(Funk, Soul, Disco) [CD] The Undisputed Truth - Smokin' - 1979, FLAC (tracks+.cue), lossless
![(Funk, Soul, Disco) [CD] The Undisputed Truth - Smokin' - 1979, FLAC (tracks+.cue), lossless (Funk, Soul, Disco) [CD] The Undisputed Truth - Smokin' - 1979, FLAC (tracks+.cue), lossless](/upload/000/u2/76/c3/funk-soul-disco-cd-the-undisputed-truth-smokin-1979.jpg)
The Undisputed Truth / Smokin'
Жанр: Funk, Soul, Disco
Носитель: CD
Страна-производитель диска: US
Год издания: 2011
Издатель (лейбл): Wounded Bird Records
Номер по каталогу: WOU 3202
Страна исполнителя (группы): US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 49:26
Источник (релизер): waffles.fm, DarkReakRadio
Наличие сканов в содержимом раздачи:
Треклист:
1 Show Time 8:58
2 Talkin' To The Wind 4:10
3 Atomic Funk 3:51
4 I Can't Get Enough Of Your Love 4:09
5 Space Machine 6:54
6 Tazmainian Monster 3:48
7 Sandman 4:14
8 Misunderstood 4:38
9 Show Time (Part 1)(Edit) 3:52
10 Show Time (Part 2)(Edit) 4:46
Доп. информация:
Жанр: Funk, Soul, Disco
Носитель: CD
Страна-производитель диска: US
Год издания: 2011
Издатель (лейбл): Wounded Bird Records
Номер по каталогу: WOU 3202
Страна исполнителя (группы): US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 49:26
Источник (релизер): waffles.fm, DarkReakRadio
Наличие сканов в содержимом раздачи:

Треклист:
1 Show Time 8:58
2 Talkin' To The Wind 4:10
3 Atomic Funk 3:51
4 I Can't Get Enough Of Your Love 4:09
5 Space Machine 6:54
6 Tazmainian Monster 3:48
7 Sandman 4:14
8 Misunderstood 4:38
9 Show Time (Part 1)(Edit) 3:52
10 Show Time (Part 2)(Edit) 4:46
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 23. September 2014, 18:56
The Undisputed Truth / Smokin'
Used drive : MATSHITADVD-RAM UJ8E1 Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 8:58.35 | 0 | 40384
2 | 8:58.35 | 4:10.37 | 40385 | 59171
3 | 13:08.72 | 3:51.29 | 59172 | 76525
4 | 17:00.26 | 4:09.74 | 76526 | 95274
5 | 21:10.25 | 6:54.68 | 95275 | 126392
6 | 28:05.18 | 3:48.47 | 126393 | 143539
7 | 31:53.65 | 4:14.69 | 143540 | 162658
8 | 36:08.59 | 4:38.50 | 162659 | 183558
9 | 40:47.34 | 3:52.53 | 183559 | 201011
10 | 44:40.12 | 4:46.17 | 201012 | 222478
Track 1
Filename D:\01 - Show Time.wav
Pre-gap length 0:00:02.00
Peak level 94.4 %
Extraction speed 2.9 X
Track quality 99.9 %
Test CRC E5CED5C0
Copy CRC E5CED5C0
Accurately ripped (confidence 7) [1E3BEB62] (AR v2)
Copy OK
Track 2
Filename D:\02 - Talkin' To The Wind.wav
Pre-gap length 0:00:02.00
Peak level 94.4 %
Extraction speed 3.2 X
Track quality 100.0 %
Test CRC 6CF7EE44
Copy CRC 6CF7EE44
Accurately ripped (confidence 6) [05CCE1AF] (AR v2)
Copy OK
Track 3
Filename D:\03 - Atomic Funk.wav
Pre-gap length 0:00:02.00
Peak level 94.4 %
Extraction speed 3.0 X
Track quality 99.9 %
Test CRC 89AC4815
Copy CRC 89AC4815
Accurately ripped (confidence 7) [5EA649B6] (AR v2)
Copy OK
Track 4
Filename D:\04 - I Can't Get Enough Of Your Love.wav
Peak level 94.4 %
Extraction speed 3.3 X
Track quality 99.9 %
Test CRC 291A5474
Copy CRC 291A5474
Accurately ripped (confidence 7) [75ED7DA4] (AR v2)
Copy OK
Track 5
Filename D:\05 - Space Machine.wav
Pre-gap length 0:00:02.00
Peak level 94.4 %
Extraction speed 4.4 X
Track quality 100.0 %
Test CRC 02A1EA94
Copy CRC 02A1EA94
Accurately ripped (confidence 6) [16DD822E] (AR v2)
Copy OK
Track 6
Filename D:\06 - Tazmanian Monster.wav
Pre-gap length 0:00:02.00
Peak level 94.4 %
Extraction speed 4.4 X
Track quality 100.0 %
Test CRC A28BC855
Copy CRC A28BC855
Accurately ripped (confidence 7) [8ECEA90D] (AR v2)
Copy OK
Track 7
Filename D:\07 - Sandman.wav
Pre-gap length 0:00:02.00
Peak level 94.4 %
Extraction speed 4.6 X
Track quality 100.0 %
Test CRC E39254D7
Copy CRC E39254D7
Accurately ripped (confidence 7) [D7766314] (AR v2)
Copy OK
Track 8
Filename D:\08 - Misunderstood.wav
Pre-gap length 0:00:02.00
Peak level 94.4 %
Extraction speed 5.0 X
Track quality 100.0 %
Test CRC 98AD3AF0
Copy CRC 98AD3AF0
Accurately ripped (confidence 7) [A5249F18] (AR v2)
Copy OK
Track 9
Filename D:\09 - Show Time (Part 1) (Edit).wav
Pre-gap length 0:00:02.00
Peak level 94.4 %
Extraction speed 4.1 X
Track quality 99.9 %
Test CRC B9756C74
Copy CRC B9756C74
Accurately ripped (confidence 6) [A9B8A7D9] (AR v2)
Copy OK
Track 10
Filename D:\10 - Show Time (Part 2) (Edit).wav
Pre-gap length 0:00:02.00
Peak level 94.4 %
Extraction speed 5.3 X
Track quality 100.0 %
Test CRC EFC95AC0
Copy CRC EFC95AC0
Accurately ripped (confidence 6) [C81AEB97] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: UMYMI3uZl0K_lc0R.UwKuOyieTg-] found, Submit result: UMYMI3uZl0K_lc0R.UwKuOyieTg- has been confirmed
[621fda07] (2/2) Accurately ripped
==== Log checksum 740A785503F3EC1A57DE1246FC1A93CE34AA6628B58CA9EFC9C6D1D2C76C3CAD ====
Содержание индексной карты (.CUE)
REM GENRE Funk
REM DATE 1979
REM DISCID 810B960A
REM COMMENT "ExactAudioCopy v1.0b3"
FILE "01 - Show Time.wav" WAVE
TRACK 01 AUDIO
ISRC USWB11100111
INDEX 01 00:00:00
TRACK 02 AUDIO
ISRC USWB11100112
INDEX 00 08:56:35
FILE "02 - Talkin' To The Wind.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
ISRC USWB11100113
INDEX 00 04:08:37
FILE "03 - Atomic Funk.wav" WAVE
INDEX 01 00:00:00
FILE "04 - I Can't Get Enough Of Your Love.wav" WAVE
TRACK 04 AUDIO
ISRC USWB11100114
INDEX 01 00:00:00
TRACK 05 AUDIO
ISRC USWB11100115
INDEX 00 04:07:74
FILE "05 - Space Machine.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
ISRC USWB11100116
INDEX 00 06:52:68
FILE "06 - Tazmanian Monster.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
ISRC USWB11100117
INDEX 00 03:46:47
FILE "07 - Sandman.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
ISRC USWB11100118
INDEX 00 04:12:69
FILE "08 - Misunderstood.wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
ISRC USWB11100119
INDEX 00 04:36:50
FILE "09 - Show Time (Part 1) (Edit).wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
ISRC USWB11100120
INDEX 00 03:50:53
FILE "10 - Show Time (Part 2) (Edit).wav" WAVE
INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Show Time.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Talkin' To The Wind.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Atomic Funk.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. I Can't Get Enough Of Your Love.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Space Machine.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [06. Tazmanian Monster.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [07. Sandman.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [08. Misunderstood.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [09. Show Time (Part 1) (Edit).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [10. Show Time (Part 2) (Edit).wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
AMG Artist Profile
It's not exactly fair to peg the Undisputed Truth as a one-hit wonder, because they did have a few hits for Motown in the first half of the 1970s (albeit only one big one), as well as made half a dozen albums for the label. Still, it's not that far from the truth. Nothing else they did matched the strength of "Smiling Faces Sometimes," which made number three in 1971. Crafted by Norman Whitfield, Motown's most adventurous producer of the time, it employed the funk-psychedelic guitars and ominous, socially aware lyrics that were also characteristic of his work with the Temptations during the period.
the Undisputed Truth came into being after Bobby Taylor brought Billie Rae Calvin and Brenda Joyce to Motown as part of the Delicates. When the Delicates broke up, the pair kept busy doing background vocals for the Four Tops, Diana Ross, and Edwin Starr. Whitfield teamed them up with Joe Harris of the Preps, laying the groundwork for the male-female vocal interplay that would typify their Motown sessions.
It's fair to say that the Undisputed Truth were little more than a mouthpiece for Whitfield. He wrote most of their material (sometimes in association with Barrett Strong), and used their sessions as a laboratory to devise funk rhythms and psychedelic guitar effects. He was doing the same thing with the Temptations, and the Undisputed Truth's records couldn't help but suffer in comparison. As vocalists they weren't in the same league as the Temps, and Whitfield was most likely reserving his real killer songs for the more famous group.
The group never approached the success of "Smiling Faces Sometimes" again, although they racked up a series of modest R&B hits through the mid-'70s. The best of these were "You Make Your Own Heaven and Hell Right Here on Earth" (which perhaps recalled "Smiling Faces" a little too closely) and the original version of "Papa Was a Rollin' Stone," which Whitfield would quickly redo with the Temptations for a much more definitive (and massively successful) version. Little else in the Undisputed Truth discography demands attention, though Motown scholars will find their work worth a listen to investigate some of the ideas rattling around Whitfield's head in the 1970s.
the Undisputed Truth came into being after Bobby Taylor brought Billie Rae Calvin and Brenda Joyce to Motown as part of the Delicates. When the Delicates broke up, the pair kept busy doing background vocals for the Four Tops, Diana Ross, and Edwin Starr. Whitfield teamed them up with Joe Harris of the Preps, laying the groundwork for the male-female vocal interplay that would typify their Motown sessions.
It's fair to say that the Undisputed Truth were little more than a mouthpiece for Whitfield. He wrote most of their material (sometimes in association with Barrett Strong), and used their sessions as a laboratory to devise funk rhythms and psychedelic guitar effects. He was doing the same thing with the Temptations, and the Undisputed Truth's records couldn't help but suffer in comparison. As vocalists they weren't in the same league as the Temps, and Whitfield was most likely reserving his real killer songs for the more famous group.
The group never approached the success of "Smiling Faces Sometimes" again, although they racked up a series of modest R&B hits through the mid-'70s. The best of these were "You Make Your Own Heaven and Hell Right Here on Earth" (which perhaps recalled "Smiling Faces" a little too closely) and the original version of "Papa Was a Rollin' Stone," which Whitfield would quickly redo with the Temptations for a much more definitive (and massively successful) version. Little else in the Undisputed Truth discography demands attention, though Motown scholars will find their work worth a listen to investigate some of the ideas rattling around Whitfield's head in the 1970s.
Состав
Arranged By – Norman Whitfield
Bass – Keni Burke, Mark Kenoly, Melvin Stewart, Ted Willingham
Clavinet – Walter Downing
Drums – James Gadson, Jimi Valdez
Electronic Drums [Syndrums] – Terral Santiel
Guitar – Brian Haner, Earnest Reed, Jr., Howard Rice, Melvin "Wah Wah" Watson, Trey Stone
Percussion – Jack Ashford
Piano – Walter Downing
Synthesizer [Oberheim, Arp] – Michael Nash
Bass – Keni Burke, Mark Kenoly, Melvin Stewart, Ted Willingham
Clavinet – Walter Downing
Drums – James Gadson, Jimi Valdez
Electronic Drums [Syndrums] – Terral Santiel
Guitar – Brian Haner, Earnest Reed, Jr., Howard Rice, Melvin "Wah Wah" Watson, Trey Stone
Percussion – Jack Ashford
Piano – Walter Downing
Synthesizer [Oberheim, Arp] – Michael Nash
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777