[DSD][OF] Teddy Wilson - St. Louis Blues - 1980/2017 (Jazz)

foobar2000 1.3.16 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2017-11-08 18:33:25
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Анализ:   Teddy Wilson / St. Louis Blues
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DR         Пики         RMS           Продолжительность трека
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DR13      -6.85 дБ   -23.22 дБ      4:01 01-How High the Moon
DR13      -6.50 дБ   -22.75 дБ      4:25 02-Keeping out of Mischief Now
DR13      -6.91 дБ   -23.51 дБ      4:40 03-Don't Be That Way
DR13      -6.37 дБ   -22.46 дБ      3:35 04-Somebody Loves Me
DR13      -7.26 дБ   -22.98 дБ      5:29 05-St. Louis Blues
DR13      -7.16 дБ   -22.66 дБ      5:02 06-I'll Remember April
DR10      -5.42 дБ   -18.48 дБ      2:47 07-If I Had You
DR12      -6.85 дБ   -23.43 дБ      2:55 08-I've Got a Feeling I'm Falling
DR12      -9.39 дБ   -24.45 дБ      2:55 09-Prelude to a Kiss
DR11      -7.14 дБ   -21.81 дБ      2:42 10-You're Blase
DR12      -6.78 дБ   -23.54 дБ      3:36 11-When You're Smiling
DR12      -9.56 дБ   -23.54 дБ      2:49 12-Easy Living
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Количество треков: 12
Реальные значения DR: DR12
Частота:   5644800 Гц / Частота PCM: 352800 Гц
Каналов:   2
Разрядность:   1
Битрейт:   11290 кбит/с
Кодек:   DSD128
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Tracks "01-06":
Teddy Wilson – piano
Jesper Lundgard – bass
Ed Thigpen – drums
Tracks "07-12":
Teddy Wilson – piano
Niels Henning Ørsted Pedersen – bass
Bjarne Rostvold – drums

Universally regarded as one of the supreme keyboard masters of the swing era, Teddy Wilson refined the stride piano tradition established by James P. Johnson and Fats Waller and introduced qualities of elegance, delicacy and finesse that earned him wide-spread acclaim and a great number of imitators
Whitney Balliett, one of America’s most distinguished jazz writers, produced a fine appreciation of Teddy Wilson in one of his New York Times columns in 1972 when he wrote: “Teddy Wilson is a marvel and we must not take him for granted”. He went on to describe Wilson’s “feathery arpeggios, the easy, floating left hand, the impeccable rhythmic sense, the intense clusters of notes that believe the cool mask he wear when he plays”.
The playing of Teddy Wilson on this album totally endorses writer Otis Ferguson’s evaluation when he said that Wilson’s improvisations are “so clear and lasting, so eternally unpredictable yet easy and right, that they rise above the common accepted habits of the medium and the time” (Mike Hennessey)