[DSD][OF] Ben Webster - Come Sunday - 2017 (Jazz, Contemporary Jazz)
![[DSD][OF] Ben Webster - Come Sunday - 2017 (Jazz, Contemporary Jazz)](/upload/000/u2/f6/74/dsd-of-ben-webster-come-sunday-2017-jazz-contemporary-j.jpg "[DSD][OF] Ben Webster - Come Sunday - 2017 (Jazz, Contemporary Jazz)")
Треклист:
Ben Webster / Come Sunday
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017
Жанр: Jazz, Contemporary Jazz
Издатель (лейбл): xHD - Storyville Records
Продолжительность: 40:19
Наличие сканов в содержимом раздачи: Буклет PDF
Источник (релизер): hdtracks
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/24 Bit)
Формат: DSD
Количество каналов: 2.0
Треклист:
1. Something to Shout аbout: You'd be so nice to come home to 04:22
2. Going Home 03:52
3. Black, Brown and Beige: Come Sunday 03:57
4. Our Blues 05:22
5. I Got It Bad (and That Ain't Good) 08:28
6. Stompy Jones 03:39
7. Cottontail 03:35
8. Old Folks 06:53
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2017
Жанр: Jazz, Contemporary Jazz
Издатель (лейбл): xHD - Storyville Records
Продолжительность: 40:19
Наличие сканов в содержимом раздачи: Буклет PDF
Источник (релизер): hdtracks
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/24 Bit)
Формат: DSD
Количество каналов: 2.0
Треклист:
1. Something to Shout аbout: You'd be so nice to come home to 04:22
2. Going Home 03:52
3. Black, Brown and Beige: Come Sunday 03:57
4. Our Blues 05:22
5. I Got It Bad (and That Ain't Good) 08:28
6. Stompy Jones 03:39
7. Cottontail 03:35
8. Old Folks 06:53
Лог проверки качества
foobar2000 1.1.10 / Dynamic Range Meter 1.1.1 log date: 2018-01-10 00:44:33 -------------------------------------------------------------------------------- Analyzed: Ben Webster / Come Sunday -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR13 -6.00 dB -21.69 dB 4:24 ?-Something to Shout About: You'd be so nice to come home to DR11 -6.88 dB -22.20 dB 3:53 ?-Going Home DR14 -6.48 dB -23.72 dB 3:56 ?-Black, Brown and Beige: Come Sunday DR12 -7.14 dB -22.51 dB 5:29 ?-Our Blues DR13 -8.37 dB -24.46 dB 8:28 ?-I Got It Bad (and That Ain't Good) DR12 -6.73 dB -21.44 dB 3:40 ?-Stompy Jones DR12 -6.64 dB -20.99 dB 3:36 ?-Cottontail DR12 -6.85 dB -22.15 dB 6:53 ?-Old Folks -------------------------------------------------------------------------------- Number of tracks: 8 Official DR value: DR13 Samplerate: 5644800 Hz / PCM Samplerate: 44100 Hz Channels: 2 Bits per sample: 24 Bitrate: 11290 kbps Codec: DSD128 ================================================================================
Об исполнителе (группе)
“I’ve heard Ben play in so many settings but to sit down and listen to him play a ballad – nobody who ever played a ballad does a better job than Ben Webster does on it”. These words voiced by Dizzie Gillespie hit it right on the button.
Benjamin Francis Webster was an American jazz tenor saxophonist. Born in Kansas City, Missouri, he is considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young
The nickname ”The Brute and the Beautiful” was aptly given to Ben Webster. He became famous for his beautiful sound which gave his ballad playing a unique touch of tenderness, while his playing in faster tempos was virile and filled with growl, and when sober he was the kindest and gentlest man, witty and entertaining and the natural center of the gathering, while he was unpredictable and violent when he had consummated too much of alcohol. Despite this Dr. Jekyll-Mr. Hyde-personality he was a much loved musician and recorded a fair amount of excellent records of which most still are in stock, due to the fact that he is the best-selling tenor saxophonist in jazz.
Digitally remastered
THE 2xHD FUSION MASTERING SYSTEM: In the constant evolution of its proprietary mastering process, 2xHD has progressed to a new phase called 2xHD FUSION, integrating the finest analog, with state-of-the-art digital technology.
The mastering chain consists of a selection of high-end vacuum tube equipment. For the recordings on this album, the original ¼” 15 ips CCIR master tapes were played on a Nagra-T tape recorder, modified with high-end tube playback electronics, wired with OCC silver cable from the playback head direct to a Nick Doshi tube head preamplifier. The Nagra T, with its four direct drive motors, two pinch rollers and a tape tension head, has one of the best transports ever made. A custom-built carbon fiber head block and a head damping electronic system permit 2xHD FUSION to obtain a better resolution and 3D imaging.
The resulting signal is then transferred into high resolution formats by recording it in DSD 11.2 MHz using a Merging Technologies’ Horus A to D converter. All analog and digital cables that are used are state of the art. The 2xHD FUSION mastering system is powered by a super capacitor power supply, using a new technology that lowers the digital noise found in the lowest level of the spectrum. A vacuum tube NAGRA HDdac (DSD) is used as a reference digital playback converter in order to A and B with the original analog master tape, permitting the fusion of the warmth of analog with the refinement of digital.
2xHD was created by producer/studio owner André Perry and audiophile sound engineer René Laflamme
https://en.wikipedia.org/wiki/Ben_Webster
Benjamin Francis Webster was an American jazz tenor saxophonist. Born in Kansas City, Missouri, he is considered one of the three most important "swing tenors" along with Coleman Hawkins and Lester Young
The nickname ”The Brute and the Beautiful” was aptly given to Ben Webster. He became famous for his beautiful sound which gave his ballad playing a unique touch of tenderness, while his playing in faster tempos was virile and filled with growl, and when sober he was the kindest and gentlest man, witty and entertaining and the natural center of the gathering, while he was unpredictable and violent when he had consummated too much of alcohol. Despite this Dr. Jekyll-Mr. Hyde-personality he was a much loved musician and recorded a fair amount of excellent records of which most still are in stock, due to the fact that he is the best-selling tenor saxophonist in jazz.
Digitally remastered
THE 2xHD FUSION MASTERING SYSTEM: In the constant evolution of its proprietary mastering process, 2xHD has progressed to a new phase called 2xHD FUSION, integrating the finest analog, with state-of-the-art digital technology.
The mastering chain consists of a selection of high-end vacuum tube equipment. For the recordings on this album, the original ¼” 15 ips CCIR master tapes were played on a Nagra-T tape recorder, modified with high-end tube playback electronics, wired with OCC silver cable from the playback head direct to a Nick Doshi tube head preamplifier. The Nagra T, with its four direct drive motors, two pinch rollers and a tape tension head, has one of the best transports ever made. A custom-built carbon fiber head block and a head damping electronic system permit 2xHD FUSION to obtain a better resolution and 3D imaging.
The resulting signal is then transferred into high resolution formats by recording it in DSD 11.2 MHz using a Merging Technologies’ Horus A to D converter. All analog and digital cables that are used are state of the art. The 2xHD FUSION mastering system is powered by a super capacitor power supply, using a new technology that lowers the digital noise found in the lowest level of the spectrum. A vacuum tube NAGRA HDdac (DSD) is used as a reference digital playback converter in order to A and B with the original analog master tape, permitting the fusion of the warmth of analog with the refinement of digital.
2xHD was created by producer/studio owner André Perry and audiophile sound engineer René Laflamme
https://en.wikipedia.org/wiki/Ben_Webster