(Free Improvisation, Free Jazz, Noise, Drone) [CD] Tetragrammaton - Elegy For Native Tongues (2CD) - 2008, FLAC (tracks+.cue), lossless
![(Free Improvisation, Free Jazz, Noise, Drone) [CD] Tetragrammaton - Elegy For Native Tongues (2CD) - 2008, FLAC (tracks+.cue), lossless](/upload/000/u2/41/3c/free-improvisation-free-jazz-noise-drone-cd-tetragrammato.jpg "(Free Improvisation, Free Jazz, Noise, Drone) [CD] Tetragrammaton - Elegy For Native Tongues (2CD) - 2008, FLAC (tracks+.cue), lossless")
Tetragrammaton / Elegy For Native Tongues (2CD)
Жанр: Free Improvisation, Free Jazz, Noise, Drone
Носитель: CD
Страна-производитель диска (релиза): Japan
Год издания: 2008
Издатель (лейбл): Subvalent
Номер по каталогу: SBV001
Страна исполнителя (группы): Japan
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:47:52
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
Доп. информация:
Жанр: Free Improvisation, Free Jazz, Noise, Drone
Носитель: CD
Страна-производитель диска (релиза): Japan
Год издания: 2008
Издатель (лейбл): Subvalent
Номер по каталогу: SBV001
Страна исполнителя (группы): Japan
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:47:52
Источник (релизер): свой фирменный диск
Наличие сканов в содержимом раздачи:
Треклист:
CD1
1. The Ghosts Won't Starve But We Will Perish
2. Elegy For Native Tongues
3. Kohelet Revisited
4. Queen Of The Ships
5. Santa Sangre
2. Elegy For Native Tongues
3. Kohelet Revisited
4. Queen Of The Ships
5. Santa Sangre
Лог создания рипа
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 16. December 2015, 20:37
Tetragrammaton / Elegy For Native Tongues CD1
Used drive : ASUS CRW-5232AS Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 18:02.41 | 0 | 81190
2 | 18:02.41 | 7:24.37 | 81191 | 114527
3 | 25:27.03 | 17:48.24 | 114528 | 194651
4 | 43:15.27 | 14:09.17 | 194652 | 258343
5 | 57:24.44 | 9:36.00 | 258344 | 301543
Track 1
Filename D:\zzz\01 - The Ghosts Won't Starve But We Will Perish.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 2.0 X
Track quality 100.0 %
Test CRC 5B4509C2
Copy CRC 5B4509C2
Accurately ripped (confidence 1) [BA0F2D65] (AR v1)
Copy OK
Track 2
Filename D:\zzz\02 - Elegy For Native Tongues.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 45317184
Copy CRC 45317184
Accurately ripped (confidence 1) [ACDF9E21] (AR v1)
Copy OK
Track 3
Filename D:\zzz\03 - Kohelet Revisited.wav
Pre-gap length 0:00:00.37
Peak level 97.8 %
Extraction speed 5.8 X
Track quality 100.0 %
Test CRC 06C5AF78
Copy CRC 06C5AF78
Accurately ripped (confidence 1) [CDC24384] (AR v1)
Copy OK
Track 4
Filename D:\zzz\04 - Queen Of The Ships.wav
Peak level 97.2 %
Extraction speed 3.3 X
Track quality 99.9 %
Test CRC 19114F35
Copy CRC 19114F35
Accurately ripped (confidence 1) [F195914A] (AR v1)
Copy OK
Track 5
Filename D:\zzz\05 - Santa Sangre.wav
Pre-gap length 0:00:01.37
Peak level 94.9 %
Extraction speed 2.9 X
Track quality 99.9 %
Test CRC 4C4FBC15
Copy CRC 4C4FBC15
Accurately ripped (confidence 1) [5CF1CCDF] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- AcoustID Plugin V1.2.0
Total fingerprints: 5
==== Log checksum B6BBA28FC784EC6CF7196099411FA7C95C20CA11525C22083EA78D303948E419 ====
Содержание индексной карты (.CUE)
REM GENRE "Free Improvisation, Noise, Drone"
REM DATE 2008
REM DISCID 480FB405
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "Tetragrammaton"
TITLE "Elegy For Native Tongues CD1"
FILE "01 - The Ghosts Won't Starve But We Will Perish.wav" WAVE
TRACK 01 AUDIO
TITLE "The Ghosts Won't Starve But We Will Perish"
PERFORMER "Tetragrammaton"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Elegy For Native Tongues"
PERFORMER "Tetragrammaton"
INDEX 00 18:00:41
FILE "02 - Elegy For Native Tongues.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Kohelet Revisited"
PERFORMER "Tetragrammaton"
INDEX 00 07:24:00
FILE "03 - Kohelet Revisited.wav" WAVE
INDEX 01 00:00:00
FILE "04 - Queen Of The Ships.wav" WAVE
TRACK 04 AUDIO
TITLE "Queen Of The Ships"
PERFORMER "Tetragrammaton"
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Santa Sangre"
PERFORMER "Tetragrammaton"
INDEX 00 14:07:55
FILE "05 - Santa Sangre.wav" WAVE
INDEX 01 00:00:00
CD2
1. Oresteia In One Part
2. Solve Et Coagula
3. Los Heraldos Negros
2. Solve Et Coagula
3. Los Heraldos Negros
Лог создания рипа
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 16. December 2015, 22:39
Tetragrammaton / Elegy For Native Tongues CD2
Used drive : ASUS CRW-5232AS Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 14:20.19 | 0 | 64518
2 | 14:20.19 | 11:35.70 | 64519 | 116713
3 | 25:56.14 | 14:54.55 | 116714 | 183818
Track 1
Filename D:\zzz\01 - Oresteia In One Part.wav
Pre-gap length 0:00:02.00
Peak level 100.0 %
Extraction speed 4.4 X
Track quality 100.0 %
Test CRC 95337C1A
Copy CRC 95337C1A
Accurately ripped (confidence 1) [ACA1EBCE] (AR v1)
Copy OK
Track 2
Filename D:\zzz\02 - Solve Et Coagula.wav
Peak level 100.0 %
Extraction speed 5.5 X
Track quality 100.0 %
Test CRC 08450C5B
Copy CRC 08450C5B
Accurately ripped (confidence 1) [E9BC22A7] (AR v1)
Copy OK
Track 3
Filename D:\zzz\03 - Los Heraldos Negros.wav
Peak level 100.0 %
Extraction speed 6.2 X
Track quality 99.9 %
Test CRC 64535A73
Copy CRC 64535A73
Accurately ripped (confidence 1) [3BDBE9D4] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- AcoustID Plugin V1.2.0
Total fingerprints: 3
==== Log checksum BD7E5D6669C6E7C95AB4F3EA9B04F30CCA7EC377E9DA59B51516360E545361B9 ====
Содержание индексной карты (.CUE)
REM GENRE "Free Improvisation, Noise, Drone"
REM DATE 2008
REM DISCID 25099203
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "Tetragrammaton"
TITLE "Elegy For Native Tongues CD2"
FILE "01 - Oresteia In One Part.wav" WAVE
TRACK 01 AUDIO
TITLE "Oresteia In One Part"
PERFORMER "Tetragrammaton"
INDEX 01 00:00:00
FILE "02 - Solve Et Coagula.wav" WAVE
TRACK 02 AUDIO
TITLE "Solve Et Coagula"
PERFORMER "Tetragrammaton"
INDEX 01 00:00:00
FILE "03 - Los Heraldos Negros.wav" WAVE
TRACK 03 AUDIO
TITLE "Los Heraldos Negros"
PERFORMER "Tetragrammaton"
INDEX 01 00:00:00
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
------------------------------------------------------------
Processing file: [01. Oresteia In One Part.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [01. The Ghosts Won't Starve But We Will Perish.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Elegy For Native Tongues.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [02. Solve Et Coagula.wav]
------------------------------------------------------------
This track looks like CDDA with probability 92%
------------------------------------------------------------
Processing file: [03. Kohelet Revisited.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [03. Los Heraldos Negros.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [04. Queen Of The Ships.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Processing file: [05. Santa Sangre.wav]
------------------------------------------------------------
This track looks like CDDA with probability 100%
------------------------------------------------------------
Final Conclusion:
------------------------------------------------------------
These tracks looks like CDDA with probability 100%
Album Info & Reviews
Music by Tetragrammaton
Disc One recorded to 4-track in late 2007
Disc Two recorded July 15th, 2007 (Live at Penguin House, Tokyo)
Mastering by Peter Slade
Artwork by Yumikofu
Album design by Cal Lyall
Special thanks to Arow Tanzawa and Ai Isshiki (Ai-chan) at Penguin House in Kouenji and to Yumikofu for the savoury paperbound sculptures
“Heavy, ominous psychedelic free-improv from Tokyo, Japan. Tetragrammaton is a trio featuring Nobunaga Ken on drums and percussion, Cal Lyall on electronics and guitar, and TOMO on hurdy-gurdy, saxophone and electronics, and have in the past collaborated with members of Zeni Geva, Acid Mothers Temple, Taj Mahal Travellers, and Damo Suzuki from Can. On Elegy For Native Tongues, however, it’s just the main trio at work, displaying a love for high-volume improvised noise and far-out psychedelic jazz meanderings that is spread across two discs in this debut release.
The first disc features five tracks recorded in the studio, all lengthy freeform explorations that mix up druggy, laid back free jazz and blasting skronk with endlessly droning electronics and heavy clouded feedback, Hawkind-style space rock fx and pounding drums, shapeless distorted guitars and scrabbly hard rock riffs, shamanic howling, hurdy-gurdy, and other sounds that all build into dense tangles of otherworldly drone and heavy free-jazz clatter. On tracks like “The Ghosts Won’t Starve But We Will Perish”, the drumming sticks with more traditional jazz rhythms that are augmeneted by weird skittery percussive sounds, and the horns streak dark shadows across a subtle dronescape before the sax begins to wail out twisted Middle Eastern flavored melodies. In contrast, the title track blends together energetic improv drumming and meandering guitar with blasts of Brotzmann-esque sax wipeout and scathing electronic noise. Tetragrammaton create some truly massive drones throughout their jams, but the sax always seems to take the lead, making this sound like Sunroof or Hototogisu gone free jazz, thick waves of feedback and rumbling ambience swirling around the room in ever-increasing volume and mass while the sax bleats and screams and murmurs through the mix.
The second disc is a live set recorded in Tokyo in 2007, and the three tracks that are included here are just as loud and dense as the studio stuff, if not louder. The second track in particular is a real crusher – “Solve et Coagula” slowly builds into earth-shaking Skullflower-like dronerock, mutant acid guitar lashing against a massive churning metallic drone, the free-jazz drumming all but obliterated by the maelstrom of electronics and feedback.
Nice. Dark, heavy speaker-shaking improv that when it really kicks in with full gale force turns into something akin to Skullflower and Hototogisu mixed together with the crushing free-jazz of Borbetomagus and the jet-black psychedelia of Fushitsusha – anyone that dug that new Borbetomagus A Go Go disc that we featured on our last C-Blast new arrivals list should especially check this out.” - Crucial Blast Records
Tetragrammaton is the quadriliteral name for God. It is also the name of the Japanese band behind Elegy for Native Tongues, a sprawling two-disc psychedelic/noise/free-jazz album. The band is part of the same musical universe as Acid Mothers Temple and Borbetomagus. Although this ambitious outing doesn’t offer as wide a spectrum of psychedelic textures as AMT touchstone Absolutely Freak Out (Zap Your Mind!!) or as unhinged a force as Snuff Jazz, band members Nobunaga Ken, Cal Lyall, and TOMO do form an exciting ensemble involving drums, electronics, guitar, hurdy-gurdy, and saxophone.
As with almost all music of this sort, the listener only fully appreciates the craft of the songs through extended and repeated attention. The chanting sweet spot on “The Ghosts Won’t Starve But We Will Perish” kicks in only after the tenth minute, which is the same point at which tinny distortion gives way to a barely-there oscillating melody in “Kohelet Revisited”. Such hidden pleasures are buried everywhere throughout disc one (the studio recordings) and disc two (a 2007 live set). This is a breathtaking listen. Just don’t expect any hooks. - Thomas Britt, popmatters.com
Disc One recorded to 4-track in late 2007
Disc Two recorded July 15th, 2007 (Live at Penguin House, Tokyo)
Mastering by Peter Slade
Artwork by Yumikofu
Album design by Cal Lyall
Special thanks to Arow Tanzawa and Ai Isshiki (Ai-chan) at Penguin House in Kouenji and to Yumikofu for the savoury paperbound sculptures
“Heavy, ominous psychedelic free-improv from Tokyo, Japan. Tetragrammaton is a trio featuring Nobunaga Ken on drums and percussion, Cal Lyall on electronics and guitar, and TOMO on hurdy-gurdy, saxophone and electronics, and have in the past collaborated with members of Zeni Geva, Acid Mothers Temple, Taj Mahal Travellers, and Damo Suzuki from Can. On Elegy For Native Tongues, however, it’s just the main trio at work, displaying a love for high-volume improvised noise and far-out psychedelic jazz meanderings that is spread across two discs in this debut release.
The first disc features five tracks recorded in the studio, all lengthy freeform explorations that mix up druggy, laid back free jazz and blasting skronk with endlessly droning electronics and heavy clouded feedback, Hawkind-style space rock fx and pounding drums, shapeless distorted guitars and scrabbly hard rock riffs, shamanic howling, hurdy-gurdy, and other sounds that all build into dense tangles of otherworldly drone and heavy free-jazz clatter. On tracks like “The Ghosts Won’t Starve But We Will Perish”, the drumming sticks with more traditional jazz rhythms that are augmeneted by weird skittery percussive sounds, and the horns streak dark shadows across a subtle dronescape before the sax begins to wail out twisted Middle Eastern flavored melodies. In contrast, the title track blends together energetic improv drumming and meandering guitar with blasts of Brotzmann-esque sax wipeout and scathing electronic noise. Tetragrammaton create some truly massive drones throughout their jams, but the sax always seems to take the lead, making this sound like Sunroof or Hototogisu gone free jazz, thick waves of feedback and rumbling ambience swirling around the room in ever-increasing volume and mass while the sax bleats and screams and murmurs through the mix.
The second disc is a live set recorded in Tokyo in 2007, and the three tracks that are included here are just as loud and dense as the studio stuff, if not louder. The second track in particular is a real crusher – “Solve et Coagula” slowly builds into earth-shaking Skullflower-like dronerock, mutant acid guitar lashing against a massive churning metallic drone, the free-jazz drumming all but obliterated by the maelstrom of electronics and feedback.
Nice. Dark, heavy speaker-shaking improv that when it really kicks in with full gale force turns into something akin to Skullflower and Hototogisu mixed together with the crushing free-jazz of Borbetomagus and the jet-black psychedelia of Fushitsusha – anyone that dug that new Borbetomagus A Go Go disc that we featured on our last C-Blast new arrivals list should especially check this out.” - Crucial Blast Records
Tetragrammaton is the quadriliteral name for God. It is also the name of the Japanese band behind Elegy for Native Tongues, a sprawling two-disc psychedelic/noise/free-jazz album. The band is part of the same musical universe as Acid Mothers Temple and Borbetomagus. Although this ambitious outing doesn’t offer as wide a spectrum of psychedelic textures as AMT touchstone Absolutely Freak Out (Zap Your Mind!!) or as unhinged a force as Snuff Jazz, band members Nobunaga Ken, Cal Lyall, and TOMO do form an exciting ensemble involving drums, electronics, guitar, hurdy-gurdy, and saxophone.
As with almost all music of this sort, the listener only fully appreciates the craft of the songs through extended and repeated attention. The chanting sweet spot on “The Ghosts Won’t Starve But We Will Perish” kicks in only after the tenth minute, which is the same point at which tinny distortion gives way to a barely-there oscillating melody in “Kohelet Revisited”. Such hidden pleasures are buried everywhere throughout disc one (the studio recordings) and disc two (a 2007 live set). This is a breathtaking listen. Just don’t expect any hooks. - Thomas Britt, popmatters.com
Состав
TOMO: soprano sax, hurdy gurdy, effects
Cal Lyall: guitar, gongs, bells, effects
Nobunaga Ken: drums, percussion
Cal Lyall: guitar, gongs, bells, effects
Nobunaga Ken: drums, percussion
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777