(Fusion / Electro-Jazz Funk / Funk) Herbie Hancock (w. Bill Laswell etc) - Future Shock (Remaster) - (1983) 1999, FLAC (image+.cue) lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
Отчёт EAC об извлечении, выполненном 23. июля 2010, 10:32
Herbie Hancock / Future Shock
Дисковод: Optiarc DVD RW AD-7200S   Adapter: 2  ID: 1
Режим чтения                 : Достоверность
Использование точного потока : Да
Отключение кэша аудио        : Да
Использование указателей C2  : Нет
Коррекция смещения при чтении                     : 48
Способность читать области Lead-in и Lead-out     : Нет
Заполнение пропущенных сэмплов тишиной            : Да
Удаление блоков с тишиной в начале и конце        : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс                                         : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат          : Пользовательский кодировщик
Выбранный битрейт        : 768 kBit/s
Качество                 : Высокий
Добавление ID3-тэга      : Нет
Утилита сжатия           : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Дополнительные параметры : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC извлечённого CD
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       1  |  0:00.00 |    5:28.12   |           0      |      24611
       2  |  5:28.12 |    8:05.10   |       24612      |      60996
       3  | 13:33.22 |    5:47.30   |       60997      |      87051
       4  | 19:20.52 |    5:13.23   |       87052      |     110549
       5  | 24:34.00 |    6:27.62   |      110550      |     139636
       6  | 31:01.62 |    6:58.20   |      139637      |     171006
       7  | 38:00.07 |    6:18.18   |      171007      |     199374
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
     Имя файла F:\Herbie Hancock - Future Shock.wav
     Пиковый уровень 100.0 %
     Качество диапазона 100.0 %
     CRC теста 03F76977
     CRC копии 03F76977
     Копирование... OK
Ошибок не произошло
AccurateRip: сводка
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Ни одного трека нет в базе AccurateRip
Конец отчёта

REM GENRE Jazz
REM DATE 1983
REM DISCID 520A6207
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Herbie Hancock"
TITLE "Future Shock"
FILE "Herbie Hancock - Future Shock.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Rockit"
    PERFORMER "Herbie Hancock"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Future Shock"
    PERFORMER "Herbie Hancock"
    INDEX 00 05:25:40
    INDEX 01 05:28:12
  TRACK 03 AUDIO
    TITLE "TFS"
    PERFORMER "Herbie Hancock"
    INDEX 00 13:30:25
    INDEX 01 13:33:22
  TRACK 04 AUDIO
    TITLE "Earth Beat"
    PERFORMER "Herbie Hancock"
    INDEX 00 19:19:10
    INDEX 01 19:20:52
  TRACK 05 AUDIO
    TITLE "Autodrive"
    PERFORMER "Herbie Hancock"
    INDEX 00 24:29:72
    INDEX 01 24:34:00
  TRACK 06 AUDIO
    TITLE "Rough"
    PERFORMER "Herbie Hancock"
    INDEX 00 30:58:62
    INDEX 01 31:01:62
  TRACK 07 AUDIO
    TITLE "Rockit (Mega Mix)"
    PERFORMER "Herbie Hancock"
    INDEX 00 37:57:57
    INDEX 01 38:00:07

Herbie Hancock completely overhauled his sound and conquered MTV with his most radical step forward since the sextet days. He brought in Bill Laswell of Material as producer, along with Grand Mixer D.ST on turntables — and the immediate result was “Rockit,” which makes quite a post-industrial metallic racket. Frankly, the whole record is an enigma; for all of its dehumanized, mechanized textures and rigid rhythms, it has a vitality and sense of humor that make it difficult to turn off. Moreover, Herbie can’t help but inject a subversive funk element when he comps along to the techno beat — and yes, some real, honest-to-goodness jazz licks on a grand piano show up in the middle of “Auto Drive.” ~ Richard S. Ginell, All Music Guide

Product Description
From Amazon.com
The three electronic, hip-hop-influenced albums Herbie Hancock recorded during the 1980s--of which Future Shock was the first, followed by Sound System and Perfect Machine--have been the most maligned by fans of his enormously influential '60s-era jazz work. The reissue of all three albums, each newly remastered with bonus mixes and new liner notes, makes it clear Hancock was much more than simply a jazz pianist reaching for a pop crossover audience. To be sure, Hancock got his pop hit with Future Shock's "Rockit," and there's plenty on Future Shock that sounds dated, from the early 80's synthesizer tones to the almost consciously stiff-sounding hip-hop beats that permeate every track. But dig a little deeper, and it's clear this is supremely intelligent dance music, with a combination of producer-bassist Bill Laswell's Kraftwerk-influenced industrial production and Latin percussionist Daniel Ponce's Bata drum, Pete Cosey's screeching guitar--which echoes his work with Miles Davis's 1970s band--Sly Dunbar's rock-solid funk drumming, and Grand Mixer D.S.T.'s radical (for the time) turntable scratching. And, of course, there's "Rockit", the track that introduced a generation of young listeners to Hancock and break-dancing robots in music videos. All in all, a reissue well worth revisiting. --Ezra Gale