(Free Jazz, Free Improvisation) Evan Parker, Okkyung Lee, Peter Evans - The Bleeding Edge - 2011, FLAC (tracks+.cue), lossless
Треклист:
Evan Parker, Okkyung Lee, Peter Evans / The Bleeding Edge
Жанр: Free Jazz, Free Improvisation
Страна-производитель диска: UK
Год издания: 2011
Издатель (лейбл): psi
Номер по каталогу: psi 11.10
Страна: UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 68:17
Источник (релизер): whatcd/ fanciulla
Наличие сканов в содержимом раздачи: нет
Треклист:
1 Trio 1 7:15
2 Trio 2 6:39
3 Duo 1 4:47
4 Trio 3 5:52
5 Duo 2 5:27
6 Trio 4 9:43
7 Duo 3 4:35
8 Duo 4 4:27
9 Duo 5 4:19
10 Trio 5 8:35
11 Trio 6 6:20
Recorded May 4th 2010, St Peter's Church, Whitstable
Жанр: Free Jazz, Free Improvisation
Страна-производитель диска: UK
Год издания: 2011
Издатель (лейбл): psi
Номер по каталогу: psi 11.10
Страна: UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 68:17
Источник (релизер): whatcd/ fanciulla
Наличие сканов в содержимом раздачи: нет
Треклист:
1 Trio 1 7:15
2 Trio 2 6:39
3 Duo 1 4:47
4 Trio 3 5:52
5 Duo 2 5:27
6 Trio 4 9:43
7 Duo 3 4:35
8 Duo 4 4:27
9 Duo 5 4:19
10 Trio 5 8:35
11 Trio 6 6:20
Recorded May 4th 2010, St Peter's Church, Whitstable
Лог создания рипа
X Lossless Decoder version 20120609 (141.0)
XLD extraction logfile from 2012-07-03 12:34:38 -0400
Evan Parker, Okkyung Lee, Peter Evans / The Bleeding Edge
Used drive : HL-DT-ST DVDRW GS21N (revision SA18)
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Max retry count : 100
Gap status : Analyzed, Appended (except HTOA)
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2 | 07:16:63 | 06:41:49 | 32763 | 62886
3 | 13:58:37 | 04:49:34 | 62887 | 84595
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8 | 44:32:38 | 04:28:68 | 200438 | 220605
9 | 49:01:31 | 04:19:17 | 220606 | 240047
10 | 53:20:48 | 08:36:44 | 240048 | 278791
11 | 61:57:17 | 06:20:00 | 278792 | 307291
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Содержание индексной карты (.CUE)
TITLE "The Bleeding Edge"
PERFORMER "Evan Parker, Okkyung Lee, Peter Evans"
REM DATE "2011"
REM DISCID 9910010B
REM REPLAYGAIN_ALBUM_GAIN -2.31 dB
REM REPLAYGAIN_ALBUM_PEAK 0.988983
FILE "01 trio 1.flac" WAVE
TRACK 01 AUDIO
TITLE "trio 1"
ISRC GBGKV1181001
REM REPLAYGAIN_TRACK_GAIN -2.83 dB
REM REPLAYGAIN_TRACK_PEAK 0.988953
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "trio 2"
ISRC GBGKV1181002
REM REPLAYGAIN_TRACK_GAIN -3.70 dB
REM REPLAYGAIN_TRACK_PEAK 0.988953
INDEX 00 07:14:63
FILE "02 trio 2.flac" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "duo1"
ISRC GBGKV1181003
REM REPLAYGAIN_TRACK_GAIN -0.12 dB
REM REPLAYGAIN_TRACK_PEAK 0.988953
INDEX 00 06:39:49
FILE "03 duo1.flac" WAVE
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TITLE "trio 3"
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FILE "05 duo 2.flac" WAVE
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FILE "06 trio 4.flac" WAVE
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Об альбоме (сборнике)
The Psi website hints at the many things The Bleeding Edge condenses into the intimate trio format: geographical distance, nationality, disparate families of instruments, different generations of improvisers. The music doesn’t sound so much like an amalgamation of all these things as it does a sheer transcendence of them. It’s a display of musical minds and talents stripped of contextual baggage. It is challenging, sophisticated music that will reward anyone who opens themselves to it.
It’s uncommon to find a recording in which the individual strengths of each player are so constantly apparent, yet also so difficult to unravel from one another. The trio weaves an ornate musical fabric, with timbres and ideas meshing so frequently that it’s difficult to follow a single musician’s contribution for more than a few seconds. The Bleeding Edge features six of these trio cuts, as well as a handful of duos: two each of Parker/Lee and Parker/Evans, and one with Evans and Lee. It’s hard not to gush about Evan Parker; his sheer genius and mastery is evident in almost every captured performance. Increasingly, the same can be said of trumpeter Evans, a rare talent whose technique and musicality seems inexhaustible. Both have utterly divorced their instruments from the constraints of the Western tonal system. But the real delight here is cellist Okkyung Lee, who is too often overshadowed by the distinguished musical company she keeps. She’s a thoughtful, responsive player with a gorgeous tone that never succumbs to the shrill, needly sound of some improvising cellists. Her duets with Parker are among the many highlights here. The two create a remarkable sympathetic dialogue, as opposed to Evans’s more sporty, duel-like spars with Parker.
The Bleeding Edge is an album to sit with. It’s in turns beautiful, confounding, intimidating, and awe-inspiring. The sound is wonderfully captured, the soft resonance of the recording space only further enhancing the complex stew of harmonics generated by the trio. Though the big names and reputations are certainly the initial draw, the results are pure and spontaneous music, beyond any single participant. At the risk of sounding affected or trite, it’s a strong showing of the humanitarian appeal of improvising: everyone has the ability to make profound contributions to the conversation, baggage be damned."
It’s uncommon to find a recording in which the individual strengths of each player are so constantly apparent, yet also so difficult to unravel from one another. The trio weaves an ornate musical fabric, with timbres and ideas meshing so frequently that it’s difficult to follow a single musician’s contribution for more than a few seconds. The Bleeding Edge features six of these trio cuts, as well as a handful of duos: two each of Parker/Lee and Parker/Evans, and one with Evans and Lee. It’s hard not to gush about Evan Parker; his sheer genius and mastery is evident in almost every captured performance. Increasingly, the same can be said of trumpeter Evans, a rare talent whose technique and musicality seems inexhaustible. Both have utterly divorced their instruments from the constraints of the Western tonal system. But the real delight here is cellist Okkyung Lee, who is too often overshadowed by the distinguished musical company she keeps. She’s a thoughtful, responsive player with a gorgeous tone that never succumbs to the shrill, needly sound of some improvising cellists. Her duets with Parker are among the many highlights here. The two create a remarkable sympathetic dialogue, as opposed to Evans’s more sporty, duel-like spars with Parker.
The Bleeding Edge is an album to sit with. It’s in turns beautiful, confounding, intimidating, and awe-inspiring. The sound is wonderfully captured, the soft resonance of the recording space only further enhancing the complex stew of harmonics generated by the trio. Though the big names and reputations are certainly the initial draw, the results are pure and spontaneous music, beyond any single participant. At the risk of sounding affected or trite, it’s a strong showing of the humanitarian appeal of improvising: everyone has the ability to make profound contributions to the conversation, baggage be damned."
Состав
Cello – Okkyung Lee
Soprano Saxophone, Tenor Saxophone – Evan Parker
Trumpet, Trumpet [Piccolo Trumpet] – Peter Evans
Soprano Saxophone, Tenor Saxophone – Evan Parker
Trumpet, Trumpet [Piccolo Trumpet] – Peter Evans