(Hard Bop) Art Blakey - Holiday for Skins - 1958, FLAC (tracks+.cue), lossless

EAC extraction logfile from 30. July 2006, 10:05 for CD
Art Blakey / Holiday For Skins
Used drive  : PLEXTOR CD-R   PX-W4824A   Adapter: 1  ID: 0
Read mode   : Secure with NO C2, accurate stream, disable cache
Read offset correction : 98
Overread into Lead-In and Lead-Out : Yes
Used output format : C:\Program Files\Exact Audio Copy\flac.exe   (User Defined Encoder)
                     320 kBit/s
                     Additional command line options : -8 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -T "comment=EAC Flac 1.1.2a -8" %s
Other options      :
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Native Win32 interface for Win NT & 2000
Track  1
     Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\01 - The Feast (Art Blakey - Holiday For Skins).wav
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     Track quality 100.0 %
     Test CRC 658F26C0
     Copy CRC 658F26C0
     Copy OK
Track  2
     Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\02 - Aghano (Art Blakey - Holiday For Skins).wav
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Track  3
     Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\03 - Lamento Africano (Art Blakey - Holiday For Skins).wav
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     Test CRC E97018F1
     Copy CRC E97018F1
     Copy OK
Track  4
     Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\04 - Mirage (Art Blakey - Holiday For Skins).wav
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     Copy CRC 8A393353
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Track  5
     Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\05 - O'Tinde (Art Blakey - Holiday For Skins).wav
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Track  6
     Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\06 - Swingin' Kilts (Art Blakey - Holiday For Skins).wav
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Track  7
     Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\07 - Dinga (Art Blakey - Holiday For Skins).wav
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Track  8
     Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\08 - Reflection (Art Blakey - Holiday For Skins).wav
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No errors occured
End of status report

REM GENRE Jazz
REM DATE 1958
REM DISCID 610FB708
REM COMMENT "ExactAudioCopy v0.95b3"
PERFORMER "Art Blakey"
TITLE "Holiday for Skins"
FILE "01 - The Feast.wav" WAVE
  TRACK 01 AUDIO
    TITLE "The Feast"
    PERFORMER "Art Blakey"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Aghano"
    PERFORMER "Art Blakey"
    INDEX 00 08:52:25
FILE "02 - Aghano.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Lamento Africano"
    PERFORMER "Art Blakey"
    INDEX 00 06:04:07
FILE "03 - Lamento Africano.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Mirage"
    PERFORMER "Art Blakey"
    INDEX 00 08:22:42
FILE "04 - Mirage.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "O'Tinde"
    PERFORMER "Art Blakey"
    INDEX 00 10:27:31
FILE "05 - O'Tinde.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Swingin' Kilts"
    PERFORMER "Art Blakey"
    INDEX 00 06:14:06
FILE "06 - Swingin' Kilts.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Dinga"
    PERFORMER "Art Blakey"
    INDEX 00 08:49:02
FILE "07 - Dinga.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Reflection"
    PERFORMER "Art Blakey"
    INDEX 00 08:57:24
FILE "08 - Reflection.wav" WAVE
    INDEX 01 00:00:00

[CUETools log; Date: 03.03.2013 23:33:18; Version: 2.1.4]
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[AccurateRip ID: 0014460f-0087b5a7-610fb708] found.
Track   [  CRC   |   V2   ] Status
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 07     [95f05139|4f617473] (10+00/10) Accurately ripped
 08     [8cc7da7f|5db27478] (10+00/10) Accurately ripped
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Art Blakey, who visited Africa several times, has been cited as saying jazz couldn't have happened there, that it could only have happened in America when and where it did, but Blakey was also fully aware of where those polyphonic rhythms and call-and-response patterns that underscore all of jazz came from. In the mid-'50s he began experimenting with large drum ensembles that slid African and Latin rhythms beneath hard bop horn and piano structures, resulting in a kind of worldbeat jazz hybrid years before the idea of worldbeat became codified as a musical concept. Holiday for Skins has an even larger drum ensemble than the one that Blakey used for 1956's similar Drum Suite, consisting this time around of three jazz drummers (Philly Joe Jones, Art Taylor, and Blakey himself) and a host of Latin and African percussionists, including Ray Barretto and Sabú Martínez, as well as Donald Byrd on trumpet and Ray Bryant on piano. With the exception of Bryant's two compositions, "Swingin' Kilts" and "Reflection," all the tracks were worked out during one long studio session which ran from 11 p.m. until 5 a.m. the next morning. The end result sounds very joyous, tribal, and ceremonial, helped along in that regard by interspersed vocal chants, yelps, howls, and whistles with occasional bursts of straight jazz texture from Byrd or Bryant. [The lengthy session was originally released by Blue Note as two separate LPs labeled Volume 1 and Volume 2, and this CD reissue combines both into one seamless sequence running a little over an hour in length. As one might suspect, there isn't a whole lot of melody or harmony being worked on here, but the rhythms are extraordinarily interesting, with the various bongos, congas, and trap kit formations constantly responding to each other in ever expanding and overlapping circles. It may not be everyone's idea of jazz, but jazz it most certainly is, and many of the rhythm experiments Blakey was trying out at the time in albums like this one, Drum Suite, and 1962's African Beat are now standard approaches in contemporary jazz and pop, which is why all three of these drum-centric releases sound so eerily current years later.]