(Contemporary Jazz, Piano Jazz) Richie Beirach - Impressions of Tokyo: Ancient City Of The Future - 2011, WEB, FLAC (tracks), lossless
Треклист:
RICHIE BEIRACH
IMPRESSIONS OF TOKYO: Ancient City Of The Future建城武将
Жанр: Contemporary Jazz, Piano Jazz
Год издания диска: 2011
Издатель (лейбл): Outnote Records
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 57:14
Наличие сканов в содержимом раздачи: нет
Источник (релизер): WEB (я)
Треклист:
1. Haiku - (Intro) - Tokyo Lights At Night
2. Haiku 1 - Baker-san
3. Haiku 2 - Butterfly
4. Haiku 3 - Cherry Blossom Time
5. Haiku 4 - Takemitsu-san
6. Haiku 5 - Bullet Train
7. Haiku 6 - Togashi-san
8. Ancient City of the Future
9. Lament for Hiroshima and Nagasaki
10. Haiku 7 - Japanese Playground
11. Haiku 8 - Kabuki
12. Haiku 9 - Zatoichi-Kurosawa
13. Haiku 10 - Rock Garden
14. Haiku 11 - Tragedy In Sendai
15. Haiku 12 - Shibumi
16. Eyes of the Heart
Richie Beirach - Piano solo
остальные - абсолютно схожие
IMPRESSIONS OF TOKYO: Ancient City Of The Future建城武将
Жанр: Contemporary Jazz, Piano Jazz
Год издания диска: 2011
Издатель (лейбл): Outnote Records
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 57:14
Наличие сканов в содержимом раздачи: нет
Источник (релизер): WEB (я)
Треклист:
1. Haiku - (Intro) - Tokyo Lights At Night
2. Haiku 1 - Baker-san
3. Haiku 2 - Butterfly
4. Haiku 3 - Cherry Blossom Time
5. Haiku 4 - Takemitsu-san
6. Haiku 5 - Bullet Train
7. Haiku 6 - Togashi-san
8. Ancient City of the Future
9. Lament for Hiroshima and Nagasaki
10. Haiku 7 - Japanese Playground
11. Haiku 8 - Kabuki
12. Haiku 9 - Zatoichi-Kurosawa
13. Haiku 10 - Rock Garden
14. Haiku 11 - Tragedy In Sendai
15. Haiku 12 - Shibumi
16. Eyes of the Heart
Richie Beirach - Piano solo
Лог проверки качества
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Review
Solo expression will reveal someone’s true character mercilessly. The fainthearted should abstain! Richie Beirach, New Yorker residing in Leipzig (Germany), most certainly doesn’t lack personality. His has been strengthened by forty years of practice in which he combines the discipline of a classical training with the vertigo of improvisation.
Richie has a deep knowledge of Japan – no less than 26 visits since the Seventies with numerous concerts and recordings – and doesn’t hide his admiration for its impressive culture and respect for art and music in all its forms. Under his fingers, Tokyo reveals itself in its duality, at the crossroads of tradition and modernity. His « impressions » follow like a series of snapshots presented in the form of haikus, the purest of poetic forms (3 verses of invariably 5, 7 and 5 syllables). Make no mistake; this freely chosen constraint enables Richie Beirach to go straight to the heart of the matter. Whether evoking the Japan of times immemorial – Kabuki theatre, stone gardens surrounding monasteries, flowering cherries, or even earthquakes …, or the Japan of today - the Shinkansen (Bullet train), Kurosawa’s movies, Takemitsu’s music… he appears alternatively sober, almost ascetic, or dense, searching the entrails of the piano. In other words: how can one translate, without betrayal, the Tokyoite soul and the daily life of millions of city dwellers? With this journey to Tokyo, Richie Beirach reaches this form of Zen serenity which is simply the prerogative of the greatest.
Richie has a deep knowledge of Japan – no less than 26 visits since the Seventies with numerous concerts and recordings – and doesn’t hide his admiration for its impressive culture and respect for art and music in all its forms. Under his fingers, Tokyo reveals itself in its duality, at the crossroads of tradition and modernity. His « impressions » follow like a series of snapshots presented in the form of haikus, the purest of poetic forms (3 verses of invariably 5, 7 and 5 syllables). Make no mistake; this freely chosen constraint enables Richie Beirach to go straight to the heart of the matter. Whether evoking the Japan of times immemorial – Kabuki theatre, stone gardens surrounding monasteries, flowering cherries, or even earthquakes …, or the Japan of today - the Shinkansen (Bullet train), Kurosawa’s movies, Takemitsu’s music… he appears alternatively sober, almost ascetic, or dense, searching the entrails of the piano. In other words: how can one translate, without betrayal, the Tokyoite soul and the daily life of millions of city dwellers? With this journey to Tokyo, Richie Beirach reaches this form of Zen serenity which is simply the prerogative of the greatest.