(Hard Bop) Archie Shepp Quartet - True Blue - 1999 (Japan Edition), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 25. September 2011, 23:38
Archie Shepp Quartet / True Blue
Used drive  : PLEXTOR CD-R   PREMIUM2   Adapter: 4  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 30
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
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    ---------------------------------------------------------
        1  |  0:00.00 |  5:25.74 |         0    |    24448
        2  |  5:25.74 |  7:49.01 |     24449    |    59624
        3  | 13:15.00 |  7:45.00 |     59625    |    94499
        4  | 21:00.00 |  9:40.00 |     94500    |   137999
        5  | 30:40.00 |  7:06.00 |    138000    |   169949
        6  | 37:46.00 |  8:24.00 |    169950    |   207749
        7  | 46:10.00 | 10:32.01 |    207750    |   255150
        8  | 56:42.01 |  6:47.00 |    255151    |   285675
        9  | 63:29.01 |  9:40.17 |    285676    |   329192
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Track  2
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     Accurately ripped (confidence 2)  [9CFAB16D]  (AR v2)
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Track  3
     Filename F:\EAC WAV\03 - Time After Time.wav
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     Accurately ripped (confidence 2)  [F0233055]  (AR v2)
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Track  4
     Filename F:\EAC WAV\04 - All Or Nothing At All.wav
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Track  5
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Track  6
     Filename F:\EAC WAV\06 - Que Reste-t-il De Nos Amours.wav
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Track  7
     Filename F:\EAC WAV\07 - Blue Train.wav
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Track  8
     Filename F:\EAC WAV\08 - A Little Surprise For The Lady.wav
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Track  9
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 9140777A12C10034F8B8AAE778542D1796D3E470F58BF17DCE7801CB8573F68C ====

REM GENRE Jazz
REM DATE 1999
REM DISCID 7B112509
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Archie Shepp Quartet"
TITLE "True Blue"
FILE "01 - Lonnie's Lament.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Lonnie's Lament"
    PERFORMER "Archie Shepp Quartet"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Everytime We Say Goodbye"
    PERFORMER "Archie Shepp Quartet"
    INDEX 00 05:20:29
FILE "02 - Everytime We Say Goodbye.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Time After Time"
    PERFORMER "Archie Shepp Quartet"
    INDEX 00 07:43:31
FILE "03 - Time After Time.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "All or Nothing at All"
    PERFORMER "Archie Shepp Quartet"
    INDEX 00 07:39:30
FILE "04 - All or Nothing at All.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "But Beautiful"
    PERFORMER "Archie Shepp Quartet"
    INDEX 00 09:34:30
FILE "05 - But Beautiful.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Que Reste-t-il de Nos Amours"
    PERFORMER "Archie Shepp Quartet"
    INDEX 00 07:00:30
FILE "06 - Que Reste-t-il de Nos Amours.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Blue Train"
    PERFORMER "Archie Shepp Quartet"
    INDEX 00 08:18:30
FILE "07 - Blue Train.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "A Little Surprise for the Lady"
    PERFORMER "Archie Shepp Quartet"
    INDEX 00 10:26:31
FILE "08 - A Little Surprise for the Lady.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "I Want to Talk About You"
    PERFORMER "Archie Shepp Quartet"
    INDEX 00 06:41:30
FILE "09 - I Want to Talk About You.wav" WAVE
    INDEX 01 00:00:00

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This 1998 studio recording by tenor sax legend Archie Shepp is a study in blues and ballads as the title might suggest, but it also marks the return of Shepp as a true bandleader. With pianist John Hicks, drummer Billy Drummond, and bassist George Mraz, Shepp sounds more inspired here than he has in literally decades. There is no crutch-like reliance on hard bop and blues stylings, nor is there any over-the-shoulder tosses at being the king of the avant-garde. Instead Shepp focuses on what he does best: being a fine stylist and one of the great blues phraseologists in the business. Opening with Coltrane's "Lonnie's Lament," Shepp goes one better than just saluting his old boss -- he reharmonizes the tune and slows it down, making it a true elegy. On Cole Porter's tunes, Shepp looks to the deep lyricism in Hicks' playing to bring out his best ballad style. The two of them interact so warmly and intimately here, it could have easily been a duet. On Jimmy van Heusen's "But Beautiful," it's Hicks who leads off the tune, but it's Shepp who gives it its body and soul. Beginning to play the melody from deep in the lower register, Shepp traces the harmony out to the edges and coaxes Hicks to follow him; he simultaneously scales back just enough to open him up to fill that space with wonderful flowering chords against his warmer-than-July tone. Shepp offers one original to the mix, "A Little Surprise for the Lady," which is refreshing among all these covers for its shimmering, funky groove and slithering solo; he offers a stunning rendition of "Blue Train" and ends the program with another of the Coltrane book standards, Billy Eckstine's "I Want to Talk About You." But instead of going for Coltrane's leaping and loping harmony in the bridge, Shepp creates a new one based on the bassline instead of the lyric phrase, which adds a certain depth and dimension not heard before, no matter how many times this tune has been interpreted. The only weak spot on the whole date comes from Mraz. His lack of wood in his tone makes all of his fluidity for naught because, as with most of the sessions he plays on, he becomes too limpid to hear. But it's a small complaint for a gorgeous session.