(Free Jazz) Peter Brotzmann, Maleem Mahmoud Ghania & Hamid Drake - The Wels Concert - 1997, FLAC (tracks+.cue), lossless

X Lossless Decoder version 20121222 (142.2)
XLD extraction logfile from 2012-12-23 04:01:41 +0400
Peter Brötzmann, Mahmoud Gania, Hamid Drake / The "WELS" Concert
Used drive : HL-DT-ST DVDRW  GX30N (revision RP09)
Media type : Pressed CD
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        2  | 25:46:20 | 25:15:25 |    115970    |   229619
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TITLE "The "WELS" Concert"
PERFORMER "Peter Brötzmann, Mahmoud Gania, Hamid Drake"
REM GENRE "Free Jazz"
REM DATE "1997"
REM DISCID 20107A03
REM REPLAYGAIN_ALBUM_GAIN -4.68 dB
REM REPLAYGAIN_ALBUM_PEAK 0.997742
FILE "01 - Part 1.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Part 1"
    PERFORMER "Peter Brötzmann, Mahmoud Gania, Hamid Drake"
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  TRACK 02 AUDIO
    TITLE "Part 2"
    PERFORMER "Peter Brötzmann, Mahmoud Gania, Hamid Drake"
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    TITLE "Part 3"
    PERFORMER "Peter Brötzmann, Mahmoud Gania, Hamid Drake"
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This live recording from a 1996 Austrian music festival is a powerful interaction of three musicians from different countries, each of whom have extraordinary improvisational abilities and deep, grounded technique. A somewhat unusual instrumentation is heard from this free jazz trio: German saxophonist Peter Brotzmann also performs on e-flat clarinet and tarogato (a Hungarian single-reed woodwind), American percussionist Hamid Drake plays a drum kit, a frame drum, and tablas, and Moroccan master musician ("maleem") Mahmoud Gania plays the guembri, a three-chord lute drum with a low register. The concert is broken up into three parts, totaling over an hour's worth of a set that is "meditative" in the ecstatic-trance sense of the word, meaning that the music's energy level has a natural ebb and flow. This current results in an outside-of-time atmosphere that's meditative even while remaining very musically active. The album opens with Gania's guembri playing, and Brotzmann and Drake soon come in, picking up a conversation midway (there are no buffering introductions with Brotzmann). The guembri is used in rituals by Gnaoua people to call in supernatural beings to possess believers, and European-oriented ears may find Brotzmann's thickly passionate horn to be the very sound of possession. Regardless, this recording captures a performance that really cooks! As a warning, it should be noted that the sound quality will leave audiophiles unhappy: There are moments when Brotzmann apparently moves away from the mic, and when Gania's vocal chants have a shifting sound quality. The music, however, outweighs those concerns. These three musicians come together in a successful melding of musical backgrounds. The result is a unified, energetic, affecting, free performance.

Drums – Hamid Drake
Saxophone – Peter Brötzmann
Sintir [Guembri], Vocals – Maleem Mahmoud Ghania