(Contemporary Jazz, Post-Bop) Sam Yahel - Searchin' - 1997, FLAC (tracks+.cue) lossless
Sam Yahel / Searchin'
Жанр: Contemporary Jazz, Post-Bop
Страна-производитель диска: China
Год издания диска: 1997
Издатель (лейбл): Naxos Jazz
Номер по каталогу: 86004-2
Страна: USA
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:02:28
Источник (релизер): интернет
Наличие сканов в содержимом раздачи: да
Треклист:
1. Searchin'
2. Half Baked
3. Never Let Me Go
4. Raining on the Rosebush (A.K.A. Double Rainbow)
5. Suspicious Love Affair, A
6. Sleepin' Bee, A
7. Hymn For Her
8. My Ideal
9. Block
Лог создания рипа
Содержание индексной карты (.CUE)
Об исполнителе (группе)
Состав
Жанр: Contemporary Jazz, Post-Bop
Страна-производитель диска: China
Год издания диска: 1997
Издатель (лейбл): Naxos Jazz
Номер по каталогу: 86004-2
Страна: USA
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 01:02:28
Источник (релизер): интернет
Наличие сканов в содержимом раздачи: да
Треклист:
1. Searchin'
2. Half Baked
3. Never Let Me Go
4. Raining on the Rosebush (A.K.A. Double Rainbow)
5. Suspicious Love Affair, A
6. Sleepin' Bee, A
7. Hymn For Her
8. My Ideal
9. Block
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 26. November 2010, 19:02 Sam Yahel / Searchin' Used drive : PHILIPS SPD2519T Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : Yes Command line compressor : C:\Program Files\FLAC\flac.exe Additional command line options : -6 -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -6" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 6:40.00 | 0 | 29999 2 | 6:40.00 | 6:09.12 | 30000 | 57686 3 | 12:49.12 | 7:28.03 | 57687 | 91289 4 | 20:17.15 | 6:46.25 | 91290 | 121764 5 | 27:03.40 | 8:00.67 | 121765 | 157831 6 | 35:04.32 | 7:30.73 | 157832 | 191654 7 | 42:35.30 | 8:16.35 | 191655 | 228889 8 | 50:51.65 | 5:27.62 | 228890 | 253476 9 | 56:19.52 | 6:08.30 | 253477 | 281106 Track 1 Filename D:\Sam Yahel - Searchin' (1996)\01 - Searchin'.wav Pre-gap length 0:00:02.00 Peak level 98.7 % Track quality 100.0 % Copy CRC 6C80610D Accurately ripped (confidence 9) [8866F8EE] Copy OK Track 2 Filename D:\Sam Yahel - Searchin' (1996)\02 - Half Baked.wav Pre-gap length 0:00:01.53 Peak level 91.0 % Track quality 100.0 % Copy CRC 56785DD7 Accurately ripped (confidence 9) [CCD1CC90] Copy OK Track 3 Filename D:\Sam Yahel - Searchin' (1996)\03 - Never Let Me Go.wav Pre-gap length 0:00:02.20 Peak level 88.7 % Track quality 100.0 % Copy CRC B77ABC0B Accurately ripped (confidence 9) [1593ECF0] Copy OK Track 4 Filename D:\Sam Yahel - Searchin' (1996)\04 - Raining on the Rosebush (a.k.a Double Rainbow).wav Pre-gap length 0:00:01.57 Peak level 100.0 % Track quality 100.0 % Copy CRC 20D31FCA Accurately ripped (confidence 9) [E1E9C6AC] Copy OK Track 5 Filename D:\Sam Yahel - Searchin' (1996)\05 - A Suspicious Love Affair.wav Pre-gap length 0:00:02.14 Peak level 99.7 % Track quality 100.0 % Copy CRC DAAD81AE Accurately ripped (confidence 9) [3E607BC7] Copy OK Track 6 Filename D:\Sam Yahel - Searchin' (1996)\06 - A Sleepin' Bee.wav Pre-gap length 0:00:01.57 Peak level 96.8 % Track quality 100.0 % Copy CRC AA6B7A03 Accurately ripped (confidence 9) [85D957DA] Copy OK Track 7 Filename D:\Sam Yahel - Searchin' (1996)\07 - Hymn for Her.wav Pre-gap length 0:00:02.13 Peak level 94.7 % Track quality 100.0 % Copy CRC DF978548 Accurately ripped (confidence 8) [9914D55C] Copy OK Track 8 Filename D:\Sam Yahel - Searchin' (1996)\08 - My Ideal.wav Pre-gap length 0:00:02.21 Peak level 92.2 % Track quality 100.0 % Copy CRC 5224CCA3 Accurately ripped (confidence 8) [F1EB5C9A] Copy OK Track 9 Filename D:\Sam Yahel - Searchin' (1996)\09 - Block.wav Pre-gap length 0:00:01.49 Peak level 97.6 % Track quality 100.0 % Copy CRC D78604D7 Accurately ripped (confidence 9) [903233E7] Copy OK All tracks accurately ripped No errors occurred End of status report
REM GENRE Jazz REM DATE 1996 REM COMMENT EAC FLAC -6 PERFORMER "Sam Yahel" TITLE "Searchin'" FILE "01 - Searchin'.flac" WAVE TRACK 01 AUDIO TITLE "Searchin'" INDEX 01 00:00:00 FILE "02 - Half Baked.flac" WAVE TRACK 02 AUDIO TITLE "Half Baked" INDEX 01 00:00:00 FILE "03 - Never Let Me Go.flac" WAVE TRACK 03 AUDIO TITLE "Never Let Me Go" INDEX 01 00:00:00 FILE "04 - Raining on the Rosebush (a.k.a Double Rainbow).flac" WAVE TRACK 04 AUDIO TITLE "Raining on the Rosebush (a.k.a Double Rainbow)" INDEX 01 00:00:00 FILE "05 - A Suspicious Love Affair.flac" WAVE TRACK 05 AUDIO TITLE "A Suspicious Love Affair" INDEX 01 00:00:00 FILE "06 - A Sleepin' Bee.flac" WAVE TRACK 06 AUDIO TITLE "A Sleepin' Bee" INDEX 01 00:00:00 FILE "07 - Hymn for Her.flac" WAVE TRACK 07 AUDIO TITLE "Hymn for Her" INDEX 01 00:00:00 FILE "08 - My Ideal.flac" WAVE TRACK 08 AUDIO TITLE "My Ideal" INDEX 01 00:00:00 FILE "09 - Block.flac" WAVE TRACK 09 AUDIO TITLE "Block" INDEX 01 00:00:00
Sam Yahel's debut release as a leader is a promising one for fans of the Hammond B-3. The 25-year-old organist understands, respects, and commands the full capability and power of his instrument. He builds his sound from within the tradition, while developing a distinctive, personal approach. The young organist has a cleanly articulated style that has more in common with Larry Young and Shirley Scott than with Jack McDuff or John Patton. His pedal work is understated, the bass tones coming to the forefront only on Eric Alexander's "Block," the closest Yahel comes on Searchin' to playing a stomping, bugaloo number. The album's best tracks are the five where Yahel works in a trio with guitarist Peter Bernstein and drummer Joe Strasser, notably Jobim's "Double Rainbow," the artist's own "Hymn For Her," and the ballad standard "Never Let Me Go." If ballads are the true measure of a jazz musician, then his playing on "Never Let Me Go" ranks him as an up and coming master. Strasser's deft brush work and Bernstein's subtle shading around the changes with single notes and partial chords complete this accomplished group performance. Tenor player Eric Alexander complements the core trio well on four tracks. He has a crisp, confident style that calls to mind Joe Henderson and Joe Lovano. On the other hand, trumpeter Ryan Kisor's warm-toned, legato style is not entirely at home in this setting. Searchin' establishes Yahel as an important player. He has the tools to allow him to open up his performances, to explore other, as yet unrevealed or undiscovered facets of his musicianship, and to chart new developments on the Hammond. The next chapters will be worth watching for. ~ Jim Todd, All Music Guide
One of the more distinctive voices among a new breed of Hammond B-3 organ players on the jazz scene, Sam Yahel has earned the top spot in Down Beat's annual International Critics Poll as a Talent Deserving Of Recognition for the past four consecutive years.
Since moving to New York in 1990, Yahel has worked with a string of notable jazz artists including tenor saxophonists Joshua Redman and Eric Alexander, former James Brown sideman and alto sax great Maceo Parker, guitarists Peter Bernstein and Bill Frisell, trumpeters Ryan Kisor and Jim Rotondi, vocalists HYPERLINK Norah Jones (on her Grammy-winning Come Away With Me), Lizz Wright, and Madeleine Peyroux.
But it has been as a solo artist in his own right that Yahel has made his most personal statements as both composer and player.
On Truth and Beauty, his fourth outing as a leader, Yahel joins with longtime colleagues Joshua Redman and drummer Brian Blade in rekindling the potent chemistry they generated as Yaya3, a collective group that was an outgrowth of a residency they had at Small's nightclub in New York. “I'm proud of that record. I like Yaya3 (which was released by Warner Bros. in 2003). But at the same time I was always thinking about doing something purely of my own.”
And while Yahel had previously released three recordings as a leader -- 1998's Searchin', 1999's Trio and 2000's In The Blink of an Eye -- his current outing is his strongest to date. “This record is not so much about the straight-ahead swinging undercurrent of the rhythm section,” says Sam. “These days I feel like jazz has absorbed more world music influences. I hear Brazilian, African and Cuban music elements starting to seep into the mainstream jazz scene and I find myself drawing from those influences more. And for me, the organ is the perfect instrument to implement that kind of thing because you can really get rhythmic and percussive on it, you can evoke images and sounds just as easily as swinging. And although I'm a big fan of straight ahead swinging music and I still play it with pleasure, I think that this record is more of a foray into the other side.”
With Truth and Beauty, Yahel once again stakes out his own territory on the Hammond B-3 organ while taking another important stride as a bandleader and composer. - All About Jazz
One of the more distinctive voices among a new breed of Hammond B-3 organ players on the jazz scene, Sam Yahel has earned the top spot in Down Beat's annual International Critics Poll as a Talent Deserving Of Recognition for the past four consecutive years.
Since moving to New York in 1990, Yahel has worked with a string of notable jazz artists including tenor saxophonists Joshua Redman and Eric Alexander, former James Brown sideman and alto sax great Maceo Parker, guitarists Peter Bernstein and Bill Frisell, trumpeters Ryan Kisor and Jim Rotondi, vocalists HYPERLINK Norah Jones (on her Grammy-winning Come Away With Me), Lizz Wright, and Madeleine Peyroux.
But it has been as a solo artist in his own right that Yahel has made his most personal statements as both composer and player.
On Truth and Beauty, his fourth outing as a leader, Yahel joins with longtime colleagues Joshua Redman and drummer Brian Blade in rekindling the potent chemistry they generated as Yaya3, a collective group that was an outgrowth of a residency they had at Small's nightclub in New York. “I'm proud of that record. I like Yaya3 (which was released by Warner Bros. in 2003). But at the same time I was always thinking about doing something purely of my own.”
And while Yahel had previously released three recordings as a leader -- 1998's Searchin', 1999's Trio and 2000's In The Blink of an Eye -- his current outing is his strongest to date. “This record is not so much about the straight-ahead swinging undercurrent of the rhythm section,” says Sam. “These days I feel like jazz has absorbed more world music influences. I hear Brazilian, African and Cuban music elements starting to seep into the mainstream jazz scene and I find myself drawing from those influences more. And for me, the organ is the perfect instrument to implement that kind of thing because you can really get rhythmic and percussive on it, you can evoke images and sounds just as easily as swinging. And although I'm a big fan of straight ahead swinging music and I still play it with pleasure, I think that this record is more of a foray into the other side.”
With Truth and Beauty, Yahel once again stakes out his own territory on the Hammond B-3 organ while taking another important stride as a bandleader and composer. - All About Jazz
Sam Yahel (Hammond B-3 organ); Peter Bernstein (guitar); Eric Alexander (tenor saxophone); Ryan Kisor (trumpet); Joe Strasser (drums).
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777