(Free Jazz, Free Improvisation) Mats Gustafsson - Needs! - 2010, FLAC (tracks) lossless
Треклист:
Mats Gustafsson / Needs!
Жанр: Free Jazz, Free Improvisation
Страна-производитель диска: UK
Год издания диска: 2010
Издатель (лейбл): Dancing Wayang
Номер по каталогу: DWR005
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 41:21
Источник (релизер): сетЪ
Наличие сканов в содержимом раздачи: нет
Треклист:
01 Needs! — To The Ex 2:37
02 Sources Of Such — To Sten Sandell 7:27
03 Ethiopian Swing — To Lello Jarvis 3:17
04 Language Of Y(our)s — To Clay Ketter 3:33
05 The Written And Spoken Such — To Leif Elggren 4:35
06 Can Yours Bark? — To The Thang 2:36
07 Forever Strictly Forbidden — To Sten Hansson 7:32
08 Surrounded By Short Reflexes — To Raymond Strid 4:07
09 It's Amore — To Johan, Mariam And Andreas 2:58
10 Freak Pipeline — To John Corbett2:33
Доп. информация:
Recorded April 11, 2010 at Eastcoat Studios London
Mixed Spring 2010
Жанр: Free Jazz, Free Improvisation
Страна-производитель диска: UK
Год издания диска: 2010
Издатель (лейбл): Dancing Wayang
Номер по каталогу: DWR005
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 41:21
Источник (релизер): сетЪ
Наличие сканов в содержимом раздачи: нет
Треклист:
01 Needs! — To The Ex 2:37
02 Sources Of Such — To Sten Sandell 7:27
03 Ethiopian Swing — To Lello Jarvis 3:17
04 Language Of Y(our)s — To Clay Ketter 3:33
05 The Written And Spoken Such — To Leif Elggren 4:35
06 Can Yours Bark? — To The Thang 2:36
07 Forever Strictly Forbidden — To Sten Hansson 7:32
08 Surrounded By Short Reflexes — To Raymond Strid 4:07
09 It's Amore — To Johan, Mariam And Andreas 2:58
10 Freak Pipeline — To John Corbett2:33
Лог создания рипа
нет
Лог проверки качества
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
-=== НЕ РЕДАКТИРУЙТЕ ЭТОТ ФАЙЛ! ===-
Путь: ...\Mats Gustafsson - Needs! [2010]
01 -=- 01 - needs! - to the ex.flac -=- CDDA (100%)
02 -=- 02 - sources of such - to sten sandell.flac -=- CDDA (58%)
03 -=- 03 - ethopian swing - to lello jarvis.flac -=- CDDA (99%)
04 -=- 04 - language of y(our)s - to clay ketter.flac -=- CDDA (86%)
05 -=- 05 - the written and spoken such - to leif elggren.flac -=- CDDA (100%)
06 -=- 06 - can yours bark_ - to the thang.flac -=- CDDA (100%)
07 -=- 07 - forever strictly forbidden - to sten hansson.flac -=- CDDA (85%)
08 -=- 08 - surrounded by short reflexes - to raymond strid.flac -=- CDDA (100%)
09 -=- 09 - it's amore - to johan, mariam & andreas.flac -=- CDDA (100%)
10 -=- 10 - freak pipeline - to john corbett.flac -=- CDDA (100%)
Сводка 92,80% CDDA
19333556
Recorded April 11, 2010 at Eastcoat Studios London
Mixed Spring 2010
Об альбоме (сборнике)
I’m convinced that we, free jazz/improv fanatics, often underestimate the alienating impact much of our beloved music has on those surrounding us: parents, kids, husbands & wives, kindred spirits. Not to forget our friends with the huge frequency range: dogs. Especially the European school of free improvisation, with its preference for extended techniques, its dismissal of standard linearity and absence of traditional jazz/pop elements, often remains a tough nut to crack. We’ve all had the experience of a relative or neighbour asking why the hell we were vacuuming or drilling at 10PM, while we were in fact listening to the latest John Butcher or Peter Brotzmann addition to our record collection.
Even though he’s often working in more conventional (as in: not as perplexing) contexts, Swedish reed eater Mats Gustafsson is a perfect example of an artist who’s extracting the most diverse and dividing reactions from his listeners. While playing the ‘Needs!’ LP, I even heard someone asking whether everything was still okay with my record player and speakers. And for a moment, I wasn’t entirely sure. It’s THAT kind of record. Because when Gustafsson is in his DESTRUCTION-mode, he’s the Jason Statham of free improvisation: anything can happen, and more often than not the results are as fierce and explosive as the nastiest punk rock, capable of giving you a toothache or making your brain halves switch places (even though his creative and technical prowess as a musician is nearly unparalleled as well, meaning he’s also in command of the subtler possibilities of his art).
‘Needs!’ is a radical solo album. Not in the way the wonderful ‘The Vilnius Implosion’ (2008) was, but with an electro-acoustic twist to it. Gustafsson has increasingly immersed himself in knob fiddling, and this record offers the results of this merger of “live-electronics and big treatments & related activities of baritone and slide saxophones”. The two album halves each contain five songs, and all ten pieces bear dedications (much in the way in which Ken Vandermark pays tribute to influences and colleagues on his albums). The album halves also follow a similar pattern for a while: both sides start with a puzzling short piece, which is followed by longer and more confrontational piece, which in its turns is succeeded by three more short ones.
As a power player, Gustafsson is the king of bleats and squeaks, of growls and groans, but in this case it’s about the ‘little’ sounds: the tongue slapping, the hissing, the breathing and moaning, which are accompanied and/or treated by electronics to such a degree that it’s often hard to figure out where the man-made sounds end and the machine-manipulated ones begin. The pieces that start off both sides almost feel like signals from above, transmissions from outer space that are only picked up in interrupted spurts. Only near the end can you hear the slapping of the tongue beneath the murky creaking. The long tracks are even much more provocative, with buzzing and droning sound waves, as if a machine of an unknown origin suddenly starts farting. And keeps it up for a few minutes.
The shorter tracks that end each half are a mixed bunch: some are less buried below layers of electronic bricolage, pushing the wheezing air travel to the foreground, while others seem to remain at the mercy of the machines. You get the gist: ‘Needs!’ delves into the electro-acoustic experiment without looking back even once. It’s another treat for fans of Gustafsson’s excursions into the avant-garde and those who have a fondness for this kind of messing around. All the others should approach with caution.
[Guy Peters, http://freejazz-stef.blogspot.com/ ]
Even though he’s often working in more conventional (as in: not as perplexing) contexts, Swedish reed eater Mats Gustafsson is a perfect example of an artist who’s extracting the most diverse and dividing reactions from his listeners. While playing the ‘Needs!’ LP, I even heard someone asking whether everything was still okay with my record player and speakers. And for a moment, I wasn’t entirely sure. It’s THAT kind of record. Because when Gustafsson is in his DESTRUCTION-mode, he’s the Jason Statham of free improvisation: anything can happen, and more often than not the results are as fierce and explosive as the nastiest punk rock, capable of giving you a toothache or making your brain halves switch places (even though his creative and technical prowess as a musician is nearly unparalleled as well, meaning he’s also in command of the subtler possibilities of his art).
‘Needs!’ is a radical solo album. Not in the way the wonderful ‘The Vilnius Implosion’ (2008) was, but with an electro-acoustic twist to it. Gustafsson has increasingly immersed himself in knob fiddling, and this record offers the results of this merger of “live-electronics and big treatments & related activities of baritone and slide saxophones”. The two album halves each contain five songs, and all ten pieces bear dedications (much in the way in which Ken Vandermark pays tribute to influences and colleagues on his albums). The album halves also follow a similar pattern for a while: both sides start with a puzzling short piece, which is followed by longer and more confrontational piece, which in its turns is succeeded by three more short ones.
As a power player, Gustafsson is the king of bleats and squeaks, of growls and groans, but in this case it’s about the ‘little’ sounds: the tongue slapping, the hissing, the breathing and moaning, which are accompanied and/or treated by electronics to such a degree that it’s often hard to figure out where the man-made sounds end and the machine-manipulated ones begin. The pieces that start off both sides almost feel like signals from above, transmissions from outer space that are only picked up in interrupted spurts. Only near the end can you hear the slapping of the tongue beneath the murky creaking. The long tracks are even much more provocative, with buzzing and droning sound waves, as if a machine of an unknown origin suddenly starts farting. And keeps it up for a few minutes.
The shorter tracks that end each half are a mixed bunch: some are less buried below layers of electronic bricolage, pushing the wheezing air travel to the foreground, while others seem to remain at the mercy of the machines. You get the gist: ‘Needs!’ delves into the electro-acoustic experiment without looking back even once. It’s another treat for fans of Gustafsson’s excursions into the avant-garde and those who have a fondness for this kind of messing around. All the others should approach with caution.
[Guy Peters, http://freejazz-stef.blogspot.com/ ]
Состав
Artwork By - Mathias Poschl
Liner Notes - Jim O'Rourke
Live Electronics And Bug Treatments & Related Activities Of Baritone And Slide Saxophones - Mats Gustafsson
Mastered By - Rinus Hooning
Mixed By - Anna Tjan
Producer - MG & Anna Tjan
Recorded By - Anna Tjan
Silkscreens - Midori Ogata & Anna Tjan
Liner Notes - Jim O'Rourke
Live Electronics And Bug Treatments & Related Activities Of Baritone And Slide Saxophones - Mats Gustafsson
Mastered By - Rinus Hooning
Mixed By - Anna Tjan
Producer - MG & Anna Tjan
Recorded By - Anna Tjan
Silkscreens - Midori Ogata & Anna Tjan