(Gypsy Jazz, Swing) [CD] Jimmy Rosenberg & Stian Carstensen - Rose Room - 2005, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 13. February 2018, 7:19
Jimmy Rosenberg, Stian Carstensen / Rose Room
Used drive  : Optiarc DVD RW AD-7200S   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
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TOC of the extracted CD
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       10  | 38:08.42 |  4:58.62 |    171642    |   194053
       11  | 43:07.29 |  2:04.68 |    194054    |   203421
       12  | 45:12.22 |  3:40.52 |    203422    |   219973
Track  1
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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     Accurately ripped (confidence 2)  [1ABAAA6A]  (AR v2)
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Track  9
     Filename I:\X\Jimmy Rosenberg, Stian Carstensen - Rose Room (2004) [CD-FLAC] {HCRCD180}\09 - I Found a New Baby.wav
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Track 10
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Track 11
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Track 12
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     Accurately ripped (confidence 2)  [B08F76CD]  (AR v2)
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All tracks accurately ripped
No errors occurred
End of status report
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==== Log checksum 1FA6BAE93456EE44E9B0635FA2340BBFE1943067546D2E44CBA9DD11B41BA4D5 ====

REM GENRE Jazz
REM DATE 2005
REM DISCID AA0B740C
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Jimmy Rosenberg & Stian Carstensen"
TITLE "Rose Room"
FILE "01 - Joseph, Joseph.wav" WAVE
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    PERFORMER "Jimmy Rosenberg & Stian Carstensen"
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    PERFORMER "Jimmy Rosenberg & Stian Carstensen"
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The music of Django Reinhardt lives on! In addition to continuing reissues of the great Gypsy guitarist's recordings, modern musicians continue to pay tribute to and expand on his legacy. Among these are Seattle, Washington's Pearl Django and the Hot Club of Norway, whose record label puts out their own recordings as well as those of the Dutch Gypsy guitar prodigy, Jimmy Rosenberg. Rosenberg has recorded with the Hot Club of Norway and has also put out several solo and duet recordings, the latest of which teams him with the eclectic Norwegian accordeonist, Stian Carstensen.
Rose Room is a spectacular showcase of acoustic jazz, played by two of the hottest swingers on the Continent. I'm convinced that Carstensen can play any piece in any style on his accordeon, from Balkan jazz to polkas to Americana to French bal musette. And he has a sense of playful exuberance and nimble fingers that make him just as good an accompanist for this Djangoesque guitarist as was Stephane Grappelli for Django himself. Rosenberg, himself a mere 25 years old, has not only mastered the technical aspects of Reinhardt's style, but brings something of his own passion and wit to his playing as well.
This recording is all over the map in its program, from traditional Yiddish tunes to Western swing, hot jazz to cool bop, show tunes to Russian laments. It kicks off with the traditional klezmer number "Joseph, Joseph," its intro all dark accordeon chords behind lightning guitar arpeggios that seem to run the entire length of the guitar's neck. The title track features a lush romantic introduction that kicks into a joyous cabaret swing. Gershwin's "Lady Be Good" gets a manic but precise reading, and the two musicians pull out all the stops for one of Django's signature tunes, the achingly romantic "Nuages." Making full use of both of the accordeon's keyboards, Carstensen allows his instrument to give a fair approximation of all the parts played by the original Hot Club Quintet, bending blue notes, fluttering the bass keys and taking off on a lilting version of the melody in one verse, while Rosenberg leaps from lead to accompaniment and back.
The album continues with the traditional Russian "Dark Eyes," the "Lulu Swing," Sonny Rollins' "Pent-Up House," Spencer Williams hot-jazz standard "I Found a New Baby," Jimmy McHugh's soothing "I'm In the Mood for Love," Bob Wills' jumping "There's Gonna Be a Party for the Old Folks," and bop cornetist Nat Adderley's "The Old Country." Another highlight is a lovely reading of Sholom Secunda's Yiddish-pop masterpiece originally recorded by the Andrews Sisters, "Be Mir Bist Du Schon."
Rose Room was recorded live in the studio with no overdubs. The sound is beautifully rendered; with headphones, I felt at times that Carstensen was playing his accordeon right behind my right ear, Rosenberg's guitar the left. If I have a complaint, it's that with only a couple of exceptions, the whole album is played fast or faster -- don't drink anything with caffeine before you listen to this one. But listen you should, and just try to sit still when you do.