(Glitch, Downtempo, Cool Jazz) Flanger - Nuclear Jazz - 2007, FLAC (image + .cue), lossless
Flanger - Nuclear Jazz
Страна: Germany
Лэйбл: Nonplace (CD# NON21)
Жанр: Glitch, Downtempo, Cool Jazz
Год выпуска: 2007
Формат: FLAC (image + .cue)
Битрейт аудио: lossless
Продолжительность: 79:13.33
Трэклист:
01 Intro
02 Music to Begin with, Pt. 1
03 Music to Begin with, Pt. 2
04 Endless Summer
05 Options in the Fire
06 Short Note with a Few
07 Studio Tan
08 Full on Scientist
09 Lata
10 Nightbeat, Pt. 1
11 Bosco's Disposable Driver
12 Midnight Sound
13 We Move
14 Human Race Race
15 Angel Of Love
16 Nightbeat, Pt. 2
17 Stepping out of My Dream
18 Tangram (Golf Club Mix)
Доп. информация:
"It's difficult to imagine a time when it won't sound before its
time." (Real Groove, New Zealand, 1999)
With this "two in one" - edited and freshly mastered reissue of
Flanger's early records ("Templates" [NTone, 1997], "Midnight
Sound" [NTone, 2000]), Nonplace offers a 79 minutes assembly
of probably the most elaborate and witty electronic productions
around. Atom and Burnt Friedman attack the most common
preconception of electronic music - its artificiality, - slice it
into a million pieces and stitch a pixelated patchwork from the
jagged fragments: hence the title, "Nuclear Jazz". The first and
only Flanger remix to date - produced in 1999 for the Italian
artist Gak Sato - completes this "blistering set of instrumentals
that snare both, the intellect and the hips". (uncut 2000)
Источник: HQShare.net; релизер: LynxDaftPunk
Другие альбомы Flanger:
Outer Space/Inner Space
Страна: Germany
Лэйбл: Nonplace (CD# NON21)
Жанр: Glitch, Downtempo, Cool Jazz
Год выпуска: 2007
Формат: FLAC (image + .cue)
Битрейт аудио: lossless
Продолжительность: 79:13.33
Трэклист:
01 Intro
02 Music to Begin with, Pt. 1
03 Music to Begin with, Pt. 2
04 Endless Summer
05 Options in the Fire
06 Short Note with a Few
07 Studio Tan
08 Full on Scientist
09 Lata
10 Nightbeat, Pt. 1
11 Bosco's Disposable Driver
12 Midnight Sound
13 We Move
14 Human Race Race
15 Angel Of Love
16 Nightbeat, Pt. 2
17 Stepping out of My Dream
18 Tangram (Golf Club Mix)
Доп. информация:
"It's difficult to imagine a time when it won't sound before its
time." (Real Groove, New Zealand, 1999)
With this "two in one" - edited and freshly mastered reissue of
Flanger's early records ("Templates" [NTone, 1997], "Midnight
Sound" [NTone, 2000]), Nonplace offers a 79 minutes assembly
of probably the most elaborate and witty electronic productions
around. Atom and Burnt Friedman attack the most common
preconception of electronic music - its artificiality, - slice it
into a million pieces and stitch a pixelated patchwork from the
jagged fragments: hence the title, "Nuclear Jazz". The first and
only Flanger remix to date - produced in 1999 for the Italian
artist Gak Sato - completes this "blistering set of instrumentals
that snare both, the intellect and the hips". (uncut 2000)
продолжение
10 years ago, in December 1997 Atom™ and Burnt Friedman teamed
up in Santiago de Chile to compose "Templates". Atom™, also known
as Señor Coconut, had moved life and studio to Chile in 1997 and
B.Friedman flew in as part of his annual travel to New Zealand and
Australia. Equipped with few electronic production devices:
sampler, sequencer and keyboard the duo managed to produce the
entire first Flanger record "Templates" within one week only. On
their search for the ultimate organic, non-repetitive sound scape
they intended to blur the borders between "real", "fake" and
"hyperreal": Songs may start with an accumulation of shortest
possible noise fragments derived from self-made instrumental
samples - programmed with the deliberate avoidance of repetition -
developing into the acoustic sound of a real jazz trio playing
live. "Templates was a simulation of small group jazz. What
sounded superficially like real time playing was revealed to be
samples deployed in a psychedelic demonstration of Friedman's
Nonplace ideas, undercutting the record's apparent virtuosity and
any assumptions about the meaning of the word 'genuine'," reviews
The Wire magazine in 1999.
"Atom™ and Burnt Friedman found a place where they could indulge
their sheer love of playing," as stated in the 1999 liner notes of the
second album "Midnight Sound". They added the latin flavour
wherever they could. "Not only their wealth of ideas but also their
ability to 'humanize' the sound of samples, coupled with the
funkiness of their music, is evident on this album. With electrically
defamiliarized instrument set ups, 'Midnight Sound' ignores all the
stylistic pigeon holes that critics so love squeezing musicians into.
There seems to be nothing Flanger is reluctant to touch upon."
(отсюда)
up in Santiago de Chile to compose "Templates". Atom™, also known
as Señor Coconut, had moved life and studio to Chile in 1997 and
B.Friedman flew in as part of his annual travel to New Zealand and
Australia. Equipped with few electronic production devices:
sampler, sequencer and keyboard the duo managed to produce the
entire first Flanger record "Templates" within one week only. On
their search for the ultimate organic, non-repetitive sound scape
they intended to blur the borders between "real", "fake" and
"hyperreal": Songs may start with an accumulation of shortest
possible noise fragments derived from self-made instrumental
samples - programmed with the deliberate avoidance of repetition -
developing into the acoustic sound of a real jazz trio playing
live. "Templates was a simulation of small group jazz. What
sounded superficially like real time playing was revealed to be
samples deployed in a psychedelic demonstration of Friedman's
Nonplace ideas, undercutting the record's apparent virtuosity and
any assumptions about the meaning of the word 'genuine'," reviews
The Wire magazine in 1999.
"Atom™ and Burnt Friedman found a place where they could indulge
their sheer love of playing," as stated in the 1999 liner notes of the
second album "Midnight Sound". They added the latin flavour
wherever they could. "Not only their wealth of ideas but also their
ability to 'humanize' the sound of samples, coupled with the
funkiness of their music, is evident on this album. With electrically
defamiliarized instrument set ups, 'Midnight Sound' ignores all the
stylistic pigeon holes that critics so love squeezing musicians into.
There seems to be nothing Flanger is reluctant to touch upon."
(отсюда)
EAC log
EAC extraction logfile from 25. May 2007, 23:18 for CD
Flanger / Nuclear Jazz
Used drive : TSSTcorpCD/DVDW SH-S183A Adapter: 4 ID: 1
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
Selected range
Filename D:\Flanger - Nuclear Jazz.wav
Peak level 100.0 %
Range quality 100.0 %
CRC 31858164
Copy OK
No errors occured
End of status report
Flanger / Nuclear Jazz
Used drive : TSSTcorpCD/DVDW SH-S183A Adapter: 4 ID: 1
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo
Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface
Range status and errors
Selected range
Filename D:\Flanger - Nuclear Jazz.wav
Peak level 100.0 %
Range quality 100.0 %
CRC 31858164
Copy OK
No errors occured
End of status report
Outer Space/Inner Space
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777