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(Cool, West Coast Jazz) Stan Getz - Quartet 1960: Live In Amsterdam, Dusseldorf & Zurich - 2016, MP3, 320 kbps

(Cool, West Coast Jazz) Stan Getz - Quartet 1960: Live In Amsterdam, Dusseldorf & Zurich - 2016, MP3, 320 kbps
Stan Getz - Quartet 1960: Live In Amsterdam, Dusseldorf & Zurich Жанр: Cool, West Coast Jazz
Год издания: 2016
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 79:01
Наличие сканов в содержимом раздачи: да
Треклист:
01. Out Of Nowhere (9:10)
02. The Thrill Is Gone (4:19)
03. Lover Come Back To Me (8:33)
04. Pammie's Tune (8:37)
05. Spring Can Really Hang You Up The Most (4:21)
06. Gone With The Wind (5:52)
07. Cherokee (8:08)
08. Woody 'N You (7:28)
09. Pernod (7:49)
10. I Remember Clifford (5:10)
11. Land's End (9:33)
The Stan Getz Quartet
Stan Getz - ts
Jan Johansson - p
Ray Brown - b
Ed Thigpen - d
Tracks #1-7, recorded at Concertgebouw, Amsterdam, Holland, April 10, 1960.
Tracks #8-9, recorded at Rheinhalle, Düsseldorf, Germany, March 28, 1960.
Tracks #10-11, recorded at Kongresshaus, Zürich, Switzerland, April 8, 1960.
 
 
Об альбоме (сборнике)
Stan Getz, one of the most gifted and influential of American jazzmen of his time and a consistent favorite of the U.S. public, was living since July 1958 in a small town outside Copenhagen, where he had started a new life. Like many American expatriate jazzmen, he found the relaxed European lifestyle more conducive to his creativity; there was more time to develop and try out new ideas. It was to prove an artistically flourishing and assertive time for him.
By the spring of 1960, he was ready to leave Copenhagen and start travelling the continent with Norman Granz’ Jazz at the Philharmonic troupe, where, in Swedish pianist Jan Johansson, Ray Brown on bass and Ed Thigpen on drums, he had an excellent rhythm section to support the more lyrical and forceful playing he achieved in Europe. “He doesn’t seem dry and intellectual as he used to,” said one Danish jazz critic. “He has soul in every note he plays. Getz demonstrates that the modern school isn’t as bloodless as people have been thinking. He builds up his themes with unerring logic, and it is almost incredible that he can give his tone so much richness and fullness without vibrato…” It was a golden time for Getz, and all these qualities are evident in these concert performances recorded in Amsterdam, Dusseldorf and Zurich.
 
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