(Fusion/Jazz/Grrove) Wayne Krantz - Howie 61 - 2012, FLAC (tracks+.cue), lossless
Треклист:
Wayne Krantz / Howie 61
Жанр: Fusion/Jazz/Grrove
Страна-производитель диска: USA
Год издания: 2012
Издатель (лейбл): Abstract Logix
Номер по каталогу: ABLX 34
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:39:09
Источник (релизер): свой CD
Наличие сканов в содержимом раздачи: да
Треклист:
Track 1 Howie 61
Track 2 The Bad Guys
Track 3 Check Yo Self
Track 4 I'm Afraid that I'm Dead
Track 5 Son of a Scientist
Track 6 Can't Stand to Rock
Track 7 I'd Like to Thank My Body
Track 8 U Strip it
Track 9 BELls
Track 10 How the West Was Left
Жанр: Fusion/Jazz/Grrove
Страна-производитель диска: USA
Год издания: 2012
Издатель (лейбл): Abstract Logix
Номер по каталогу: ABLX 34
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:39:09
Источник (релизер): свой CD
Наличие сканов в содержимом раздачи: да
Треклист:
Track 1 Howie 61
Track 2 The Bad Guys
Track 3 Check Yo Self
Track 4 I'm Afraid that I'm Dead
Track 5 Son of a Scientist
Track 6 Can't Stand to Rock
Track 7 I'd Like to Thank My Body
Track 8 U Strip it
Track 9 BELls
Track 10 How the West Was Left
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
Отчёт EAC об извлечении, выполненном 16. мая 2013, 22:32
Wayne Krantz / Howie 61
Дисковод: HL-DT-STDVDRAM GSA-T20N Adapter: 3 ID: 1
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 667
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Обработка зазоров : Добавлено к предыдущему треку
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 128 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% -o %dest%
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 2:50.22 | 0 | 12771
2 | 2:50.22 | 2:32.54 | 12772 | 24225
3 | 5:23.01 | 7:35.25 | 24226 | 58375
4 | 12:58.26 | 2:58.63 | 58376 | 71788
5 | 15:57.14 | 4:32.03 | 71789 | 92191
6 | 20:29.17 | 3:38.17 | 92192 | 108558
7 | 24:07.34 | 2:32.36 | 108559 | 119994
8 | 26:39.70 | 3:54.74 | 119995 | 137618
9 | 30:34.69 | 2:26.07 | 137619 | 148575
10 | 33:01.01 | 6:07.57 | 148576 | 176157
Трек 1
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\01. Howie 61.wav
Длина предзазора 0:00:02.00
Пиковый уровень 97.6 %
Скорость извлечения 0.9 X
Качество трека 99.9 %
CRC теста AEF172C4
CRC копии AEF172C4
Копирование... OK
Трек 2
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\02. The Bad Guys.wav
Пиковый уровень 97.3 %
Скорость извлечения 1.0 X
Качество трека 99.9 %
CRC теста 40143574
CRC копии 40143574
Копирование... OK
Трек 3
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\03. Check Yo Self.wav
Длина предзазора 0:00:00.52
Пиковый уровень 97.6 %
Скорость извлечения 1.5 X
Качество трека 100.0 %
CRC теста B0446677
CRC копии B0446677
Копирование... OK
Трек 4
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\04. I'm Afraid That I'm Dead.wav
Длина предзазора 0:00:02.00
Пиковый уровень 74.5 %
Скорость извлечения 1.5 X
Качество трека 100.0 %
CRC теста 4F0F944E
CRC копии 4F0F944E
Копирование... OK
Трек 5
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\05. Son Of A ScientistК.wav
Длина предзазора 0:00:00.28
Пиковый уровень 97.3 %
Скорость извлечения 1.7 X
Качество трека 100.0 %
CRC теста F5EF6BB8
CRC копии F5EF6BB8
Копирование... OK
Трек 6
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\06. Can't Stand To Rock.wav
Длина предзазора 0:00:02.71
Пиковый уровень 85.5 %
Скорость извлечения 1.7 X
Качество трека 100.0 %
CRC теста 722F98B1
CRC копии 722F98B1
Копирование... OK
Трек 7
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\07. I'd Like To Thank My Body.wav
Длина предзазора 0:00:00.37
Пиковый уровень 91.2 %
Скорость извлечения 1.7 X
Качество трека 100.0 %
CRC теста 9C205D0F
CRC копии 9C205D0F
Копирование... OK
Трек 8
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\08. U Strip It.wav
Длина предзазора 0:00:02.00
Пиковый уровень 97.6 %
Скорость извлечения 1.8 X
Качество трека 100.0 %
CRC теста 842FC526
CRC копии 842FC526
Копирование... OK
Трек 9
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\09. beLls.wav
Длина предзазора 0:00:02.47
Пиковый уровень 97.9 %
Скорость извлечения 1.5 X
Качество трека 99.9 %
CRC теста 40AD67E3
CRC копии 40AD67E3
Копирование... OK
Трек 10
Имя файла D:\Audio_Music\Wayne Krantz Howie 61\10. How The West Was Left.wav
Длина предзазора 0:00:02.15
Пиковый уровень 97.3 %
Скорость извлечения 2.1 X
Качество трека 100.0 %
CRC теста 7D74361A
CRC копии 7D74361A
Копирование... OK
Ошибок не произошло
Конец отчёта
==== Контрольная сумма отчёта 9C2C7B48B5BB54BD49DA1C38C591864CFFD8189B611DF73E67A544A71FBDE762 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2012
REM DISCID 84092C0A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Wayne Krantz"
TITLE "Howie 61"
FILE "01. Howie 61.wav" WAVE
TRACK 01 AUDIO
TITLE "Howie 61"
PERFORMER "Wayne Krantz"
ISRC USJQK3400001
INDEX 01 00:00:00
FILE "02. The Bad Guys.wav" WAVE
TRACK 02 AUDIO
TITLE "The Bad Guys"
PERFORMER "Wayne Krantz"
ISRC USJQK3400003
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Check Yo Self"
PERFORMER "Wayne Krantz"
ISRC USJQK3400002
INDEX 00 02:32:02
FILE "03. Check Yo Self.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "I'm Afraid That I'm Dead"
PERFORMER "Wayne Krantz"
ISRC USJQK3400004
INDEX 00 07:33:25
FILE "04. I'm Afraid That I'm Dead.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Son Of A ScientistК"
PERFORMER "Wayne Krantz"
ISRC USJQK3400006
INDEX 00 02:58:35
FILE "05. Son Of A ScientistК.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Can't Stand To Rock"
PERFORMER "Wayne Krantz"
ISRC USJQK3400009
INDEX 00 04:29:07
FILE "06. Can't Stand To Rock.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "I'd Like To Thank My Body"
PERFORMER "Wayne Krantz"
ISRC USJQK3400005
INDEX 00 03:37:55
FILE "07. I'd Like To Thank My Body.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "U Strip It"
PERFORMER "Wayne Krantz"
ISRC USJQK3400007
INDEX 00 02:30:36
FILE "08. U Strip It.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "beLls"
PERFORMER "Wayne Krantz"
ISRC USJQK3400010
INDEX 00 03:52:27
FILE "09. beLls.wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "How The West Was Left"
PERFORMER "Wayne Krantz"
ISRC USJQK3400008
INDEX 00 02:23:67
FILE "10. How The West Was Left.wav" WAVE
INDEX 01 00:00:00
Об исполнителе (группе)
Krantz released his first album, Signals, in 1990, sporting an array of recognized jazz musicians such as Dennis Chambers, Leni Stern, Anthony Jackson, and others. However, in 1992, he formed a trio with bassist Lincoln Goines and drummer Zach Danziger, and recorded two albums with them; Long To Be Loose, in 1993, and a live album, 2 Drink Minimum, in 1995. In doing so, he began to play periodically at the 55 Bar, a diverse and premier jazz club in New York City. In 1996, Krantz released an acoustic album with Leni Stern, dubbed Separate Cages. Wayne formed a new trio in 1997, consisting of his ferocious guitar skills, complemented by Tim Lefebvre on electric bass and Keith Carlock on drums, new sounds that would change his music's style drastically. On June 28, 2007, Krantz played his final regular Thursday night gig at New York's 55 Bar. In an announcement by Krantz to his mailing list notifying his fans of the change, he stated a desire to move towards a "louder thing" requiring "bigger rooms, with stages and sound systems to pull it off."[citation needed]
Krantz's first three solo albums were released on the jazz label, Enja Records, which was at the time also home to frequent collaborator Leni Stern. However, Krantz's last three albums, 1999's Greenwich Mean, 2003's Your Basic Live, and 2007's Your Basic Live '06 were both released from Wayne's private website. Like 2 Drink Minimum, these two albums both are excerpts of various sets at the 55 Bar. These two albums also include more use of effects pedals, and are more unscripted and improvised than the previous three, implying Wayne's tendency towards nonconformism on and off the stage.[citation needed] He contributed to Steely Dan co-founder Donald Fagen's newest release, Morph the Cat, and participated in touring with Fagen's band in early 2006. In another rare sideman role, Krantz was featured on tenor saxophonist Chris Potter's 2006 release, Underground.
Krantz signed with record label Abstract Logix to release his first studio record in over fifteen years. Krantz Carlock Lefebvre (2009) features the core trio of Keith Carlock on drums, Tim Lefebvre on bass, and Wayne on guitar. In 2012, Krantz released Howie 61, which featured vocals more than any of his other albums.
http://en.wikipedia.org/wiki/Wayne_Krantz#Biography
Krantz's first three solo albums were released on the jazz label, Enja Records, which was at the time also home to frequent collaborator Leni Stern. However, Krantz's last three albums, 1999's Greenwich Mean, 2003's Your Basic Live, and 2007's Your Basic Live '06 were both released from Wayne's private website. Like 2 Drink Minimum, these two albums both are excerpts of various sets at the 55 Bar. These two albums also include more use of effects pedals, and are more unscripted and improvised than the previous three, implying Wayne's tendency towards nonconformism on and off the stage.[citation needed] He contributed to Steely Dan co-founder Donald Fagen's newest release, Morph the Cat, and participated in touring with Fagen's band in early 2006. In another rare sideman role, Krantz was featured on tenor saxophonist Chris Potter's 2006 release, Underground.
Krantz signed with record label Abstract Logix to release his first studio record in over fifteen years. Krantz Carlock Lefebvre (2009) features the core trio of Keith Carlock on drums, Tim Lefebvre on bass, and Wayne on guitar. In 2012, Krantz released Howie 61, which featured vocals more than any of his other albums.
http://en.wikipedia.org/wiki/Wayne_Krantz#Biography
Об альбоме (сборнике)
Though Krantz has utilized vocals in his music before - most notably on Krantz Carlock Lefebvre - on Howie 61 Krantz pushes this aspect of his artistry a step further by incorporating vocal content in his music in a manner that is more complete and tightly integrated than anything he has done in the past. “I’m very excited about this record.” says Krantz. “It’s another step in a direction that I’ve been making since Long To Be Loose really; Long To Be Loose was an instrumental version of this record. I’ve been trying to figure out how to get words into my music for the longest time, and it took so much trial and error just to get to the point where I could use just a few words on a song, and have it feel integrated with the music. I’m super excited because I’m kind of cracking it - this record is not the completion of that journey at all, but it is a step in the direction that’s been in my head now for a really long time.”
Howie 61's production represents a new approach for Krantz as well. Though he’s traditionally favored a trio format for both recording and live work, for Howie 61 Krantz enlists a multitude of world-class musicians in a variety of lineups. The incredible supporting cast includes Vinnie Colaiuta, Tal Wilkenfeld, Keith Carlock, Pino Palladino, James Genus, Nate Wood, Henry Hey, Owen Biddle, Charley Drayton, John Patitucci, John Beasley, Jeremy Stacey, Paul Stacey, Yasushi Miura, David Binney, Anton Fig, Kenny Wollesen and Gabriela Anders - all top-shelf players and artists who are given ample room to shine on a collection of material that features Krantz’s strongest compositional focus to date.
From riff-driven rock and funk, to stirring ballads, Krantz hits many moods on Howie 61, all the while retaining the harmonic and rhythmic acuity he’s well known for. Highlights include rockers such as “The Bad Guys” and “Can’t Stand To Rock” - both high energy tracks propelled by Krantz’s searing guitar work. On the tounge-in-cheek “U Strip It,” David Binney, a frequent Krantz collaborator, delivers a burning sax solo over a playful, driving groove. “Son Of A Scientist” features legendary drummer Vinnie Colaiuta weaving in and around Krantz’s deep rhythm and lines. It’s one of two tracks that feature Colaiuta with bass phenom Tal Wilkenfeld.
On “Check Yo Self,” Krantz hearkens back to his group-improv ethos with drummer Keith Carlock and bassist James Genus for a funky, stripped-down instrumental take on the Ice Cube-meets-Grandmaster Flash classic. At the opposite end of the spectrum, a second instrumental track entitled “beLls” features Krantz at his most evocative with a clean-tone, largely chordal piece, perfectly enhanced by well-placed effects and drummer Anton Fig’s embellishments. The somber “I’m Afraid That I’m Dead” begins as a haunting piano ballad, before morphing into a “zombie dream” state courtesy of sonic alchemist Yasushi Miura. On “How The West Was Left,” Paul Stacey’s slide guitar work provides a great augmentation to one of Krantz’s most lyrical and dynamic offerings ever.
With Howie 61, Krantz demonstrates once again that he is more than just a guitar player, more than just an improviser; he is, in fact, a genre-defying visionary whose musicality is expressible in a myriad of ways. By combining that vision with an all-star cast and a stunning collection of engrossing, smart compositions, Howie 61 may be the most significant album of Krantz's career.
Howie 61's production represents a new approach for Krantz as well. Though he’s traditionally favored a trio format for both recording and live work, for Howie 61 Krantz enlists a multitude of world-class musicians in a variety of lineups. The incredible supporting cast includes Vinnie Colaiuta, Tal Wilkenfeld, Keith Carlock, Pino Palladino, James Genus, Nate Wood, Henry Hey, Owen Biddle, Charley Drayton, John Patitucci, John Beasley, Jeremy Stacey, Paul Stacey, Yasushi Miura, David Binney, Anton Fig, Kenny Wollesen and Gabriela Anders - all top-shelf players and artists who are given ample room to shine on a collection of material that features Krantz’s strongest compositional focus to date.
From riff-driven rock and funk, to stirring ballads, Krantz hits many moods on Howie 61, all the while retaining the harmonic and rhythmic acuity he’s well known for. Highlights include rockers such as “The Bad Guys” and “Can’t Stand To Rock” - both high energy tracks propelled by Krantz’s searing guitar work. On the tounge-in-cheek “U Strip It,” David Binney, a frequent Krantz collaborator, delivers a burning sax solo over a playful, driving groove. “Son Of A Scientist” features legendary drummer Vinnie Colaiuta weaving in and around Krantz’s deep rhythm and lines. It’s one of two tracks that feature Colaiuta with bass phenom Tal Wilkenfeld.
On “Check Yo Self,” Krantz hearkens back to his group-improv ethos with drummer Keith Carlock and bassist James Genus for a funky, stripped-down instrumental take on the Ice Cube-meets-Grandmaster Flash classic. At the opposite end of the spectrum, a second instrumental track entitled “beLls” features Krantz at his most evocative with a clean-tone, largely chordal piece, perfectly enhanced by well-placed effects and drummer Anton Fig’s embellishments. The somber “I’m Afraid That I’m Dead” begins as a haunting piano ballad, before morphing into a “zombie dream” state courtesy of sonic alchemist Yasushi Miura. On “How The West Was Left,” Paul Stacey’s slide guitar work provides a great augmentation to one of Krantz’s most lyrical and dynamic offerings ever.
With Howie 61, Krantz demonstrates once again that he is more than just a guitar player, more than just an improviser; he is, in fact, a genre-defying visionary whose musicality is expressible in a myriad of ways. By combining that vision with an all-star cast and a stunning collection of engrossing, smart compositions, Howie 61 may be the most significant album of Krantz's career.
Состав
Wayne Krantz (Guitar, Vocals); Vinnie Colaiuta (Drums), Keith Carlock (Drums), Anton Fig (Drums), Charlie Drayton (Drums), Nate Wood (Drums), Jeremy Stacey (Drums), Kenny Wolleson (Drums), David Binney (Saxophone), Paul Stacey (Slide guitar), Tal Wilkenfeld (Bass), Pino Palladino (Bass), John Patitucci (Bass), Owen Biddle (bass), James Genus (Bass), John Beasley (Keys), Henry Hey (Keys), Gabriela Anders (vocals), Yasushi Miura (Electronica)