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(Free Jazz) Albert Ayler - Bells - 2009, FLAC (tracks+.cue) lossless

Albert Ayler - Bells
Жанр: Free Jazz
Страна-производитель диска: Italy
Год издания диска: 2009
Издатель (лейбл): ESP Disk / Abraxas
Номер по каталогу: ESP 1010
Страна: Italy
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 20:02
Источник (релизер): собственный рип с оригинального диска
Наличие сканов в содержимом раздачи: да
01. Bells
(No track breaks, but (according to Jeff Schwartz) the compositions played are "Holy Ghost" and "No Name", going into "Bells". All compositions by Albert Ayler)
Лог создания рипа
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 30. October 2010, 23:32
Albert Ayler / Bells
Used drive : TSSTcorpCDDVDW SH-S222A Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\tool\Audio\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "TRACKNUMBER=%n" -T "GENRE=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
1 | 0:00.00 | 20:02.25 | 0 | 90174
Track 1
Filename C:\! RUTRACKER\ru up\Albert Ayler - Bells\01 - Bells.wav
Pre-gap length 0:00:02.00
Peak level 96.5 %
Track quality 100.0 %
Test CRC 86E6F4F8
Copy CRC 86E6F4F8
Accurately ripped (confidence 5) [7016C108]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
Содержание индексной карты (.CUE)
REM GENRE "Free Jazz"
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Albert Ayler"
TITLE "Bells"
FILE "01 - Bells.wav" WAVE
TITLE "Bells"
PERFORMER "Albert Ayler"
INDEX 01 00:00:00
Доп. информация:
Recorded live on May 1, 1965 at Town Hall, New York.
Engineer: Richard L. Alderson
Об альбоме (сборнике)
Albert Ayler's short but definitive album, Bells, has been issued again in 2009 via its original format. As initially released, it is a one-sided, collectors item vinyl platter limited to 1,000 copies, this time in a translucent plastic disc featuring a red ink facsimile of the black-and-white cover, with the yin/yang reversed title and cursive ESP logo surrounded by personnel and the label's then W. 55th St., New York City address. Covering about 20 minutes of music from the legendary Town Hall/N.Y.C. concert on May Day of 1965, it is not surprising to hear the angst and anguish in their music, considering it was made about five weeks after Black nationalist leader Malcolm X was assassinated. Ayler and his quintet blow their own horns in alert of the "new thing" in jazz coming on strong, with no apologies as to its fierce intent or audacious stance. Brother/trumpeter Donald Ayler and alto saxophonist Charles Tyler join with the tenor saxophonist in a united front of sound and steel forged reserve in making free jazz a reality. The back cover has a reprint of Dan Morgenstern's Down Beat Magazine review of the performance, which is insightful, fair, accurate, and to the point, a good read for anyone who might dismiss Ayler's concept as something other than serious. The first of the two spontaneous compositions contains an outburst by the whole ensemble, followed by trumpet and tenor sax solos that bend notes and shapes in the extreme abstract. A free bop-based mid-section shows recording flaws, as drummer Sunny Murray and bassist Lewis Worrell are barely audible. Tyler's alto is drenched in the loud and abrasive tone the Ayler's dictated, but shows he has his own voice. The overtone-soaked music is tempered by a low-level bass solo from Worrell, with Murray's spare, splashy cymbal inserts, ending with a bouncy but eventual whirling dervish coda. The second, much longer improvisation, is based on Ayler's "Holy Ghost" theme, as a soulful, singing, vibrato-driven Ayler ignites Worrell via Murray's signature triple and quadruple flam accents. There's a clarion march theme repeated before and after congealed chaos, followed by deconstructed but distinct melodies, albeit brave and uncompromising. When all three of these horn players blow hard and strong together, it brings to mind Amiri Baraka's comment about "a terrible wholeness," as this purposefully saturated music stands alone as the most singularly unique early creative statement in modern music. As Albert Ayler recorded several definitive recordings before or after this one, and due to the very short length of Bells, it cannot be considered a magnum opus. But it does contain music played by his most powerful unit, a small window into the mind and heart of the most iconic maverick in the free jazz movement, and a magnet for discussion that lingers on well past his death.
Donald Ayler - trumpet
Charles Tyler - alto saxophone
Albert Ayler - tenor saxophone
Lewis Worrell - bass
Sunny Murray - drums
unknown - bells
Any questions - support@pro-jazz.com.
Есть вопросы - support@pro-jazz.com
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