер): ruskaval
Наличие сканов в содержимом раздачи: да
Треклист:
01. Soul Virgo (1:44)
02. Rumplestiltskin (5:15)
03. Inquisition (2:31)
04. Devastatement (3:29)
05. Pra Dizer Adeus (To Say Goodbye) (2:48)
06. The Price You Got To Pay To Be Free (4:39)
07. Some Time Ago (4:28)
08. Exquisition (4:02)
09. Painted Desert (6:11)
10. Directions (1:18)
11. Down In Black Bottom (5:17)
12. 1-2-3-Go-O-O-O! (4:43)
13. Lonesome Stranger (1:57)
14. Get Up Off Your Knees (4:58)
15. Wild-Cat Pee (3:17)
16. Alto Sex (1:42)
17. Bridges (4:47)
18. Out And In (5:47)
19. Together (6:24)
20. The Scene (0:41)
Personnel:
Cannonball Adderley - as, ss, vo
Nat Adderley - cor, vo
Joe Zawinul - p, el-p, ring modulator
Walter Booker - b
Roy McCurdy - d
Nat Adderley, Jr. - p, el-p, vo
Bob West - b
Несколько слов на английском
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – one that really displays the full charm of their approach at the time, and that wonderfully crowd-winning mode that made Cannon a key act at this time for rock and soul audiences too! Adderley raps a bit at key points, and brings some righteous energy to the concert – while the rest of the group follow up with performances that really send the whole thing home – Nat Adderley on cornet, Zawinul on Fender Rhodes and piano, Walter Booker on bass, and Roy McCurdy on drums. Cannon plays some soprano sax, in addition to his familiar alto. Produced by David Axelrod too!
Jazz was undergoing a sea change in 1970 thanks to Miles Davis' electronic and structural breakthroughs, and his former sideman, Cannonball Adderley, was right in the thick of things (the two leaders shared musicians and traded influences during this period). Like Miles, the Adderleys expanded their canvas to double-LPs – this live album being the first of a series in the double-pocket format – and each side would be organized into nearly continuous medleys. Not only that, Cannonball still had Joe Zawinul on board, who greatly altered the texture of Cannonball's music with his floating electric piano and science-fiction interludes with a ring modulator (this would be his last album with the Quintet). Roy Booker had replaced Victor Gaskin on upright bass, Still, Cannonball was a populist at heart, and his generosity of spirit shines through this often deliciously diverse album, which ranges wildly from flat-out soul and funky grooves to Brazilian music (Milton Nascimento's "Bridges") and even possesses a cautious toe dip into the avant-garde ("Out and In"). It endures as such a document, too, since parts of it have been sampled by J Dilla, Pharcyde, Kwest the Madd Ladd, and Funkdoobiest. Along the way, we hear vocals from both Adderleys (including an exceedingly rare yet oddly charming one from Cannon on Milton Nascimento's challenging "Bridges"), a stunningly touching Cannonball testament on soprano in "Some Time Ago," and alto solos that definitely show that Cannonball had absorbed the Coltrane vocabulary. Guest Nat Adderley, Jr.'s clichéd anti-Nixon sloganeering on the title tune is just that (granted, he was only 15 years old), but his presence testifies to the close-knit, liberal family atmosphere that Cannonball encouraged. He more than compensates for it with his funky acoustic guitar playing backing his father's vocal on "Down in the Black Bottom" (the B-side for the album's rousing single "Get Up Off Your Knees") while a gospel Rhodes piano testifies. Another notable track is Zawinul's modal "Painted Desert" in its first recorded (and most likely edited) version. The Price You Got to Pay to Be Free is a fascinating snapshot of the Quintet in transition.
Jazz was undergoing a sea change in 1970 thanks to Miles Davis' electronic and structural breakthroughs, and his former sideman, Cannonball Adderley, was right in the thick of things (the two leaders shared musicians and traded influences during this period). Like Miles, the Adderleys expanded their canvas to double-LPs – this live album being the first of a series in the double-pocket format – and each side would be organized into nearly continuous medleys. Not only that, Cannonball still had Joe Zawinul on board, who greatly altered the texture of Cannonball's music with his floating electric piano and science-fiction interludes with a ring modulator (this would be his last album with the Quintet). Roy Booker had replaced Victor Gaskin on upright bass, Still, Cannonball was a populist at heart, and his generosity of spirit shines through this often deliciously diverse album, which ranges wildly from flat-out soul and funky grooves to Brazilian music (Milton Nascimento's "Bridges") and even possesses a cautious toe dip into the avant-garde ("Out and In"). It endures as such a document, too, since parts of it have been sampled by J Dilla, Pharcyde, Kwest the Madd Ladd, and Funkdoobiest. Along the way, we hear vocals from both Adderleys (including an exceedingly rare yet oddly charming one from Cannon on Milton Nascimento's challenging "Bridges"), a stunningly touching Cannonball testament on soprano in "Some Time Ago," and alto solos that definitely show that Cannonball had absorbed the Coltrane vocabulary. Guest Nat Adderley, Jr.'s clichéd anti-Nixon sloganeering on the title tune is just that (granted, he was only 15 years old), but his presence testifies to the close-knit, liberal family atmosphere that Cannonball encouraged. He more than compensates for it with his funky acoustic guitar playing backing his father's vocal on "Down in the Black Bottom" (the B-side for the album's rousing single "Get Up Off Your Knees") while a gospel Rhodes piano testifies. Another notable track is Zawinul's modal "Painted Desert" in its first recorded (and most likely edited) version. The Price You Got to Pay to Be Free is a fascinating snapshot of the Quintet in transition.
Лог создания рипа
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 20. June 2016, 8:27
Cannonball Adderley / The Price You Got To Pay To Be Free
Used drive : MATSHITADVD+-RW SW830 Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 1:44.13 | 0 | 7812
2 | 1:44.13 | 5:14.50 | 7813 | 31412
3 | 6:58.63 | 2:31.19 | 31413 | 42756
4 | 9:30.07 | 3:29.35 | 42757 | 58466
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6 | 15:47.36 | 4:39.10 | 71061 | 91995
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13 | 46:26.38 | 1:56.65 | 208988 | 217752
14 | 48:23.28 | 4:57.69 | 217753 | 240096
15 | 53:21.22 | 3:17.08 | 240097 | 254879
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18 | 63:07.02 | 5:47.09 | 284027 | 310060
19 | 68:54.11 | 6:24.11 | 310061 | 338871
20 | 75:18.22 | 0:41.37 | 338872 | 341983
Track 1
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Accurately ripped (confidence 1) [32109C5E] (AR v2)
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Track 2
Filename G:\New Rips\Cannonball Adderley - The Price You Got To Pay To Be Free (1970) [FLAC]\02 - Rumplestiltskin.wav
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Track 3
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Track 4
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Track 5
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Track 6
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Track 7
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Track 8
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Track 9
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Track 10
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Track 11
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Track 12
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Track 13
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Track 14
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Track 15
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Track 16
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Track 17
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Track 18
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Track 19
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Track 20
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Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1970
REM DISCID 1211CF14
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "Cannonball Adderley"
TITLE "The Price You Got To Pay To Be Free"
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