(Hard Bop) [CD] Art Blakey and The Jazz Messengers - Keystone 3 - 1982 (1990), FLAC (tracks+.cue), lossless

X Lossless Decoder version 20151214 (149.1)
XLD extraction logfile from 2016-06-17 19:43:13 +0200
Art Blakey / Keystone 3
Used drive : Slimtype eBAU108  6 L (revision PL01)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 6
Max retry count         : 100
Gap status              : Analyzed, Appended (except HTOA)
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  | 00:00:33 | 08:26:30 |        33    |    38012
        2  | 08:26:63 | 07:17:20 |     38013    |    70807
        3  | 15:44:08 | 08:46:30 |     70808    |   110287
        4  | 24:30:38 | 11:28:42 |    110288    |   161929
        5  | 35:59:05 | 10:34:25 |    161930    |   209504
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    Track 02 : OK (v1+v2, confidence 7/7)
    Track 03 : OK (v1+v2, confidence 7/7)
    Track 04 : OK (v1+v2, confidence 7/7)
    Track 05 : OK (v1+v2, confidence 7/7)
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All Tracks
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Track 01
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Track 02
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Track 03
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Track 04
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Track 05
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End of status report
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TITLE "Keystone 3"
PERFORMER "Art Blakey & The Jazz Messengers"
REM GENRE "Jazz"
REM DATE "1982"
REM DISCID 3A0AE905
REM REPLAYGAIN_ALBUM_GAIN -3.46 dB
REM REPLAYGAIN_ALBUM_PEAK 0.999969
FILE "01 - In Walked Bud.flac" WAVE
  TRACK 01 AUDIO
    TITLE "In Walked Bud"
    REM REPLAYGAIN_TRACK_GAIN -3.54 dB
    REM REPLAYGAIN_TRACK_PEAK 0.999969
    PREGAP 00:00:33
    INDEX 01 00:00:00
FILE "02 - In a Sentimental Mood.flac" WAVE
  TRACK 02 AUDIO
    TITLE "In a Sentimental Mood"
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FILE "03 - Fuller Love.flac" WAVE
  TRACK 03 AUDIO
    TITLE "Fuller Love"
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FILE "04 - Waterfalls.flac" WAVE
  TRACK 04 AUDIO
    TITLE "Waterfalls"
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FILE "05 - A La Mode.flac" WAVE
  TRACK 05 AUDIO
    TITLE "A La Mode"
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[CUETools log; Date: 29.06.2016 18:49:14; Version: 2.1.5]
Pregap length 00:00:33.
[CTDB TOCID: baj0_848SIcofbyW1dMeNUqOF0E-] found.
Track | CTDB Status
  1   | (2/2) Accurately ripped
  2   | (2/2) Accurately ripped
  3   | (2/2) Accurately ripped
  4   | (2/2) Accurately ripped
  5   | (2/2) Accurately ripped
[AccurateRip ID: 000902f1-002aab1b-3a0ae905] found.
Track   [  CRC   |   V2   ] Status
 01     [5b80de66|df0251e9] (3+4/7) Accurately ripped
 02     [a1107ab6|4b9d01b3] (3+4/7) Accurately ripped
 03     [a20eacc4|4d453d29] (3+4/7) Accurately ripped
 04     [813c7102|7d664810] (3+4/7) Accurately ripped
 05     [f0c3402f|419d3eb4] (3+4/7) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL]
 --  100,0 [1CB1EC36] [6AC3B854]
 01  100,0 [9328FA58] [8D3EB24D]
 02   96,6 [6F318F9E] [0A2167C7]
 03   99,8 [6B7E916A] [02D7ADF8]
 04   97,8 [EE39F75A] [298C5B84]
 05   98,9 [0498A024] [2020E2CC]

This third live recording at San Francisco's Keystone Korner in the late '70s and early '80s of drummer Art Blakey's Jazz Messengers is significant for many reasons. It marks the final ushering out of the famous band that was fronted at times by David Schnitter, Curtis Fuller, Bobby Watson, and Valery Ponomarev, with Bill Pierce then the lone holdout. It is the first recording to include alto saxophonist Branford Marsalis (who specialized on tenor and soprano sax,) and teams him with brother Wynton Marsalis and Pierce on a formidable, compact front line. Memphis continues to be represented as Donald Brown takes over for James Williams, and New Orleans bass wizard Charles Fambrough remains. The result is an ultra-melodic band of Messengers who instrumentally sing together, swing hard, and are completely commanded by an energetic and powerful rhythm machine in Blakey, at the time in his early sixties. The show starts with a rousing version of "In Walked Bud," with the front line instrumentally singing this famous melody, Wynton growling on his solo, and Branford lyrically sounding like Charlie Parker. "In a Sentimental Mood" is a feature for Pierce without the brothers, as Brown's chiming comping piano buoys the measured tenor sax. The next three pieces are remainders of the previous bands. "Fuller Love," the Bobby Watson tribute to Curtis Fuller, is a 6/8 modal line full of energy, as biting and precise harmonic bass and horns stab with Blakey's driving rhythms all signify the best hard bop offers in modern times. "Waterfall" is the magnum opus of the set, as the horns ascend and descend dynamically in perfect in and out changes, Wynton's solo double-timed to bop pace the highlight. "A La Mode" is the famous composition of Fuller's played to exacting specs in hushed tones with Brown perfectly shadowing the horns, while Blakey dominates and commands the troops in building tension, then halting them at will. Of the many live recordings with different Jazz Messengers lineups, this ranks among their best, and is a springboard for what the Marsalis brothers would offer as artists in their own right. With Blakey, this combination was special.