(Fusion, Jazz-Funk) [CD] Miles Davis - On the Corner - 1972 (2007 Japan Edition), FLAC (tracks+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 28. February 2010, 17:57
Miles Davis / On the Corner
Used drive  : SONY    DVD RW DRU-830A   Adapter: 2  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 128 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 | 19:59.03 |         0    |    89927
        2  | 19:59.03 |  5:20.34 |     89928    |   113961
        3  | 25:19.37 |  6:09.05 |    113962    |   141641
        4  | 31:28.42 | 23:18.28 |    141642    |   246519
Track  1
     Filename Q:\newrips8\Miles Davis - On The Corner (2007) [FLAC] {Japanese SACD Hybrid}\01 - On The Corner-New York Girl-Thinkin' Of One Thing An Doin' Another-Vote For Miles.wav
     Pre-gap length  0:00:02.00
     Peak level 85.4 %
     Track quality 100.0 %
     Test CRC 5A2A9AF0
     Copy CRC 5A2A9AF0
     Accurately ripped (confidence 6)  [3A5491B6]
     Copy OK
Track  2
     Filename Q:\newrips8\Miles Davis - On The Corner (2007) [FLAC] {Japanese SACD Hybrid}\02 - Black Satin.wav
     Pre-gap length  0:00:02.48
     Peak level 86.1 %
     Track quality 99.9 %
     Test CRC 4C8CC45B
     Copy CRC 4C8CC45B
     Accurately ripped (confidence 6)  [77E1BBD8]
     Copy OK
Track  3
     Filename Q:\newrips8\Miles Davis - On The Corner (2007) [FLAC] {Japanese SACD Hybrid}\03 - One And One.wav
     Pre-gap length  0:00:05.06
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC C8496E48
     Copy CRC C8496E48
     Accurately ripped (confidence 6)  [057F0997]
     Copy OK
Track  4
     Filename Q:\newrips8\Miles Davis - On The Corner (2007) [FLAC] {Japanese SACD Hybrid}\04 - Helen Butte-Mr. Freedom X.wav
     Peak level 100.0 %
     Track quality 100.0 %
     Test CRC B31ED883
     Copy CRC B31ED883
     Accurately ripped (confidence 6)  [1DC38835]
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report

REM GENRE Jazz
REM DATE 1972
REM DISCID 210CD604
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Miles Davis"
TITLE "On the Corner"
FILE "01 - On the Corner,New York Girl,Thinkin' One Thing and Doin' Another,Vote for Miles.wav" WAVE
  TRACK 01 AUDIO
    TITLE "On the Corner/New York Girl/Thinkin' One Thing and Doin' Another/Vote for Miles"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Black Satin"
    PERFORMER "Miles Davis"
    INDEX 00 19:56:42
FILE "02 - Black Satin.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "One and One"
    PERFORMER "Miles Davis"
    INDEX 00 05:15:29
FILE "03 - One and One.wav" WAVE
    INDEX 01 00:00:00
FILE "04 - Helen Butte,Mr. Freedom X.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Helen Butte/Mr. Freedom X"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00

[CUETools log; Date: 20.08.2016 14:45:21; Version: 2.1.5]
[CTDB TOCID: 8vn5sjpPAEEXvdWZT8y5hOyRX.g-] found.
Track | CTDB Status
  1   | (25/25) Accurately ripped
  2   | (25/25) Accurately ripped
  3   | (25/25) Accurately ripped
  4   | (25/25) Accurately ripped
[AccurateRip ID: 000908b4-00236a0f-210cd604] found.
Track   [  CRC   |   V2   ] Status
 01     [3a5491b6|6bbb1db1] (11+11/22) Accurately ripped
 02     [77e1bbd8|169ea953] (11+11/22) Accurately ripped
 03     [057f0997|8c7e6e1f] (11+11/22) Accurately ripped
 04     [1dc38835|78aaf19a] (11+11/22) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
 --  100,0 [5B469BA7] [CCD6D960]
 01   85,4 [5A2A9AF0] [BEF6A235]   CRC32
 02   86,1 [4C8CC45B] [1EFC6BC8]   CRC32
 03  100,0 [C8496E48] [FAC77DE1]   CRC32
 04  100,0 [B31ED883] [C26CFFBA]   CRC32

Could there be any more confrontational sound in Miles Davis' vast catalog than the distorted guitars and tinny double-timing drums reacting to a two-note bass riff funking it up on the first track from On the Corner? Before the trumpet even enters the story has been broken off in the middle -- deep street music melding with a secret language exchanged by the band and those who can actually hear it as music. Here are killer groove riffs that barely hold on as bleating trumpet and soprano sax lines (courtesy of Dave Liebman on track one) interact with John McLaughlin's distortion-box frenzy. Michael Henderson's bass keeps the basic so basic it hypnotizes; keyboards slowly enter the picture, a pair of them handled by Herbie Hancock and Chick Corea, as well as Ivory Williams' synthesizer. Finally, Colin Walcott jumps in with an electric sitar and there are no less than five drummers -- three kits (Al Foster, Billy Hart, and Jack DeJohnette), a tabla player, and Mtume. It's a four-tune suite, On the Corner is, but the separations hardly matter, just the shifts in groove that alter the time/space continuum. After 20 minutes, the set feels over and a form of Miles' strange lyricism returns in "Black Satin." Though a tabla kicks the tune off, there's a recognizable eight-note melody that runs throughout. Carlos Garnett and Bennie Maupin replace Liebman, Dave Creamer replaces McLaughlin, and the groove rides a bit easier -- except for those hand bells shimmering in the background off the beat just enough to make the squares crazy. The respite is short-lived, however. Davis and band move the music way over to the funk side of the street -- though the street funkers thought these cats were too weird with their stranded time signatures and modal fugues that begin and end nowhere and live for the way the riff breaks down into emptiness. "One and One" begins the new tale, so jazz breaks down and gets polished off and resurrected as a far blacker, deeper-than-blue character in the form of "Helen Butte/Mr. Freedom X," where guitars and horns careen off Henderson's cracking bass and Foster's skittering hi-hats. It may sound weird even today, but On the Corner is the most street record ever recorded by a jazz musician. And it still kicks.

Miles Davis - trumpet
David Liebman - soprano saxophone (#1)
Carlos Garnett - soprano saxophone (#2), tenor saxophone (#4)
Bennie Maupin - bass clarinet (#2)
John McLaughlin (#1), David Creamer (#2-4) - guitar
Herbie Hancock - Fender Rhodes, synthesizer
Chick Corea - Fender Rhodes
Harold "Ivory" Williams - organ, synthesizer
Michael Henderson - bass
Colin Walcott (#1,3,4), Khalil Balakrishna (#2) - electric sitar
Billy Hart, Jack DeJohnette, Al Foster - drums
Badal Roy - tabla
Recorded in New York on June 1-7, 1972.