(Funk, Soul, Spoken Word, Proto-Rap) Camille Yarbrough - The Iron Pot Cooker - 1975, FLAC (tracks+.cue), lossless

Camille Yarbrough / The Iron Pot Cooker
Жанр: Funk, Soul, Spoken Word, Proto-Rap
Год издания: 1975
Издатель (лейбл): Vanguard
Номер по каталогу: 79356-2
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:38:57
Источник (релизер): Benjamino
Наличие сканов в содержимом раздачи: нет
Треклист:
1 But It Comes Out Mad 6:16
2 Dream / Panic / Sonny Boy The Rip-Off Man / Little Sally The Super Sex Star (Taking Care Of Business) 14:02
3 Ain't It A Lonely Feeling 3:51
4 Take Yo' Praise 4:10
5 Can I Get A Witness? 4:11
6 All Hid 6:12
7 Take Yo Praise (Remix – Greg Doyle) 4:55
8 Take Yo Praise (Club Mix – EthnicRobot) 3:05
Remastered 1999
youtube
Жанр: Funk, Soul, Spoken Word, Proto-Rap
Год издания: 1975
Издатель (лейбл): Vanguard
Номер по каталогу: 79356-2
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:38:57
Источник (релизер): Benjamino
Наличие сканов в содержимом раздачи: нет
Треклист:
1 But It Comes Out Mad 6:16
2 Dream / Panic / Sonny Boy The Rip-Off Man / Little Sally The Super Sex Star (Taking Care Of Business) 14:02
3 Ain't It A Lonely Feeling 3:51
4 Take Yo' Praise 4:10
5 Can I Get A Witness? 4:11
6 All Hid 6:12
7 Take Yo Praise (Remix – Greg Doyle) 4:55
8 Take Yo Praise (Club Mix – EthnicRobot) 3:05
Remastered 1999
youtube
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 18. April 2012, 13:43
Camille Yarbrough / The Iron Pot Cooker
Used drive : MATSHITADVD-RAM UJ8A0ASW Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 6:19.62 | 0 | 28486
2 | 6:19.62 | 14:06.50 | 28487 | 91986
3 | 20:26.37 | 3:55.00 | 91987 | 109611
4 | 24:21.37 | 4:13.43 | 109612 | 128629
5 | 28:35.05 | 4:14.05 | 128630 | 147684
6 | 32:49.10 | 6:13.20 | 147685 | 175679
7 | 39:02.30 | 4:58.30 | 175680 | 198059
8 | 44:00.60 | 3:06.00 | 198060 | 212009
Track 1
Filename D:\Extra\Rips\Camille Yarbrough - The Iron Pot Cooker\01 - But It Comes Out Mad.wav
Pre-gap length 0:00:02.00
Peak level 83.3 %
Extraction speed 1.2 X
Track quality 100.0 %
Test CRC FF7A01C6
Copy CRC FF7A01C6
Cannot be verified as accurate (confidence 2) [39262F1D], AccurateRip returned [123A3CA9] (AR v2)
Copy OK
Track 2
Filename D:\Extra\Rips\Camille Yarbrough - The Iron Pot Cooker\02 - Dream, Panic, Sonny Boy The Rip-Off Man, Little Sally The Super Sex Star (Taking Care of Business).wav
Pre-gap length 0:00:03.06
Peak level 84.6 %
Extraction speed 1.6 X
Track quality 100.0 %
Test CRC BD0D2DD8
Copy CRC BD0D2DD8
Cannot be verified as accurate (confidence 2) [9235BFC4], AccurateRip returned [F4C2BCBE] (AR v2)
Copy OK
Track 3
Filename D:\Extra\Rips\Camille Yarbrough - The Iron Pot Cooker\03 - Ain't It A Lonely Feeling.wav
Pre-gap length 0:00:03.56
Peak level 78.8 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC 756CB99B
Copy CRC 756CB99B
Cannot be verified as accurate (confidence 2) [BE9FAC56], AccurateRip returned [BED7C3D6] (AR v2)
Copy OK
Track 4
Filename D:\Extra\Rips\Camille Yarbrough - The Iron Pot Cooker\04 - Take Yo' Praise.wav
Pre-gap length 0:00:02.96
Peak level 92.6 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 3B24A3BC
Copy CRC 3B24A3BC
Cannot be verified as accurate (confidence 2) [750BA143], AccurateRip returned [FE37DEDE] (AR v2)
Copy OK
Track 5
Filename D:\Extra\Rips\Camille Yarbrough - The Iron Pot Cooker\05 - Can I Get A Witness.wav
Pre-gap length 0:00:02.93
Peak level 81.1 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC A5DD605D
Copy CRC A5DD605D
Cannot be verified as accurate (confidence 2) [28DE94E6], AccurateRip returned [9113D195] (AR v2)
Copy OK
Track 6
Filename D:\Extra\Rips\Camille Yarbrough - The Iron Pot Cooker\06 - All Hid.wav
Pre-gap length 0:00:02.30
Peak level 86.2 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC F9A55158
Copy CRC F9A55158
Cannot be verified as accurate (confidence 2) [A659673A], AccurateRip returned [BE74FBBC] (AR v2)
Copy OK
Track 7
Filename D:\Extra\Rips\Camille Yarbrough - The Iron Pot Cooker\07 - Take Yo' Praise (Remix).wav
Pre-gap length 0:00:02.60
Peak level 60.7 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC 5F56EB08
Copy CRC 5F56EB08
Track not present in AccurateRip database
Copy OK
Track 8
Filename D:\Extra\Rips\Camille Yarbrough - The Iron Pot Cooker\08 - Take Yo' Praise (Club Mix).wav
Pre-gap length 0:00:02.44
Peak level 85.8 %
Extraction speed 2.1 X
Track quality 100.0 %
Test CRC 924197C8
Copy CRC 924197C8
Track not present in AccurateRip database
Copy OK
6 track(s) could not be verified as accurate
2 track(s) not present in the AccurateRip database
No tracks could be verified as accurate
You may have a different pressing from the one(s) in the database
No errors occurred
End of status report
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[2d75f89f] (1/1) Accurately ripped
==== Log checksum 3D1D63B659122158182C468B88D105A44004937171D2B70555FE9F5866420304 ====
Содержание индексной карты (.CUE)
REM GENRE R&B
REM DATE 1975
REM DISCID 660B0A08
REM COMMENT "ExactAudioCopy v1.0b3"
FILE "01 - But It Comes Out Mad.wav" WAVE
TRACK 01 AUDIO
INDEX 01 00:00:00
TRACK 02 AUDIO
INDEX 00 06:16:57
FILE "02 - Dream, Panic, Sonny Boy The Rip-Off Man, Little Sally The Super Sex Star (Taking Care of Business).wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
INDEX 00 14:03:08
FILE "03 - Ain't It A Lonely Feeling.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
INDEX 00 03:52:03
FILE "04 - Take Yo' Praise.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
INDEX 00 04:10:48
FILE "05 - Can I Get A Witness.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
INDEX 00 04:11:57
FILE "06 - All Hid.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
INDEX 00 06:10:50
FILE "07 - Take Yo' Praise (Remix).wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
INDEX 00 04:55:72
FILE "08 - Take Yo' Praise (Club Mix).wav" WAVE
INDEX 01 00:00:00
Об альбоме (сборнике)
If you were looking for an easy way of summing up Camille Yarbrough it might be difficult. Her life has seen her take on many different careers: she has been a dancer, poet, actor, writer of children's literature, and a recording artist. To most she may be best known as the voice on Fatboy Slim's Praise You which used a sample from Take Yo' Praise from THE IRON POT COOKER.
The LP came about when Bob Nemirov (who had also performed a critical role in the early career and discovery of the great jazz singer Oscar Brown Jr) played a demo disc of the music to a friend at Vanguard Records. The record fits in with others that appeared at the time by artists such as Sarah Webster Fabio and Jayne Cortes, poets who added their words to funky backing tracks as a way of putting their message across. Of course, all of this music has a creative and philosophical link with the recordings that were appearing by the Last Poets, the Watts Prophets and, in more tuneful moments, Gil Scott-Heron.
Of the female poets, it is perhaps Yarbrough who comes closest to Scott-Heron. Like him she integrates the music with the words to create songs rather than poems over funky grooves. So we get the serious messages of All Hid, But It Comes Out Mad or Take Yo' Praise, but we also get wonderful melodies that you can hum, even if you don't remember the words. Take Yo' Praise sees the lauding of not one man, but 'black man' in general, and in its words it shows a distinctive part of Yarbrough's work, the politics of the personal. In this she is applying her own day to day existence to the generality of the black American existence. With this she may well lose a panoramic view of politics, or of offering a polemic desire to change things, but at a distance of 30 years it seems a lot less na?Øve than some of the outbursts of the Last Poets now do.
It may be this connection with the personal that has dictated much of what Camille Yarbrough has done since she recorded the album. As well as continuing to perform on stage she has given her time to working with children as part of the Jazz Mobile project and her own African American Traditions Workshop, teaching drama and poetry. Whilst she has also continued as a political activist, her greatest success in this period have come with another new career as a writer of children's books. These, including "The Shimmershine Queens", "Cornrows" and "Tamika And The Wisdom Ring", are written with a strong adherence to the black American tradition, mixing the feel of African folk tales, and awareness of the community from which the children they are aimed at come from.
So it is quite clear that although the success of Fatboy Slim's Praise You may well have kicked off a different level of recognition for Camille Yarbrough and her music from the mid 70s a worldwide number one can do that she had no real need of that lift. As a poet, activist, writer, dancer, actor and of course singer she was already an important and respected person in her own right. By DEAN RUDLAND
The LP came about when Bob Nemirov (who had also performed a critical role in the early career and discovery of the great jazz singer Oscar Brown Jr) played a demo disc of the music to a friend at Vanguard Records. The record fits in with others that appeared at the time by artists such as Sarah Webster Fabio and Jayne Cortes, poets who added their words to funky backing tracks as a way of putting their message across. Of course, all of this music has a creative and philosophical link with the recordings that were appearing by the Last Poets, the Watts Prophets and, in more tuneful moments, Gil Scott-Heron.
Of the female poets, it is perhaps Yarbrough who comes closest to Scott-Heron. Like him she integrates the music with the words to create songs rather than poems over funky grooves. So we get the serious messages of All Hid, But It Comes Out Mad or Take Yo' Praise, but we also get wonderful melodies that you can hum, even if you don't remember the words. Take Yo' Praise sees the lauding of not one man, but 'black man' in general, and in its words it shows a distinctive part of Yarbrough's work, the politics of the personal. In this she is applying her own day to day existence to the generality of the black American existence. With this she may well lose a panoramic view of politics, or of offering a polemic desire to change things, but at a distance of 30 years it seems a lot less na?Øve than some of the outbursts of the Last Poets now do.
It may be this connection with the personal that has dictated much of what Camille Yarbrough has done since she recorded the album. As well as continuing to perform on stage she has given her time to working with children as part of the Jazz Mobile project and her own African American Traditions Workshop, teaching drama and poetry. Whilst she has also continued as a political activist, her greatest success in this period have come with another new career as a writer of children's books. These, including "The Shimmershine Queens", "Cornrows" and "Tamika And The Wisdom Ring", are written with a strong adherence to the black American tradition, mixing the feel of African folk tales, and awareness of the community from which the children they are aimed at come from.
So it is quite clear that although the success of Fatboy Slim's Praise You may well have kicked off a different level of recognition for Camille Yarbrough and her music from the mid 70s a worldwide number one can do that she had no real need of that lift. As a poet, activist, writer, dancer, actor and of course singer she was already an important and respected person in her own right. By DEAN RUDLAND
Состав
Bass – James Benjamin
Clavinet – Linda Twine
Congas – Leopoldo Fleming
Drums – Jimmy Johnson (2)
Engineer – Jeff Zaraya
Guitar – Cornell Dupree
Percussion – Jimmy Johnson (2), Leopoldo Fleming
Clavinet – Linda Twine
Congas – Leopoldo Fleming
Drums – Jimmy Johnson (2)
Engineer – Jeff Zaraya
Guitar – Cornell Dupree
Percussion – Jimmy Johnson (2), Leopoldo Fleming
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777