[DSD][OF] Arne Domnerus - Jazz At The Pawnshop 3. Good Vibes - 1976/2017 (Jazz)
![[DSD][OF] Arne Domnerus - Jazz At The Pawnshop 3. Good Vibes - 1976/2017 (Jazz)](/upload/000/u2/e4/48/dsd-of-arne-domnerus-jazz-at-the-pawnshop-3-good-vibes-1.jpg "[DSD][OF] Arne Domnerus - Jazz At The Pawnshop 3. Good Vibes - 1976/2017 (Jazz)")
Издатель (лейбл):
Треклист:
Arne Domnerus / Jazz At The Pawnshop 3. Good Vibes
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1976/2017
Жанр: Jazz
Издатель (лейбл): 2xHD - Naxos
Продолжительность: 00:55:08
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Now's the Time
02. Out of Nowhere
03. In a Mellotone: In a Mellow Tone
04. Take the A Train
05. Going Places: Jeepers Creepers: Jeepers Creepers
06. Struttin' with some Barbeque
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Формат записи/Источник записи: [DSD][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 1976/2017
Жанр: Jazz
Издатель (лейбл): 2xHD - Naxos
Продолжительность: 00:55:08
Наличие сканов в содержимом раздачи: Буклет PDF
Треклист:
01. Now's the Time
02. Out of Nowhere
03. In a Mellotone: In a Mellow Tone
04. Take the A Train
05. Going Places: Jeepers Creepers: Jeepers Creepers
06. Struttin' with some Barbeque
Контейнер: DSF (*.dsf)
Тип рипа: tracks
Разрядность: 128(5,6 MHz/1 Bit)
Формат: DSD
Количество каналов: 2.0
Лог проверки качества
foobar2000 1.3.16 / Замер динамического диапазона (DR) 1.1.1 Дата отчёта: 2017-09-07 23:41:13 -------------------------------------------------------------------------------- Анализ: Arne Domnérus, Bengt Hallberg, Georg Riedel, Egil Johansen, Lars Erstrand / Jazz At The Pawnshop, Vol. 3: Good Vibes -------------------------------------------------------------------------------- DR Пики RMS Продолжительность трека -------------------------------------------------------------------------------- DR15 -1.82 дБ -19.98 дБ 9:32 01-Now's the Time DR16 -1.81 дБ -19.58 дБ 7:51 02-Out of Nowhere DR15 -3.51 дБ -21.11 дБ 10:47 03-In a Mellotone: In a Mellow Tone DR14 -3.33 дБ -19.66 дБ 9:37 04-Take the A Train DR13 -3.14 дБ -18.98 дБ 5:04 05-Going Places: Jeepers Creepers: Jeepers Creepers DR15 -1.02 дБ -19.99 дБ 12:17 06-Struttin' with some Barbeque -------------------------------------------------------------------------------- Количество треков: 6 Реальные значения DR: DR15 Частота: 5644800 Гц / Частота PCM: 352800 Гц Каналов: 2 Разрядность: 1 Битрейт: 11290 кбит/с Кодек: DSD128 ================================================================================
Состав
Arne Domnérus - alto saxophone, clarinet
Lars Erstrand - vibraphone
Bengt Hallberg - piano
Georg Riedel - acoustic bass
Egil Johansen - drums
Lars Erstrand - vibraphone
Bengt Hallberg - piano
Georg Riedel - acoustic bass
Egil Johansen - drums
Об альбоме (сборнике)
The recordings that comprise Jazz At The Pawnshop, made by recording engineer Gert Palmcrantz in 1976, are widely regarded by audiophiles as the best jazz recordings of the 20th Century. Jazz At The Pawnshop 3 is the last in this series that revisits the legendary Stockholm sessions from musicians Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen, and Lars Erstrand, presenting five previously unreleased tracks that highlight the unique relationship these jazz musicians have, their fervent improvisations bonding them to each other and to their audience.
Jazz at the Pawnshop is considered one of the most famous audiophile albums in music. Recorded over two nights at the intimate Pawnshop jazz club in Stockholm, both the musicianship and the engineering came together in a magical symbiosis captured on this enduring classic. Recording engineer Gert Palmcrantz used one pair of microphones spaced eight inches apart for the main pick-up, with a couple of microphones placed to register the “live” atmosphere and a few discrete support mikes, all recorded on a pair of two-track Nagra tape recorders in the restaurant kitchen!
Jazz at the Pawnshop is considered one of the most famous audiophile albums in music. Recorded over two nights at the intimate Pawnshop jazz club in Stockholm, both the musicianship and the engineering came together in a magical symbiosis captured on this enduring classic. Recording engineer Gert Palmcrantz used one pair of microphones spaced eight inches apart for the main pick-up, with a couple of microphones placed to register the “live” atmosphere and a few discrete support mikes, all recorded on a pair of two-track Nagra tape recorders in the restaurant kitchen!