(Contemporary Jazz, Piano) [CD] John Taylor - In Two Minds - 2014 [CAM Jazz], FLAC (tracks+.cue), lossless
Издатель (лейбл):
Треклист:
JOHN TAYLOR
IN TWO MINDS
Жанр: Contemporary Jazz, Piano
Страна-производитель диска: Italy
Год издания: 2014
Издатель (лейбл): CAM Jazz
Номер по каталогу: CAMJ 7868-5
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 46:27
Источник (релизер): many thanks tdelyon
Наличие сканов в содержимом раздачи: да
Треклист:
Ambleside Suite
1. Coniston
2. Dry Stone
3. Ambleside
4. Phrase the Second
5. Episode 3
6. 3/4 PM
7. Middle Age Music
8. Calmo
9. Reflections in D
John Taylor - piano solo
Лог создания рипа
Содержание индексной карты (.CUE)
Об альбоме
IN TWO MINDS
Жанр: Contemporary Jazz, Piano
Страна-производитель диска: Italy
Год издания: 2014
Издатель (лейбл): CAM Jazz
Номер по каталогу: CAMJ 7868-5
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 46:27
Источник (релизер): many thanks tdelyon
Наличие сканов в содержимом раздачи: да
Треклист:
Ambleside Suite
1. Coniston
2. Dry Stone
3. Ambleside
4. Phrase the Second
5. Episode 3
6. 3/4 PM
7. Middle Age Music
8. Calmo
9. Reflections in D
John Taylor - piano solo
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 31. January 2014, 18:23 John Taylor / In Two Minds Used drive : PHILIPS SPD3400CC Adapter: 3 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUM ARTIST=%albumartist%" -T "ALBUMARTIST=%albumartist%" -T "COMMENT=EAC V1.0 beta 3, Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:36.70 | 0 | 25269 2 | 5:36.70 | 7:40.07 | 25270 | 59776 3 | 13:17.02 | 5:48.57 | 59777 | 85933 4 | 19:05.59 | 4:57.21 | 85934 | 108229 5 | 24:03.05 | 3:15.08 | 108230 | 122862 6 | 27:18.13 | 3:59.22 | 122863 | 140809 7 | 31:17.35 | 5:45.05 | 140810 | 166689 8 | 37:02.40 | 4:16.10 | 166690 | 185899 9 | 41:18.50 | 5:25.69 | 185900 | 210343 Track 1 Filename C:\Rips\01 Coniston.wav Pre-gap length 0:00:02.00 Peak level 93.9 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 6FF08850 Copy CRC 6FF08850 Track not present in AccurateRip database Copy OK Track 2 Filename C:\Rips\02 Dry Stone.wav Peak level 93.9 % Extraction speed 2.4 X Track quality 100.0 % Test CRC 7E3D6E44 Copy CRC 7E3D6E44 Track not present in AccurateRip database Copy OK Track 3 Filename C:\Rips\03 Ambleside.wav Peak level 93.9 % Extraction speed 2.7 X Track quality 100.0 % Test CRC 8B3EA0F4 Copy CRC 8B3EA0F4 Track not present in AccurateRip database Copy OK Track 4 Filename C:\Rips\04 Phrase The Second.wav Pre-gap length 0:00:03.07 Peak level 93.9 % Extraction speed 2.8 X Track quality 100.0 % Test CRC D1DD5976 Copy CRC D1DD5976 Track not present in AccurateRip database Copy OK Track 5 Filename C:\Rips\05 Episode 3.wav Pre-gap length 0:00:03.02 Peak level 93.9 % Extraction speed 2.8 X Track quality 100.0 % Test CRC C98B137B Copy CRC C98B137B Track not present in AccurateRip database Copy OK Track 6 Filename C:\Rips\06 3,4 Pm.wav Pre-gap length 0:00:00.64 Peak level 93.9 % Extraction speed 3.0 X Track quality 100.0 % Test CRC 28405884 Copy CRC 28405884 Track not present in AccurateRip database Copy OK Track 7 Filename C:\Rips\07 Middle Age Music.wav Pre-gap length 0:00:02.73 Peak level 93.9 % Extraction speed 3.3 X Track quality 100.0 % Test CRC 59CCCEB5 Copy CRC 59CCCEB5 Track not present in AccurateRip database Copy OK Track 8 Filename C:\Rips\08 Calmo.wav Pre-gap length 0:00:03.06 Peak level 93.9 % Extraction speed 3.3 X Track quality 100.0 % Test CRC AC717F83 Copy CRC AC717F83 Track not present in AccurateRip database Copy OK Track 9 Filename C:\Rips\09 Reflections In D.wav Pre-gap length 0:00:03.45 Peak level 93.9 % Extraction speed 3.5 X Track quality 100.0 % Test CRC DA5C7167 Copy CRC DA5C7167 Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ==== Log checksum FBFB2CD545D37955ED7AB83AF2956F66EF36BEBD3B7C0537DEAFB207777FE1DD ====
REM GENRE Jazz REM DATE 2014 REM DISCID 800AF409 REM COMMENT "ExactAudioCopy v1.0b3" PERFORMER "John Taylor" TITLE "In Two Minds" FILE "01 Coniston.wav" WAVE TRACK 01 AUDIO TITLE "Coniston" PERFORMER "John Taylor" FLAGS DCP INDEX 01 00:00:00 FILE "02 Dry Stone.wav" WAVE TRACK 02 AUDIO TITLE "Dry Stone" PERFORMER "John Taylor" FLAGS DCP INDEX 01 00:00:00 FILE "03 Ambleside.wav" WAVE TRACK 03 AUDIO TITLE "Ambleside" PERFORMER "John Taylor" FLAGS DCP INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Phrase The Second" PERFORMER "John Taylor" FLAGS DCP INDEX 00 05:45:50 FILE "04 Phrase The Second.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Episode 3" PERFORMER "John Taylor" FLAGS DCP INDEX 00 04:54:19 FILE "05 Episode 3.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "3/4 Pm" PERFORMER "John Taylor" FLAGS DCP INDEX 00 03:14:19 FILE "06 3,4 Pm.wav" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Middle Age Music " PERFORMER "John Taylor" FLAGS DCP INDEX 00 03:56:24 FILE "07 Middle Age Music.wav" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Calmo" PERFORMER "John Taylor" FLAGS DCP INDEX 00 05:41:74 FILE "08 Calmo.wav" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Reflections In D" PERFORMER "John Taylor" FLAGS DCP INDEX 00 04:12:40 FILE "09 Reflections In D.wav" WAVE INDEX 01 00:00:00
John Taylor and his two minds. A cryptic title for the new work of the English piano player, which was released a little more than one year after his previous recording for CAM JAZZ, “Giulia’s Thursdays”. This is a concise album, for piano only (or at least so one might assume), in which Taylor bares himself, revealing two sides of his personality: his innermost, quiet and introspective side as opposed to his more lively, vivid, and cheerful side. Are these his “two minds”? A quite regular alternation of pieces in opposite moods seems to confirm this assumption. The enigmatic words with which Taylor comments on his album lead to the same conclusion. But, certainly, that’s not all. It’s not by chance either that Taylor talks about being “in two minds whether to make this recording a solo or a duet project”. Or that he uses the words “balance”, “timing”, and “to play (at the same time)”. The weird, innovative idea in “In Two Minds” is the use of two pianos to make the two tracks interlock, overlap, and match perfectly. Thus, one can delight in guessing and discovering where this comes true, starting with the long “Ambleside Suite”, nineteen minutes of outstanding music that captivate listeners right from the beginning. A piece that prepares them to travel through the other six pieces on the album, minor, though not less shiny, gems. All of these compositions bear Taylor’s signature, except for “Phrase The Second” by his friend Kenny Wheeler and a tribute to Duke Ellington, “Reflections In D”, that virtually closes the album.
Having listened to the entire recording, the matter is still pending: apart from the two pianos, it will be up to each listener to lose himself among John Taylor’s notes, in order to work out the two souls in the record, what they tell, where they come from and where they lead to. Past and present. Tradition and innovation. Country calm and industrial frenzy. Travelling and home-coming. To each his own “two minds”, to be explored, grasped and metabolised.
Having listened to the entire recording, the matter is still pending: apart from the two pianos, it will be up to each listener to lose himself among John Taylor’s notes, in order to work out the two souls in the record, what they tell, where they come from and where they lead to. Past and present. Tradition and innovation. Country calm and industrial frenzy. Travelling and home-coming. To each his own “two minds”, to be explored, grasped and metabolised.