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(Free Jazz) Hairy Bones (Peter Brotzmann, Toshinori Kondo, Massimo Pupillo, Paal Nilssen-Love) - Snakelust (to Kenji Nakagami) - 2012, FLAC (image+.cue), lossless

(Free Jazz) Hairy Bones (Peter Brotzmann, Toshinori Kondo, Massimo Pupillo, Paal Nilssen-Love) - Snakelust (to Kenji Nakagami) - 2012, FLAC (image+.cue), lossless
Hairy Bones / Snakelust (to Kenji Nakagami)
Жанр: Free Jazz
Страна-производитель диска: Portugal
Год издания: 2012
Издатель (лейбл): Clean Feed
Номер по каталогу: CF252CD
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 53:01
Источник (релизер): CD
Наличие сканов в содержимом раздачи: да
1. Snakelust (53:01)
Лог создания рипа
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 9. January 2013, 17:36
Hairy Bones / Snakelust
Used drive : Optiarc DVD RW AD-5280S Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 53:01.04 | 0 | 238578
Range status and errors
Selected range
Filename C:\Hairy Bones (2012) - Snakelust\Hairy Bones - Snakelust.wav
Peak level 98.8 %
Extraction speed 6.7 X
Range quality 100.0 %
Copy CRC 6A93E1C6
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 1) [C6850990] (AR v1)
All tracks accurately ripped
End of status report
==== Log checksum CFE1CAADE6D1B614A925C03909A42E24B4F6C2E82E419CA3A4CC0348AC829D1D ====
Содержание индексной карты (.CUE)
REM COMMENT "ExactAudioCopy v1.0b2"
CATALOG 5609063002522
PERFORMER "Hairy Bones"
TITLE "Snakelust"
FILE "Hairy Bones - Snakelust.flac" WAVE
TITLE "Snakelust"
PERFORMER "Hairy Bones"
ISRC PTNF11108964
INDEX 01 00:00:00
Доп. информация
Recorded live at Jazz em Agosto, Lisbon, Portugal by Luis Delgado on August 12th, 2011.
Об альбоме (сборнике)
Recorded live in Lisbon, at the 2011 edition of the festival Jazz em Agosto, “Snakelust” is the most fantastic upbringing, to this date, of the newest Peter Brotzmann’s electric project, Hairy Bones. The band with Toshinori Kondo, Massimo Pupillo and Paal Nilssen-Love is what you would expect crossing the music played by Last Exit, his assault brigade completed by Sonny Sharrock, Bill Laswell and Ronald Shanon Jackson, with the one more recently presented by Die Like a Dog, also including Kondo, but with William Parker and Hamid Drake filling the iron-solid rhythm section. There are some substantial differences, anyhow: a more pronounced punk / metal edge of the Aylerian kind of free jazz offered to our ears. No wonder, knowing that bassist Pupillo comes from the noise-jazz Italian group Zu and that Nilssen-Love is the propulsive motor of The Thing, Mats Gustafsson’s mix of the new thing and the stoner rock aesthetics. The documented concert was voted by Portuguese critics as the last year’s very best – now it’s your time to judge. ~ cleanfeed-records.com
I turn on my stereo and the music immediately nails me down, it pushes me into my seat. I try to get up and fight against it but I have got no chance. It grabs me by the throat, this is completely physical and breathtaking but it is painful in a comfortable way. I surrender and I start to enjoy this massive attack. Hairy Bones is Peter Brötzmann (saxes, clarinets, tarogato), Toshinori Kondo (trumpet, electronics), Massimo Pupillo (e-bass), and Paal Nilssen-Love (drums) and whenever Brötzmann comes up with such a line-up there are always references to his legendary bands Last Exit and Die Like a Dog (the label makes them as well). And it points backs indeed: as in Die Like a Dog the rhythm group is a well-oiled machine, as in Last Exit there is a strong rock approach especially because Pupillo’s roots lie in the noise-jazz Italian group Zu and Nilssen-Love is the locomotive of Mats Gustafsson’s crossover beast The Thing. “Snakelust” is a 53-minute-one-track-monster dedicated to the Japanese writer Kenji Nakagami and it offers everything this music can give. Like with Die Like a Dog there are different combinations, there is not always the whole band playing. You can listen to all kinds of trios (Kondo/Pupillo/Nilssen-Love, Brötzmann/Pupillo/Nilssen-Love, Kondo/Brötzmann/ Nilssen-Love), to various duos (Brötzmann/Kondo, Brötzmann/Nilssen-Love, Pupillo/Nilssen-Love), to Brötzmann and Pupillo solos or to the whole band. It is a simple sensation how these parts always come together as if this was the easiest and most organic thing. Thus, there are magical moments galore: For example, the Kondo/Pupillo/Nilssen-Love trio is sheer madness, they sound more like hardcore industrial rock, especially with Nilssen-Love pumping like hell (he clearly is the steam machine of the band), while Kondo is driving his trumpet through all kinds of effects like fuzz boxes and wah-wah pedals, fighting invisible demons, chasing shadows in more subtle passages of reverberating, superimposed sounds. Or when Brötzmann plays a wonderful, melancholic solo on the tarogato and Nilssen-Love joins him almost stroking his drum kit with jazz brushes before Kondo is replacing Brötzmann and the whole thing is flowing into a high-voltage killer trio with Pupillo again. When one day HBO will shoot the attack of the dragons on King’s Landing in their top notch series “Game of Thrones” the full throttle parts of this album should be the soundtrack. The label information says that this “documented concert was voted by Portuguese critics as the last year's very best”. Yes, it is purgatory but I always feel purified after listening, too. Play really loud! ~ martin schray, freejazz.com
Peter Brötzmann - tenor saxophone, alto saxophone, Bb clarinet, tarogato
Toshinori Kondo - trumpet, electronics
Massimo Pupillo - electric bass
Paal Nilssen-Love - drums
Any questions -> support@pro-jazz.com. По всем вопросам пишите -> support@pro-jazz.com
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