(Funk, Soul) [CD] Stone Alliance (w/ Steve Grossman, Gene Perla, Don Alias) - Stone Alliance - 1976, MP3, 320 kbps
Stone Alliance - Stone Alliance
Жанр: Funk, Soul
Страна: США
Год издания: 1976
Аудиокодек: MP3 (конвертировано из lossless)
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 32:46
Наличие сканов в содержимом раздачи: да
Треклист:
01. Vaya Mulatto (Alias) - 5:46
02. King Tut (Grossman) - 6:48
03. Duet (Grossman-Alias) - 5:35
04. Sweetie-Pie (Alias) - 4:29
05. Creepin' (Wonder) - 5:13
06. Samba de Negro (Alias) - 4:55
Состав:
Steve Grossman - tenor saxophone
Gene Perla - electric bass, piano
Don Alias - drums, congas, bongos, bell
Recorded at Red Gate Studio, Kent, NY in June 1975 - June 1976.
Жанр: Funk, Soul
Страна: США
Год издания: 1976
Аудиокодек: MP3 (конвертировано из lossless)
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 32:46
Наличие сканов в содержимом раздачи: да
Треклист:
01. Vaya Mulatto (Alias) - 5:46
02. King Tut (Grossman) - 6:48
03. Duet (Grossman-Alias) - 5:35
04. Sweetie-Pie (Alias) - 4:29
05. Creepin' (Wonder) - 5:13
06. Samba de Negro (Alias) - 4:55
Состав:
Steve Grossman - tenor saxophone
Gene Perla - electric bass, piano
Don Alias - drums, congas, bongos, bell
Recorded at Red Gate Studio, Kent, NY in June 1975 - June 1976.
Review by Vincent Thomas
Stone Alliance's eponymous debut album begins with percussionist Don Alias and bassist Gene Perla setting the table with a subtle Afro-Cuban rhythm and then, before the album is even 90 seconds in, the rhythm catches fire and in comes saxophonist Steve Grossman with a torrential solo. The power trio rarely lets up from there. Whether it's the breakneck, white-flame burn on tracks like the aforementioned "Vaya Mulatto" or "Duet" or "Samba De Negro," Stone Alliance is like a sonic hurricane. Yeah, it slows down for a hip rendering of Stevie Wonder's "Creepin'," but that's about the only breather you get. "Sweetie Pie" -- probably the album's best know song, sampled for '90s rap group Original Flavor's "Blowin Up the Spot" -- might not feel like an assault, but the funk is so nasty it makes you scowl. And then there's the album's highlight, "King Tut," a smoldering, deliberate, militant march with Alias and Grossman challenging each other to frenzy and Perla in the cut like a jazzy Bootsy Collins. These three musicians had teamed up two years prior for Grossman's debut Some Shapes to Come. That was a much more cohesive, ambitious album from an artistic standpoint. This album is a looser, more rebellious effort and a must hear for '70s jazz fans.
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This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777