(Fusion, Jazz-Rock, Modern Creative) Reut Regev - This is R*Time - 2009, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 21. December 2012, 16:08
Reut Regev / R time
Used drive  : PLEXTOR DVDR   PX-810UF   Adapter: 5  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
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        2  |  4:03.20 |  4:56.52 |     18245    |    40496
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        9  | 41:12.07 |  5:04.18 |    185407    |   208224
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Track  2
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Track  3
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     Accurately ripped (confidence 3)  [A1F1F0FB]  (AR v1)
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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Track  9
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All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
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==== Log checksum 0EAC63BAB0E3FDED499C812EC7CF192117CFFB45F60C9F08804CF86C6C8D19B3 ====

REM GENRE Jazz
REM DATE 2009
REM DISCID 700AD809
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Reut Regev"
TITLE "This Is R Time"
FILE "01 - Swill.wav" WAVE
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    PERFORMER "Reut Regev"
    INDEX 01 00:00:00
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    INDEX 00 04:01:60
FILE "02 - Hula Hula.wav" WAVE
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    PERFORMER "Reut Regev"
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  TRACK 09 AUDIO
    TITLE "True Story"
    PERFORMER "Reut Regev"
    INDEX 00 05:18:31
FILE "09 - True Story.wav" WAVE
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[CUETools log; Date: 01.05.2013 12:25:12; Version: 2.1.4]
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Track | CTDB Status
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  3   | (1/1) Accurately ripped
  4   | (1/1) Accurately ripped
  5   | (1/1) Accurately ripped
  6   | (1/1) Accurately ripped
  7   | (1/1) Accurately ripped
  8   | (1/1) Accurately ripped
  9   | (1/1) Accurately ripped
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 04     [9766479b|23265282] (3+0/3) Accurately ripped
 05     [f9cf7d8b|53d89bd2] (3+0/3) Accurately ripped
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Since moving to New York City in 1998, Israeli-born trombonist Reut Regev has made a series of remarkable appearances with a number of high-profile ensembles and artists. Unconstrained by stylistic preconceptions, her early work with such Yiddish-themed artists as Frank London and Metropolitan Klezmer sits comfortably alongside recent gigs with renown avant gardists Butch Morris and Anthony Braxton. Breathtakingly expansive and unabashedly modern, This is R Time is her debut as a leader.
Exploring an exotic no-man's land somewhere between avant jazz, rock, funk, reggae, and dub, the album's nine original tunes unfold with a driving intensity. Regev's writing is reminiscent of Ray Anderson's early nineties funk experiments with the Slickaphonics, but far more gritty. Versatile guitarist David Phelps, veteran bassist Brad Jones, and Regev's husband, drummer Igal Foni, make up her regular quartet. Their seasoned interplay is laser-tight, leaving ample room for freewheeling discourse. The elastic rhythm section plays it close to the vest, knowing just when to lock down the beat and when to cut it loose.
A wildly diverse stylist blessed with prodigious technique, Regev's approach is joyously unfettered. From the mercurial euphony of "Hula Hula" and blistering staccato cadences of "Nutcase Scenario" to the earthy tailgating of "Some of the Best Fish Are Alive" and mellifluous refrains of "Balibalaila," Regev embraces every aspect of the trombone's storied history. An intrepid explorer, she fearlessly augments her horn with EFX, periodically running it through wah-wah pedals and reverb units, invoking dub as readily as the electro-acoustic experiments of fellow trombonist Robin Eubanks.
An eclectic performer and perfect foil for Regev, Phelp's Hendrixian lyricism comes to the fore on the ebullient "Nutcase Scenario," while offering serene introspection on the sultry exotica of "Balibalaila." His chameleonic tendencies suit Regev's restless aesthetic perfectly; spiky electric guitar salvos shadow peals from her amplified trombone throughout the session, sporadically culminating in kaleidoscopic maelstroms of psychedelic intensity—like the one found at the apex of the searing closer "True Story."
This is R Time is a stunning debut record from an upcoming artist. Regev combines the expressivity of the avant-garde and the technical precision of bop with the farsightedness of a musician in step with her own time. As one of the jazz idiom's oldest, most versatile instruments, the trombone provides both a connection to the past and a link to the future, a place Regev is prepared to take us.