(Free Jazz) [CD] Ornette Coleman (Pharoah Sanders, David Izenzon, Charles Moffett) - Chappaqua Suite - 2012, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 2 from 29. April 2011
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Ornette Coleman / Chappaqua Suite
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     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.00 | 21:12.20 |         0    |    95419
        2  | 21:12.20 | 19:01.65 |     95420    |   181059
        3  | 40:14.10 | 17:38.73 |    181060    |   260482
        4  | 57:53.08 | 22:04.16 |    260483    |   359798
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     Filename K:\ЕАС\Ornette Coleman - Chappaqua Suite.wav
     Peak level 100.0 %
     Extraction speed 2.3 X
     Range quality 99.9 %
     Test CRC CA24C597
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Track  2  accurately ripped (confidence 2)  [C316AF0C]  (AR v2)
Track  3  accurately ripped (confidence 2)  [3101CBAD]  (AR v2)
Track  4  accurately ripped (confidence 2)  [5555BBC8]  (AR v2)
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==== Log checksum CA7FCCD04C6B3ABA4D35B34214A1B1DCDF6B6F90DF767600224E598314550128 ====

REM GENRE Jazz
REM DATE 2012
REM DISCID 3012BD04
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Ornette Coleman"
TITLE "Chappaqua Suite"
FILE "Ornette Coleman - Chappaqua Suite.flac" WAVE
  TRACK 01 AUDIO
    TITLE "Part I"
    PERFORMER "Ornette Coleman"
    ISRC USSM11203078
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Part II"
    PERFORMER "Ornette Coleman"
    ISRC USSM11203079
    INDEX 00 21:09:44
    INDEX 01 21:12:20
  TRACK 03 AUDIO
    TITLE "Part III"
    PERFORMER "Ornette Coleman"
    ISRC USSM11203080
    INDEX 00 40:08:29
    INDEX 01 40:14:10
  TRACK 04 AUDIO
    TITLE "Part IV"
    PERFORMER "Ornette Coleman"
    ISRC USSM11203081
    INDEX 00 57:49:21
    INDEX 01 57:53:08

This four-part suite is actually a film soundtrack to the debut feature by Conrad Rooks, though it was never used as such. Recorded in 1965, it was performed by the Ornette Coleman Trio with Charles Moffett on drums and David Izenson on bass; augmenting the session were Pharoah Sanders on tenor and a large studio orchestra arranged by Joseph Tekula. What is most notable is the kind of control Coleman has over the orchestra. His trio is playing by intuition, which was normal for them, but they open to accommodate the more formal constructs of a band who knows little about improvisation and how it works in the free jazz context. Sanders' interaction with Coleman is startling too, in that his normally overpowering voice is tempered here, playing along with the nuances and odd harmonic figures Coleman suggests and then blatantly states from his alto. The improvisation is complementary, not a cutting contest at all. Most of all, the rhythm section carries the balance of power and keeps the entire thing moving, handling the dynamic changes with a feral grace while at the same time suggesting a knottier path for Coleman to follow in the tempting pastoral sections of the work. While not considered a masterwork of Coleman's, perhaps because of its unavailability in the United States in its entirety, Chappaqua Suite is a testament to Coleman's vision as a composer and the power of his orchestral direction. Very worthwhile indeed.

Alto Saxophone, Trumpet, Written-By – Ornette Coleman
Bass – David Izenzon
Drums – Charles Moffett
Tenor Saxophone – Pharoah Sanders