(Free Jazz, Free Improvisation) [CD] DKV Trio (Hamid Drake, Kent Kessler, Ken Vandermark) - Trigonometry - 2002 (2cd), FLAC (tracks+.cue), lossless
![(Free Jazz, Free Improvisation) [CD] DKV Trio (Hamid Drake, Kent Kessler, Ken Vandermark) - Trigonometry - 2002 (2cd), FLAC (tracks+.cue), lossless (Free Jazz, Free Improvisation) [CD] DKV Trio (Hamid Drake, Kent Kessler, Ken Vandermark) - Trigonometry - 2002 (2cd), FLAC (tracks+.cue), lossless](/upload/000/u2/62/b0/free-jazz-free-improvisation-cd-dkv-trio-hamid-drake-kent.jpg)
DKV Trio / Trigonometry
Жанр: Free Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): US
Год издания: 2002
Издатель (лейбл): Okka Disk
Номер по каталогу: OD12042
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 62:23 + 65:15
Источник (релизер): cd
Наличие сканов в содержимом раздачи: нет
Треклист:
Disc One: 3.24.01, Bug Jar, Rochester, NY.
1. Awake Nu 20:22
2. The Thing 7:10
3. Brown Rice 4:33
4. Good-Bye Tom B. 17:44
5. Lift 12:34
Disc Two: 3.31.01 Harvey`s On The Mall, Katamazoo, MI.
1. East Broadway Run Down 10:44
2. Elephantasy 14:07
3. Awake Nu / Take The Coltrane 7:25
4. Brown Rice 10:30
5. Red And Black 11:17
6. Love Cry 3:17
7. The Thing 7:55
Доп. информация: Recorded:
March 24, 2001, Bug Jar, Rochester, NY. (disc one)
and March 31, 2001, Harvey's On The Mall, Kalamazoo, MI. (disc two).
Жанр: Free Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): US
Год издания: 2002
Издатель (лейбл): Okka Disk
Номер по каталогу: OD12042
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 62:23 + 65:15
Источник (релизер): cd
Наличие сканов в содержимом раздачи: нет
Треклист:
Disc One: 3.24.01, Bug Jar, Rochester, NY.
1. Awake Nu 20:22
2. The Thing 7:10
3. Brown Rice 4:33
4. Good-Bye Tom B. 17:44
5. Lift 12:34
Disc Two: 3.31.01 Harvey`s On The Mall, Katamazoo, MI.
1. East Broadway Run Down 10:44
2. Elephantasy 14:07
3. Awake Nu / Take The Coltrane 7:25
4. Brown Rice 10:30
5. Red And Black 11:17
6. Love Cry 3:17
7. The Thing 7:55
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 27. October 2016, 13:06
DKV Trio / Trigonometry (Disc One 3.24.01)
Used drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programs\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 20:22.44 | 0 | 91693
2 | 20:22.44 | 7:09.53 | 91694 | 123921
3 | 27:32.22 | 4:33.43 | 123922 | 144439
4 | 32:05.65 | 17:43.72 | 144440 | 224236
5 | 49:49.62 | 12:33.68 | 224237 | 280779
Track 1
Filename D:\EAC\01 Awake Nu.wav
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Extraction speed 5.8 X
Track quality 100.0 %
Test CRC 9D0F9E9A
Copy CRC 9D0F9E9A
Accurately ripped (confidence 3) [29EE438F] (AR v2)
Copy OK
Track 2
Filename D:\EAC\02 The Thing.wav
Peak level 79.7 %
Extraction speed 6.9 X
Track quality 100.0 %
Test CRC 716405F0
Copy CRC 716405F0
Accurately ripped (confidence 3) [49923233] (AR v2)
Copy OK
Track 3
Filename D:\EAC\03 Brown Rice.wav
Peak level 16.2 %
Extraction speed 6.2 X
Track quality 99.9 %
Test CRC 2E0C5AB3
Copy CRC 2E0C5AB3
Accurately ripped (confidence 3) [919043BC] (AR v2)
Copy OK
Track 4
Filename D:\EAC\04 Good-Bye Tom B.wav
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Peak level 73.9 %
Extraction speed 8.4 X
Track quality 100.0 %
Test CRC 057FC141
Copy CRC 057FC141
Accurately ripped (confidence 3) [64E8036D] (AR v2)
Copy OK
Track 5
Filename D:\EAC\05 Lift.wav
Peak level 66.7 %
Extraction speed 9.2 X
Track quality 100.0 %
Test CRC 0DC58B1A
Copy CRC 0DC58B1A
Accurately ripped (confidence 3) [84E5585C] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 2F768A21237745F502AD649C5D6A2F2B6AE39CDF06424A44DBA18BA4B7C33E9D ====
______________________________________________________________________________________________________________________________________________________________________________
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 27. October 2016, 14:32
DKV Trio / Trigonometry (Disc Two 3.31.01)
Used drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Programs\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 10:44.64 | 0 | 48363
2 | 10:44.64 | 14:06.33 | 48364 | 111846
3 | 24:51.22 | 7:25.00 | 111847 | 145221
4 | 32:16.22 | 10:30.36 | 145222 | 192507
5 | 42:46.58 | 11:16.39 | 192508 | 243246
6 | 54:03.22 | 3:17.01 | 243247 | 258022
7 | 57:20.23 | 7:54.73 | 258023 | 293645
Track 1
Filename D:\EAC\01 East Brodway Run Down.wav
Pre-gap length 0:00:02.00
Peak level 96.2 %
Extraction speed 2.2 X
Track quality 100.0 %
Test CRC A4C0A211
Copy CRC A4C0A211
Accurately ripped (confidence 3) [E24E3DC8] (AR v2)
Copy OK
Track 2
Filename D:\EAC\02 Elephantasy.wav
Peak level 82.5 %
Extraction speed 2.7 X
Track quality 100.0 %
Test CRC 8C713E58
Copy CRC 8C713E58
Accurately ripped (confidence 3) [C91402B6] (AR v2)
Copy OK
Track 3
Filename D:\EAC\03 Awake Nu. Take The Coltrane.wav
Peak level 97.6 %
Extraction speed 3.0 X
Track quality 100.0 %
Test CRC D15A2BCD
Copy CRC D15A2BCD
Accurately ripped (confidence 3) [070EE7C8] (AR v2)
Copy OK
Track 4
Filename D:\EAC\04 Brown Rice.wav
Pre-gap length 0:00:02.37
Peak level 93.0 %
Extraction speed 3.2 X
Track quality 99.9 %
Test CRC E4CEC49E
Copy CRC E4CEC49E
Accurately ripped (confidence 3) [EC2F556F] (AR v2)
Copy OK
Track 5
Filename D:\EAC\05 Red And Black.wav
Pre-gap length 0:00:03.23
Peak level 99.2 %
Extraction speed 3.7 X
Track quality 100.0 %
Test CRC 5840AB98
Copy CRC 5840AB98
Accurately ripped (confidence 3) [2CDCA2C0] (AR v2)
Copy OK
Track 6
Filename D:\EAC\06 Love Cry.wav
Peak level 83.1 %
Extraction speed 3.4 X
Track quality 100.0 %
Test CRC 045D72B0
Copy CRC 045D72B0
Accurately ripped (confidence 3) [B3BA5EDF] (AR v2)
Copy OK
Track 7
Filename D:\EAC\07 The Thing.wav
Peak level 96.3 %
Extraction speed 4.0 X
Track quality 100.0 %
Test CRC 88F1C5F1
Copy CRC 88F1C5F1
Accurately ripped (confidence 3) [3B39F8DE] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 8C71E5393DB35E27AB1D4ED2DA67CB20984E818C38BD89A6D84DE22B5EBE78B6 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2002
REM DISCID 430E9F05
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "DKV Trio"
TITLE "Trigonometry (Disc One 3.24.01)"
FILE "01 Awake Nu.wav" WAVE
TRACK 01 AUDIO
TITLE "Awake Nu"
PERFORMER "DKV Trio"
INDEX 01 00:00:00
FILE "02 The Thing.wav" WAVE
TRACK 02 AUDIO
TITLE "The Thing"
PERFORMER "DKV Trio"
INDEX 01 00:00:00
FILE "03 Brown Rice.wav" WAVE
TRACK 03 AUDIO
TITLE "Brown Rice"
PERFORMER "DKV Trio"
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Good-Bye Tom B"
PERFORMER "DKV Trio"
INDEX 00 04:30:02
FILE "04 Good-Bye Tom B.wav" WAVE
INDEX 01 00:00:00
FILE "05 Lift.wav" WAVE
TRACK 05 AUDIO
TITLE "Lift"
PERFORMER "DKV Trio"
INDEX 01 00:00:00
_____________________________________________________________________________________________________________________________________________________
REM GENRE Jazz
REM DATE 2002
REM DISCID 680F4B07
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "DKV Trio"
TITLE "Trigonometry (Disc Two 3.31.01)"
FILE "01 East Brodway Run Down.wav" WAVE
TRACK 01 AUDIO
TITLE "East Brodway Run Down"
PERFORMER "DKV Trio"
INDEX 01 00:00:00
FILE "02 Elephantasy.wav" WAVE
TRACK 02 AUDIO
TITLE "Elephantasy"
PERFORMER "DKV Trio"
INDEX 01 00:00:00
FILE "03 Awake Nu. Take The Coltrane.wav" WAVE
TRACK 03 AUDIO
TITLE "Awake Nu. Take The Coltrane"
PERFORMER "DKV Trio"
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Brown Rice"
PERFORMER "DKV Trio"
INDEX 00 07:22:38
FILE "04 Brown Rice.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Red And Black"
PERFORMER "DKV Trio"
INDEX 00 10:27:13
FILE "05 Red And Black.wav" WAVE
INDEX 01 00:00:00
FILE "06 Love Cry.wav" WAVE
TRACK 06 AUDIO
TITLE "Love Cry"
PERFORMER "DKV Trio"
INDEX 01 00:00:00
FILE "07 The Thing.wav" WAVE
TRACK 07 AUDIO
TITLE "The Thing"
PERFORMER "DKV Trio"
INDEX 01 00:00:00
March 24, 2001, Bug Jar, Rochester, NY. (disc one)
and March 31, 2001, Harvey's On The Mall, Kalamazoo, MI. (disc two).
Об альбоме (сборнике)
‘Free jazz’- a signifier both lionized and demonized depending on the audience and the inclination. Its exact definitions are as protean as the tides but in the grand tradition of giving personage to the abstract few better archetypes exist than the DKV Trio. Ostensibly fronted by Ken Vandermark, a transplanted Bostonian whose Chicago roots now run to the very core of that city’s enviable music scene, the outfit remains among the highest profile and most rigorously touring tentacles in the reedman’s Hydra-like arsenal of ensembles.
Attributing the band solely to his pilotage ignores the egalitarian acronym chosen as their calling card and dismisses the guiding credo of collective improvisation that fuels the majority of their musical flights. Here is a band best heard in the fire-breathing flesh where the visual can collide catalytically with the auditory in the spontaneous birthing of sight and sound. Witnessing Drake make use of all surfaces of his kit from tautly stretched skins to gleaming metal bracings and screws, a flurry of motion that translates into a continuous polyrhythmic blur. Kessler hunched and sweat-sodden, fingers hovering heatedly against his strings, tugging out tightly wound walking lines. Vandermark leaning white-lipped into his horn, loosing vampish volleys of notes and working the action of his instrument’s keys in a repetitive code of clandestine gestures. The particulars of the trio’s discography bear out this preference for real-time creation in the company of an expectant crowd. The bulk of entries are concert dates and this recent Okka offering continues the cycle by circulating the results of two more tour stops. Disc one includes a complete show while its companion presents a spliced amalgam of two sets. Track demarcations on both discs are purely for convenience sake and do not disrupt the perpetual flow of music.
Don Cherry, an admitted favorite of Vandermark’s and a former employer of Drake’s, serves as the primary source of thematic material, but anthems by Ellington and Ayler also make fleeting appearances. The reedman is careful to point out in his liners that the outside composers’ works are really only transitory springboards for internal improvisation. As a result, though they share obvious programmatic correlates both dates yield decidedly different renditions. On the initial sally through three Cherry classics the trio sounds off emphatically with Vandermark’s economical tenor leading the charge. He later loses some steam and resorts to stock phrasings, but Kessler and Drake refuse to let him rest. On the closing section of “The Thing” and the initial minutes of “Brown Rice” Kessler’s bow shears a shifting swathe of mahogany textures that expands in the wake of an uneasy start. Disc one holds slight edge if only for the inspired inclusion of Joe McPhee’s haunting “Good-Bye Tom B,” but each one effectively presents the trio doing what it does best. Perhaps even more useful this set acts an ideal litmus test for those definition-obsessed listeners searching for the perfect encapsulation of free jazz, a medium that like all incarnations of living, breathing music cannot be contained by convenient terminology or precept.
Attributing the band solely to his pilotage ignores the egalitarian acronym chosen as their calling card and dismisses the guiding credo of collective improvisation that fuels the majority of their musical flights. Here is a band best heard in the fire-breathing flesh where the visual can collide catalytically with the auditory in the spontaneous birthing of sight and sound. Witnessing Drake make use of all surfaces of his kit from tautly stretched skins to gleaming metal bracings and screws, a flurry of motion that translates into a continuous polyrhythmic blur. Kessler hunched and sweat-sodden, fingers hovering heatedly against his strings, tugging out tightly wound walking lines. Vandermark leaning white-lipped into his horn, loosing vampish volleys of notes and working the action of his instrument’s keys in a repetitive code of clandestine gestures. The particulars of the trio’s discography bear out this preference for real-time creation in the company of an expectant crowd. The bulk of entries are concert dates and this recent Okka offering continues the cycle by circulating the results of two more tour stops. Disc one includes a complete show while its companion presents a spliced amalgam of two sets. Track demarcations on both discs are purely for convenience sake and do not disrupt the perpetual flow of music.
Don Cherry, an admitted favorite of Vandermark’s and a former employer of Drake’s, serves as the primary source of thematic material, but anthems by Ellington and Ayler also make fleeting appearances. The reedman is careful to point out in his liners that the outside composers’ works are really only transitory springboards for internal improvisation. As a result, though they share obvious programmatic correlates both dates yield decidedly different renditions. On the initial sally through three Cherry classics the trio sounds off emphatically with Vandermark’s economical tenor leading the charge. He later loses some steam and resorts to stock phrasings, but Kessler and Drake refuse to let him rest. On the closing section of “The Thing” and the initial minutes of “Brown Rice” Kessler’s bow shears a shifting swathe of mahogany textures that expands in the wake of an uneasy start. Disc one holds slight edge if only for the inspired inclusion of Joe McPhee’s haunting “Good-Bye Tom B,” but each one effectively presents the trio doing what it does best. Perhaps even more useful this set acts an ideal litmus test for those definition-obsessed listeners searching for the perfect encapsulation of free jazz, a medium that like all incarnations of living, breathing music cannot be contained by convenient terminology or precept.
Состав
Bass – Kent Kessler
Drums – Hamid Drake
Reeds – Ken Vandermark
Drums – Hamid Drake
Reeds – Ken Vandermark