(Crossover Jazz, Fusion) Dwight Sills - Easy - 1999, FLAC (tracks+.cue), lossless

X Lossless Decoder version 20120407 (140.0)
XLD extraction logfile from 2012-05-13 22:12:07 +0000
Dwight Sills / Easy
Used drive : PIONEER DVD-RW  DVR-118L (revision 1.02)
Ripper mode             : XLD Secure Ripper
Disable audio cache     : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction  : 6
Max retry count         : 100
Gap status              : Analyzed, Appended
TOC of the extracted CD
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    ---------------------------------------------------------
        1  | 00:00:00 | 04:11:62 |         0    |    18886
        2  | 04:11:62 | 04:34:58 |     18887    |    39494
        3  | 08:46:45 | 04:55:42 |     39495    |    61661
        4  | 13:42:12 | 04:47:15 |     61662    |    83201
        5  | 18:29:27 | 03:54:65 |     83202    |   100816
        6  | 22:24:17 | 04:11:70 |    100817    |   119711
        7  | 26:36:12 | 05:13:30 |    119712    |   143216
        8  | 31:49:42 | 04:12:65 |    143217    |   162181
        9  | 36:02:32 | 03:55:33 |    162182    |   179839
       10  | 39:57:65 | 04:27:00 |    179840    |   199864
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Track 01
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Track 02
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TITLE "Easy"
PERFORMER "Dwight Sills"
REM GENRE "Jazz"
REM DATE "1999"
REM DISCID 820A680A
REM REPLAYGAIN_ALBUM_GAIN -3.67 dB
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    TITLE "Desert Skies"
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FILE "02 - Dreamin.wav" WAVE
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    TITLE "Dreamin"
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FILE "03 - Nightfall.wav" WAVE
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[CUETools log; Date: 23.12.2012 13:09:22; Version: 2.1.4]
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[AccurateRip ID: 0010eb8f-0087415d-820a680a] disk not present in database.
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The title of Dwight Sills' comeback disc Easy is a bit ironic; since his first two releases on Columbia in the early '90s, the guitarist's been so busy as a sideman (for everyone from TLC to Wayne Henderson to mentor Kirk Whalum), it's been anything but simple trying to find time to secure a new deal, let alone record material he felt strongly about. Combining exciting Latin and retro-soul grooves with lush urban sensibilities, and composing more of his own tunes than ever before (six), Sills is definitely back in the game as though he'd never left. Sharp, soulful guitar lines and vibrant melodies are always the centerpiece, but the real uniqueness comes from unexpected production textures. "Dreamin'" is a fairly generic-sounding title for a tune that opens with a synth-created wah-wah sound, eases into a subtle Latin groove with keyboard harmony by Russ Ferrante, and finds Sills performing a duet note for note with Dan Higgins' peppy clarinet before diving into a hot solo guitar section. "D's Groove" finds his strings dancing over a blues-drenched Hammond B-3 riff, stopping for the occasional brass embellishment. A more subtle blues style characterizes the pretty straightforward opening segment of "Dock of the Bay" before Sills kicks it up a notch and joins Whalum on a powerful jaunt off the main melody. Whalum also adds his typical punch to the party hardy reggae-flavored "Carribean Soul," a wild tropics meet down-home blues explosion that closes the set.