(Cool, Hard Bop) Miles Davis - Someday My Prince Will Come - 1961 (1990 Japan Edition), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 18. September 2013, 18:01
Miles Davis / Someday My Prince Will Come
Used drive  : HL-DT-STDVDRAM GH24NS50   Adapter: 2  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : D:\Program Files\FLAC\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  9:09.52 |         0    |    41226
        2  |  9:09.52 |  5:20.60 |     41227    |    65286
        3  | 14:30.37 |  8:35.50 |     65287    |   103961
        4  | 23:06.12 |  4:34.10 |    103962    |   124521
        5  | 27:40.22 |  9:39.43 |    124522    |   167989
        6  | 37:19.65 |  4:55.27 |    167990    |   190141
Track  1
     Filename D:\01 - Someday My Prince Will Come.wav
     Pre-gap length  0:00:02.00
     Peak level 82.8 %
     Extraction speed 1.4 X
     Track quality 100.0 %
     Test CRC 6A8B408F
     Copy CRC 6A8B408F
     Accurately ripped (confidence 2)  [9FA98769]  (AR v2)
     Copy OK
Track  2
     Filename D:\02 - Old Folks.wav
     Pre-gap length  0:00:03.10
     Peak level 58.8 %
     Extraction speed 1.5 X
     Track quality 100.0 %
     Test CRC F9D768AB
     Copy CRC F9D768AB
     Accurately ripped (confidence 2)  [355854BA]  (AR v2)
     Copy OK
Track  3
     Filename D:\03 - Pfrancing.wav
     Pre-gap length  0:00:03.62
     Peak level 85.5 %
     Extraction speed 1.8 X
     Track quality 100.0 %
     Test CRC CDBE724E
     Copy CRC CDBE724E
     Accurately ripped (confidence 2)  [6C2E106C]  (AR v2)
     Copy OK
Track  4
     Filename D:\04 - Drad-Dog.wav
     Pre-gap length  0:00:03.27
     Peak level 55.2 %
     Extraction speed 1.8 X
     Track quality 100.0 %
     Test CRC 8F4CB9A7
     Copy CRC 8F4CB9A7
     Accurately ripped (confidence 2)  [ED4D4873]  (AR v2)
     Copy OK
Track  5
     Filename D:\05 - Teo.wav
     Pre-gap length  0:00:03.07
     Peak level 82.0 %
     Extraction speed 2.1 X
     Track quality 100.0 %
     Test CRC DB1D2BFA
     Copy CRC DB1D2BFA
     Accurately ripped (confidence 2)  [E04944DD]  (AR v2)
     Copy OK
Track  6
     Filename D:\06 - I Thought about You.wav
     Pre-gap length  0:00:03.40
     Peak level 88.1 %
     Extraction speed 2.2 X
     Track quality 100.0 %
     Test CRC 7E7419EF
     Copy CRC 7E7419EF
     Accurately ripped (confidence 2)  [B2643DC2]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.3
[CTDB TOCID: z2w4n7MqN_EDDOzUBQkPAYgX87E-] found, Submit result: z2w4n7MqN_EDDOzUBQkPAYgX87E- has been confirmed
[5c7fcd7d] (2/3) Differs in 4 samples @00:39:44,04:43:17
[7b25708e] (1/3) Accurately ripped
You can use CUETools to repair this rip.
==== Log checksum D7262AAB8FFBB475F2A276E41809E11879F56E87C660B6F2C8340FBB05D7CB3C ====

REM GENRE Jazz
REM DATE 1961
REM DISCID 4A09E706
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Miles Davis"
TITLE "Someday My Prince Will Come"
FILE "01 - Someday My Prince Will Come.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Someday My Prince Will Come"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Old Folks"
    PERFORMER "Miles Davis"
    INDEX 00 09:06:42
FILE "02 - Old Folks.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Pfrancing"
    PERFORMER "Miles Davis"
    INDEX 00 05:16:73
FILE "03 - Pfrancing.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Drad-Dog"
    PERFORMER "Miles Davis"
    INDEX 00 08:32:23
FILE "04 - Drad-Dog.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Teo"
    PERFORMER "Miles Davis"
    INDEX 00 04:31:03
FILE "05 - Teo.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "I Thought About You"
    PERFORMER "Miles Davis"
    INDEX 00 09:36:03
FILE "06 - I Thought About You.wav" WAVE
    INDEX 01 00:00:00

[CUETools log; Date: 23.09.2013 15:27:34; Version: 2.1.4]
[CTDB TOCID: z2w4n7MqN_EDDOzUBQkPAYgX87E-] found.
Track | CTDB Status
  1   | (2/4) Accurately ripped, or (2/4) differs in 4 samples @00:39:44,04:43:17
  2   | (4/4) Accurately ripped
  3   | (4/4) Accurately ripped
  4   | (4/4) Accurately ripped
  5   | (4/4) Accurately ripped
  6   | (4/4) Accurately ripped
[AccurateRip ID: 000a938a-0037c81c-4a09e706] found.
Track   [  CRC   |   V2   ] Status
 01     [527e3281|9fa98769] (2+2/9) Accurately ripped
 02     [20e0757f|355854ba] (2+2/9) Accurately ripped
 03     [9aafaecc|6c2e106c] (2+2/9) Accurately ripped
 04     [bfac209d|ed4d4873] (2+2/9) Accurately ripped
 05     [0bb21c4d|e04944dd] (2+2/9) Accurately ripped
 06     [4beeac35|b2643dc2] (2+2/9) Accurately ripped
Offsetted by 607:
 01     [5864e601] (0/9) No match (V2 was not tested)
 02     [71d0df5f] (0/9) No match (V2 was not tested)
 03     [ba1212d9] (0/9) No match (V2 was not tested)
 04     [76657fa8] (0/9) No match (V2 was not tested)
 05     [e8819e6a] (0/9) No match (V2 was not tested)
 06     [28f4d4e6] (0/9) No match (V2 was not tested)
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
 --   88,1 [65AF2A0D] [477FC521]
 01   82,8 [6A8B408F] [3572D526]   CRC32
 02   58,8 [F9D768AB] [696974E4]   CRC32
 03   85,5 [CDBE724E] [6E276F47]   CRC32
 04   55,2 [8F4CB9A7] [E680E921]   CRC32
 05   82,0 [DB1D2BFA] [7AB17D2A]   CRC32
 06   88,1 [7E7419EF] [E6C6A83A]   CRC32

After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else. Mobley's real moment on the album is on the next track, "Old Folks," when he doesn't have Coltrane breathing down his neck. Mobley's soul-stationed lyricism is well-suited to his soloing here, and is for the rest of the album except, of course, on "Teo," where Coltrane takes him out again. The closer on the set, "Blues No. 2," is a vamp on "All Blues," from Kind of Blue, and features Kelly and Chambers playing counterpoint around an eight bar figure then transposing it to 12. Jones collapses the beat, strides it out, and then erects it again for the solos of Davis and Mobley. This is relaxed session; there are no burning tracks here, but there is much in the way of precision playing and a fine exposition of Miles' expansive lyricism.