(Fusion, Contemporary Jazz, Nine Winds) [CD] Continuum (Christopher Garcia, Steve Billman, Craig Ochikubo, Andy Suzuki) - Continuum - 1994, FLAC (tracks+.cue), lossless
![(Fusion, Contemporary Jazz, Nine Winds) [CD] Continuum (Christopher Garcia, Steve Billman, Craig Ochikubo, Andy Suzuki) - Continuum - 1994, FLAC (tracks+.cue), lossless (Fusion, Contemporary Jazz, Nine Winds) [CD] Continuum (Christopher Garcia, Steve Billman, Craig Ochikubo, Andy Suzuki) - Continuum - 1994, FLAC (tracks+.cue), lossless](/upload/000/u2/6c/da/fusion-contemporary-jazz-nine-winds-cd-continuum-christop.jpg)
Continuum / Continuum
Жанр: Fusion, Contemporary Jazz, Nine Winds
Носитель: CD
Страна-производитель диска: US
Год издания: 1994
Издатель (лейбл): 9 Winds Records
Номер по каталогу: NWCD0166
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 62:20
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
1. Nascent 7:00
2. Waltz For Igor 6:07
3. Pretty Maids... 5:12
4. Barf On The Ghoul 6:21
5. Paths 7:22
6. Maskable 6:51
7. Somewhere Else 5:13
8. Nick Of Time 8:10
9. Inspiration 7:52
10. Foreign Objects 1:46
Доп. информация:
Жанр: Fusion, Contemporary Jazz, Nine Winds
Носитель: CD
Страна-производитель диска: US
Год издания: 1994
Издатель (лейбл): 9 Winds Records
Номер по каталогу: NWCD0166
Страна: US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 62:20
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:

Треклист:
1. Nascent 7:00
2. Waltz For Igor 6:07
3. Pretty Maids... 5:12
4. Barf On The Ghoul 6:21
5. Paths 7:22
6. Maskable 6:51
7. Somewhere Else 5:13
8. Nick Of Time 8:10
9. Inspiration 7:52
10. Foreign Objects 1:46
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 13. January 2014, 23:26
Continuum / Continuum
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 7:02.32 | 0 | 31681
2 | 7:02.32 | 6:10.60 | 31682 | 59491
3 | 13:13.17 | 5:14.13 | 59492 | 83054
4 | 18:27.30 | 6:25.12 | 83055 | 111941
5 | 24:52.42 | 7:22.70 | 111942 | 145161
6 | 32:15.37 | 6:53.10 | 145162 | 176146
7 | 39:08.47 | 5:16.08 | 176147 | 199854
8 | 44:24.55 | 8:12.47 | 199855 | 236801
9 | 52:37.27 | 7:56.10 | 236802 | 272511
10 | 60:33.37 | 1:47.25 | 272512 | 280561
Track 1
Filename D:\zzz\01 - Nascent.wav
Pre-gap length 0:00:02.00
Peak level 98.7 %
Extraction speed 4.8 X
Track quality 100.0 %
Test CRC 1796386B
Copy CRC 1796386B
Track not present in AccurateRip database
Copy OK
Track 2
Filename D:\zzz\02 - Waltz For Igor.wav
Pre-gap length 0:00:01.72
Peak level 97.5 %
Extraction speed 5.5 X
Track quality 100.0 %
Test CRC F027BCEC
Copy CRC F027BCEC
Track not present in AccurateRip database
Copy OK
Track 3
Filename D:\zzz\03 - Pretty Maids....wav
Pre-gap length 0:00:02.37
Peak level 97.2 %
Extraction speed 5.9 X
Track quality 100.0 %
Test CRC 201DC37D
Copy CRC 201DC37D
Track not present in AccurateRip database
Copy OK
Track 4
Filename D:\zzz\04 - Barf On the Ghoul.wav
Pre-gap length 0:00:01.00
Peak level 98.1 %
Extraction speed 6.5 X
Track quality 100.0 %
Test CRC 678EC58F
Copy CRC 678EC58F
Track not present in AccurateRip database
Copy OK
Track 5
Filename D:\zzz\05 - Paths.wav
Pre-gap length 0:00:02.67
Peak level 98.4 %
Extraction speed 7.0 X
Track quality 100.0 %
Test CRC 2B7399F7
Copy CRC 2B7399F7
Track not present in AccurateRip database
Copy OK
Track 6
Filename D:\zzz\06 - Maskable.wav
Pre-gap length 0:00:00.35
Peak level 98.4 %
Extraction speed 7.4 X
Track quality 100.0 %
Test CRC 503D01EF
Copy CRC 503D01EF
Track not present in AccurateRip database
Copy OK
Track 7
Filename D:\zzz\07 - Somewhere Else.wav
Pre-gap length 0:00:01.62
Peak level 97.1 %
Extraction speed 7.6 X
Track quality 100.0 %
Test CRC 0C895246
Copy CRC 0C895246
Track not present in AccurateRip database
Copy OK
Track 8
Filename D:\zzz\08 - Nick Of Time.wav
Pre-gap length 0:00:02.30
Peak level 99.8 %
Extraction speed 8.3 X
Track quality 100.0 %
Test CRC 81113CBF
Copy CRC 81113CBF
Track not present in AccurateRip database
Copy OK
Track 9
Filename D:\zzz\09 - Inspiration.wav
Pre-gap length 0:00:02.05
Peak level 97.0 %
Extraction speed 8.7 X
Track quality 100.0 %
Test CRC D4E8F241
Copy CRC D4E8F241
Track not present in AccurateRip database
Copy OK
Track 10
Filename D:\zzz\10 - Foreign Objects.wav
Pre-gap length 0:00:03.35
Peak level 98.4 %
Extraction speed 7.2 X
Track quality 100.0 %
Test CRC 2E9C0FF5
Copy CRC 2E9C0FF5
Track not present in AccurateRip database
Copy OK
None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum CB9627B49282C2AD70D361EEC3B162D4F609F1A97FDA982D799DE49ABEEB7B09 ====
Содержание индексной карты (.CUE)
REM GENRE Fusion
REM DATE 1994
REM DISCID 930E9C0A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Continuum"
TITLE "Continuum"
FILE "01 - Nascent.wav" WAVE
TRACK 01 AUDIO
TITLE "Nascent"
PERFORMER "Continuum"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Waltz For Igor"
PERFORMER "Continuum"
INDEX 00 07:00:35
FILE "02 - Waltz For Igor.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Pretty Maids..."
PERFORMER "Continuum"
INDEX 00 06:08:23
FILE "03 - Pretty Maids....wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Barf On the Ghoul"
PERFORMER "Continuum"
INDEX 00 05:13:13
FILE "04 - Barf On the Ghoul.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Paths"
PERFORMER "Continuum"
INDEX 00 06:22:20
FILE "05 - Paths.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Maskable"
PERFORMER "Continuum"
INDEX 00 07:22:35
FILE "06 - Maskable.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Somewhere Else"
PERFORMER "Continuum"
INDEX 00 06:51:23
FILE "07 - Somewhere Else.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Nick Of Time"
PERFORMER "Continuum"
INDEX 00 05:13:53
FILE "08 - Nick Of Time.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Inspiration"
PERFORMER "Continuum"
INDEX 00 08:10:42
FILE "09 - Inspiration.wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Foreign Objects"
PERFORMER "Continuum"
INDEX 00 07:52:50
FILE "10 - Foreign Objects.wav" WAVE
INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Nascent.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Waltz For Igor.wav]
------------------------------------------------------------
This track looks like CDDA with probability 99%
------------------------------------------------------------
Processing file: [03. Pretty Maids....wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Barf On the Ghoul.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Paths.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Maskable.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. Somewhere Else.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08. Nick Of Time.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [09. Inspiration.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [10. Foreign Objects.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Album & Artist Info
(Ochikubo) - 1,5
(Billman/Suzuki) - 2,8
(Suzuki) - 3,6
(John Bergamo) - 4,10
(Billman/Ochikubo) - 7
(Billman) - 9
Produced by Continuum
Co-produced by Lennie Moore
Executive producer: Lira Productions
Engineered by Bobby Brooks
Cover photo by Scott Bever
Group photos by Jerry Sells
Cover concept by Continuum
Artwork and layout by Fukuo
Recorded May 10, 1994 at Mad Hatter Studios, Los Angeles, California
Mixed May 21, 1994 by Bobby Brooks, Lennie Moore and Craig Ochikubo at Cliff Hanger Studios
Mastered by John Golden
What originally started as a rehearsal band in 1987 in East Los Angeles, has evolved into one of the most original voices in contemporary improvisational music today. Utilizing (and transcending) their considerable skills the group has evolved "organically" over the last few years building a repertoire rich in influences and directions. Whether playing fatback funk, odd-time pieces, standards(?) or open-ended improvisations the group has an easily identifiable sound..
"Our strength is our diversity" says drummer and spokesperson for the group Christopher Garcia, "you won't find a more different group of people, culturally or musically, playing in a band - and we're proud to say we are a band". While other ensembles change personnel and 'plug people in the way you change socks' CONTINUUM has never played a gig using a sub, even though their individual schedules have become increasingly hectic. "Being a band is a whole different head, a whole different commitment and responsibility" something you find less and less of today. "It's only because we are a band that we're able to pull off certain tunes and give the music the respect it deserves, which means we can play what we want, when we want, and not have to worry about the notes," which has been a problem for some critics and most record labels. "We received so many rejection notices asking us to dump specific kinds of tunes and do more 'groove tunes', or the band would be great if 'you just played acoustic instruments and dumped that electronic stuff.' But one thing we've never done is compromise our music by underestimating the intelligence of an audience". And it seems their audience has been listening, and growing intently.
"We feel people are hip enough to go through the changes we put them through without getting violent about it.(!) I always wanted to be in a band with the depth of someone like Mingus, John McLaughlin, Oregon, or Weather Report - a band that can rip your head off one minute, then turn around and play a ballad with just as much conviction. A lot of groups get stuck thinking they have to turn it up and beat their chest all the time. I feel a lot of spirituality and intent has been lost in folks learning their instrument and forgetting what it was that they thought wanted to say in the first place."
Though the group has recently been described as a fusion band in various reviews they refuse to be pigeonholed by such references. "Now I understand why Mingus didn't want his music to be called jazz, but Mingus' music. We draw from so many wells that we've grown up with that our repertoire feels very natural for us. We don't play something because we're eclectic. We do it because we play what he hear. I doubt very much that folks who come out to see us say 'Let's go see that fusion band, or contemporary improvisational ensemble - they probably say Let's see what CONTINUUM's up to.'
Whether tearing it up, or laying it down, grooving in 21/8, or 4/4, playing a Monk tune or an original composition CONTINUUM continues to grow and confound.
(Billman/Suzuki) - 2,8
(Suzuki) - 3,6
(John Bergamo) - 4,10
(Billman/Ochikubo) - 7
(Billman) - 9
Produced by Continuum
Co-produced by Lennie Moore
Executive producer: Lira Productions
Engineered by Bobby Brooks
Cover photo by Scott Bever
Group photos by Jerry Sells
Cover concept by Continuum
Artwork and layout by Fukuo
Recorded May 10, 1994 at Mad Hatter Studios, Los Angeles, California
Mixed May 21, 1994 by Bobby Brooks, Lennie Moore and Craig Ochikubo at Cliff Hanger Studios
Mastered by John Golden
What originally started as a rehearsal band in 1987 in East Los Angeles, has evolved into one of the most original voices in contemporary improvisational music today. Utilizing (and transcending) their considerable skills the group has evolved "organically" over the last few years building a repertoire rich in influences and directions. Whether playing fatback funk, odd-time pieces, standards(?) or open-ended improvisations the group has an easily identifiable sound..
"Our strength is our diversity" says drummer and spokesperson for the group Christopher Garcia, "you won't find a more different group of people, culturally or musically, playing in a band - and we're proud to say we are a band". While other ensembles change personnel and 'plug people in the way you change socks' CONTINUUM has never played a gig using a sub, even though their individual schedules have become increasingly hectic. "Being a band is a whole different head, a whole different commitment and responsibility" something you find less and less of today. "It's only because we are a band that we're able to pull off certain tunes and give the music the respect it deserves, which means we can play what we want, when we want, and not have to worry about the notes," which has been a problem for some critics and most record labels. "We received so many rejection notices asking us to dump specific kinds of tunes and do more 'groove tunes', or the band would be great if 'you just played acoustic instruments and dumped that electronic stuff.' But one thing we've never done is compromise our music by underestimating the intelligence of an audience". And it seems their audience has been listening, and growing intently.
"We feel people are hip enough to go through the changes we put them through without getting violent about it.(!) I always wanted to be in a band with the depth of someone like Mingus, John McLaughlin, Oregon, or Weather Report - a band that can rip your head off one minute, then turn around and play a ballad with just as much conviction. A lot of groups get stuck thinking they have to turn it up and beat their chest all the time. I feel a lot of spirituality and intent has been lost in folks learning their instrument and forgetting what it was that they thought wanted to say in the first place."
Though the group has recently been described as a fusion band in various reviews they refuse to be pigeonholed by such references. "Now I understand why Mingus didn't want his music to be called jazz, but Mingus' music. We draw from so many wells that we've grown up with that our repertoire feels very natural for us. We don't play something because we're eclectic. We do it because we play what he hear. I doubt very much that folks who come out to see us say 'Let's go see that fusion band, or contemporary improvisational ensemble - they probably say Let's see what CONTINUUM's up to.'
Whether tearing it up, or laying it down, grooving in 21/8, or 4/4, playing a Monk tune or an original composition CONTINUUM continues to grow and confound.
Состав
Christopher Garcia: drums, percussion
Steve Billman: electric bass
Craig Ochikubo: keyboards
Andy Suzuki: saxophones
Steve Billman: electric bass
Craig Ochikubo: keyboards
Andy Suzuki: saxophones
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777