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(Free Jazz, Free Improvisation) [CD] The Frame Quartet (Ken Vandermark, Nate McBride, Fred Lonberg-Holm, Tim Daisy) - 35 mm - 2009, FLAC (tracks+.cue), lossless

(Free Jazz, Free Improvisation) [CD] The Frame Quartet (Ken Vandermark, Nate McBride, Fred Lonberg-Holm, Tim Daisy) - 35 mm - 2009, FLAC (tracks+.cue), lossless
The Frame Quartet / 35 mm
Жанр: Free Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): US
Год издания: 2009
Издатель (лейбл): Okka Disk
Номер по каталогу: OD12078
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 71:25
Источник (релизер): cd
Наличие сканов в содержимом раздачи: нет
1. Multi Chrome (For Peter Brötzmann, Han Bennink, Fred Van Hove) 14:56
2. Lens (For Ennio Morricone) 11:45
3. M.E:S. (For Merce Cunningham) 10:29
4. Theater Piece (For Jimmy Lyons) 18:36
5. Straw (For Steve Lacy) 15:15
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 7. April 2015, 12:38
The Frame Quartet / 35 mm
Used drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programs\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 14:59.21 | 0 | 67445
2 | 14:59.21 | 11:50.16 | 67446 | 120711
3 | 26:49.37 | 10:34.39 | 120712 | 168300
4 | 37:24.01 | 18:42.29 | 168301 | 252479
5 | 56:06.30 | 15:19.07 | 252480 | 321411
Track 1
Filename D:\EAC\01 Multi Chrome (for Peter Brotzmann, Hann Bennink, Fred Van Hove).wav
Pre-gap length 0:00:02.00
Peak level 96.5 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC 54F0499E
Copy CRC 54F0499E
Copy OK
Track 2
Filename D:\EAC\02 Lens (for Ennio Morricone).wav
Peak level 96.5 %
Extraction speed 2.8 X
Track quality 100.0 %
Test CRC D352FC15
Copy CRC D352FC15
Copy OK
Track 3
Filename D:\EAC\03 M.E.S. (for Merce Cunningham).wav
Peak level 80.1 %
Extraction speed 3.1 X
Track quality 100.0 %
Test CRC A963AD91
Copy CRC A963AD91
Copy OK
Track 4
Filename D:\EAC\04 Theater Piece (for Jimmy Lyons).wav
Peak level 96.5 %
Extraction speed 3.7 X
Track quality 100.0 %
Copy OK
Track 5
Filename D:\EAC\05 Straw (for Steve Lacy).wav
Peak level 96.5 %
Extraction speed 4.1 X
Track quality 100.0 %
Copy OK
No errors occurred
End of status report
==== Log checksum 39D303C71C316357FA5992936E7A99292237A4B6C07F518A071BCB3DA0E611FF ====
Содержание индексной карты (.CUE)
REM GENRE "Free Improvisation"
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "The Frame Quartet"
TITLE "35 mm"
FILE "01 Multi Chrome (for Peter Brotzmann, Hann Bennink, Fred Van Hove).wav" WAVE
TITLE "Multi Chrome (for Peter Brotzmann, Hann Bennink, Fred Van Hove)"
PERFORMER "The Frame Quartet"
INDEX 01 00:00:00
FILE "02 Lens (for Ennio Morricone).wav" WAVE
TITLE "Lens (for Ennio Morricone)"
PERFORMER "The Frame Quartet"
INDEX 01 00:00:00
FILE "03 M.E.S. (for Merce Cunningham).wav" WAVE
TITLE "M.E.S. (for Merce Cunningham)"
PERFORMER "The Frame Quartet"
INDEX 01 00:00:00
FILE "04 Theater Piece (for Jimmy Lyons).wav" WAVE
TITLE "Theater Piece (for Jimmy Lyons)"
PERFORMER "The Frame Quartet"
INDEX 01 00:00:00
FILE "05 Straw (for Steve Lacy).wav" WAVE
TITLE "Straw (for Steve Lacy)"
PERFORMER "The Frame Quartet"
INDEX 01 00:00:00
Доп. информация: Recorded on 29 July 2009 at Strobe Recording, Chicago
Об альбоме (сборнике)
Chicago-based multi-instrumentalist, composer and bandleader Ken Vandermark is widely known for paying homage to artists of various disciplines, regularly including dedications in his song titles to those who have inspired him. On 35mm, the studio debut of his newest ensemble, The Frame Quartet, Vandermark reveals his longstanding debt to cinema, not only in name, but in approach.
Filmmaking is an intensely collaborative medium, and The Frame Quartet embraces this concept implicitly; Vandermark is the sole writer, yet each of the album's five compositions is conducted by a different member of the quartet, except for "M.E.S. (for Merce Cunningham)." Though only "Lens (for Ennio Morricone)" is dedicated to an artist directly involved in film, all of the pieces embrace the art form's predilection for linear development. Eschewing conventional forms, these labyrinthine structures transition suddenly between modes, emulating cinema's narrative flow with dramatic shifts in tone that parallel the sudden splice cuts found in celluloid editing.
Bringing these episodic works to life are some of Chicago's most resourceful improvisers, including cellist Fred Lonberg-Holm
, bassist Nate McBride, and drummer Tim Daisy—all veterans of Vandermark's numerous ensembles. Utilizing an array of raw, electronic EFX, Longberg-Holm veers from austere acoustic cadenzas to amplified torrents of coruscating feedback. McBride alternates between upright and electric bass, while Vandermark reserves his clarinet for introspective moments, unfurling burly, pneumatic cadences on tenor saxophone elsewhere.
The session unveils an array of evocative styles, including bluesy noir, pungent funk, and austere impressionism. "Multi-Chrome (for Peter Brotzmann, Han Bennink, Fred Van Hove)" opens the record with an ominous vamp that suddenly vanishes, leaving an electro-acoustic cello cadenza in its wake. A serpentine pulse materializes, leading the group through myriad changes before downshifting into a somber tenor and bass duet that precedes the recapitulated theme. The remainder of the album follows similarly unpredictable patterns.
"Lens (for Ennio Morricone)" modulates from pliant swing to syncopated grooves, intensified by blistering solos from Longberg-Holm and Vandermark before dissipating in a tranquil coda. The sober pointillism of "M.E.S. (for Merce Cunningham)" features the session's only completely acoustic performance, while "Theater Piece (for Jimmy Lyons)" is the album's epic centerpiece. Careening between movements, the piece vacillates from frenzied interplay to hushed aleatoric discourse, featuring numerous solo cadenzas and intimate duets. Ending the record with a burst of amplified abandon, "Straw (for Steve Lacy)" highlights Lonberg-Holm's spiky cello and Vandermark's scorching tenor in a variety of settings, from pensive silences to slashing electrified downbeats.
As one of Vandermark's most dynamic ensembles, The Frame Quartet rivals his flagship band, The Vandermark 5, for pure diversity of sound. But where The Vandermark 5 tends towards more organic compositional strategies, The Frame Quartet's audacious jump-cut aesthetic attains a distinct identity, making 35mm a unique item in Vandermark's oeuvre.
Acoustic Bass, Electric Bass, Electronics – Nate McBride
Cello, Electronics – Fred Lonberg-Holm
Drums – Tim Daisy
Tenor Saxophone, Clarinet [Bb] – Ken Vandermark
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