(Contemporary Jazz, Modern Creative, Cuneiform) [CD] Joel Harrison - Holy Abyss - 2012, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 30. March 2014, 19:58
Joel Harrison / Holy Abyss
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  7:48.08 |         0    |    35107
        2  |  7:48.08 |  8:14.30 |     35108    |    72187
        3  | 16:02.38 |  5:32.09 |     72188    |    97096
        4  | 21:34.47 |  8:11.03 |     97097    |   133924
        5  | 29:45.50 |  3:33.71 |    133925    |   149970
        6  | 33:19.46 |  8:35.00 |    149971    |   188595
        7  | 41:54.46 |  8:23.00 |    188596    |   226320
        8  | 50:17.46 |  3:06.26 |    226321    |   240296
Track  1
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     Track quality 99.9 %
     Test CRC D2D2210B
     Copy CRC D2D2210B
     Accurately ripped (confidence 1)  [E4E1C144]  (AR v2)
     Copy OK
Track  2
     Filename D:\zzz\02 - Saturday Night In Pendleton.wav
     Pre-gap length  0:00:02.00
     Peak level 96.1 %
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     Track quality 100.0 %
     Test CRC D8750E84
     Copy CRC D8750E84
     Accurately ripped (confidence 1)  [A81817E1]  (AR v2)
     Copy OK
Track  3
     Filename D:\zzz\03 - Small Table Rules.wav
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     Peak level 98.6 %
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     Track quality 100.0 %
     Test CRC BF17BA35
     Copy CRC BF17BA35
     Accurately ripped (confidence 1)  [BD9EB37F]  (AR v2)
     Copy OK
Track  4
     Filename D:\zzz\04 - Faith.wav
     Pre-gap length  0:00:02.04
     Peak level 95.3 %
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     Track quality 99.9 %
     Test CRC 4770FAD8
     Copy CRC 4770FAD8
     Accurately ripped (confidence 1)  [6C14A6F3]  (AR v2)
     Copy OK
Track  5
     Filename D:\zzz\05 - Solos.wav
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     Peak level 95.0 %
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     Track quality 100.0 %
     Test CRC DC5CD5E5
     Copy CRC DC5CD5E5
     Accurately ripped (confidence 1)  [0AFA1B38]  (AR v2)
     Copy OK
Track  6
     Filename D:\zzz\06 - North Wind (Mistral).wav
     Pre-gap length  0:00:01.70
     Peak level 100.0 %
     Extraction speed 7.6 X
     Track quality 100.0 %
     Test CRC 519B1059
     Copy CRC 519B1059
     Accurately ripped (confidence 1)  [9428CE00]  (AR v2)
     Copy OK
Track  7
     Filename D:\zzz\07 - Old And New.wav
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     Peak level 95.8 %
     Extraction speed 7.6 X
     Track quality 99.9 %
     Test CRC AAD30F26
     Copy CRC AAD30F26
     Accurately ripped (confidence 1)  [1B9042FD]  (AR v2)
     Copy OK
Track  8
     Filename D:\zzz\08 - That Evening.wav
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     Peak level 57.7 %
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     Track quality 100.0 %
     Test CRC 4562147D
     Copy CRC 4562147D
     Accurately ripped (confidence 1)  [E9FAA881]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 31AD7F14781FFFB6339B3C36440600C05EF3553ABA1EE666C4C4E425A0F49813 ====

REM GENRE "Contemporary Jazz"
REM DATE 2012
REM DISCID 670C8308
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Joel Harrison"
TITLE "Holy Abyss"
FILE "01 - Requiem For An Unknown Soldier.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Requiem For An Unknown Soldier"
    PERFORMER "Joel Harrison"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Saturday Night In Pendleton"
    PERFORMER "Joel Harrison"
    INDEX 00 07:46:08
FILE "02 - Saturday Night In Pendleton.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Small Table Rules"
    PERFORMER "Joel Harrison"
    INDEX 00 08:12:31
FILE "03 - Small Table Rules.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Faith"
    PERFORMER "Joel Harrison"
    INDEX 00 05:30:05
FILE "04 - Faith.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Solos"
    PERFORMER "Joel Harrison"
    INDEX 00 08:09:01
FILE "05 - Solos.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "North Wind (Mistral)"
    PERFORMER "Joel Harrison"
    INDEX 00 03:32:01
FILE "06 - North Wind (Mistral).wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Old And New"
    PERFORMER "Joel Harrison"
    INDEX 00 08:33:00
FILE "07 - Old And New.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "That Evening"
    PERFORMER "Joel Harrison"
    INDEX 00 08:21:00
FILE "08 - That Evening.wav" WAVE
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Requiem For An Unknown Soldier.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Saturday Night In Pendleton.wav]
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This track looks like CDDA with probability 99%
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Processing file: [03. Small Table Rules.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Faith.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Solos.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. North Wind (Mistral).wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. Old And New.wav]
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This track looks like CDDA with probability 100%
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Processing file: [08. That Evening.wav]
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This track looks like CDDA with probability 99%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

(Harrison) - 1,2,6
(Feliciati) - 3,5,8
(Vu) - 4,7
Recorded at Peter Karl Studio, Brooklyn, NY, November 2010
Recorded by Michael Perez-Cisneros
Mixed by Liberty Ellman
Mastered by Jody Elff
Lorenzo Feliciati uses Markbass amps and D'Addario strings
Cuong Vu is a Yamaha performing artist
"Holy the sea
holy the desert
holy the railroad
holy the locomotive
holy the visions
holy the hallucinations
holy the miracles
holy the eyeball
holy the abyss!"
- Alan Ginsberg, footnote to Howl
Holy Abyss is an international collaborative effort between American guitarist Joel Harrison, Italian bassist Lorenzo Feliciati, Vietnamese-American trumpeter Cuong Vu, Great Britain's Roy Powell on piano and B-3, and American drummer and percussion master Dan Weiss. Though this quintet comes together for the first time here, Harrison has long worked with Weiss, and Feliciati with Powell and Vu. Of the eight compositions , Harrison and Feliciati each contribute three and Vu, two. Holy Abyss has a definite feel reminiscent of ECM recordings at the end of the 1970s and the beginning of the '80s, when interplay and collaboration between electric and acoustic instruments began in earnest. The first impression of Holy Abyss is of its pristine sound. Each instrument sounds warm and fluid yet holds a separate space in the mix. Two of Harrison's tunes open the set: "Requiem for an Unknown Soldier" and "Saturday Night in Pendleton." They offer definite melodic frames but are both ushered in gently before things begin to get abstract. Weiss' skeletal yet dancing drum work in the opener reveals just how much freedom is allowed here. The inherent lyricism between guitar and trumpet is haunting, shimmering, and emotionally powerful. The latter tune swings in a more conventional way, but it is so nocturnal and eerie, one can hear it as an exercise in syncopation and harmonic inquiry -- before a forceful dynamic change takes it to the margins of rock. Feliciati's "Small Table Rules" opens with some jumping, bluesy, post-bop vamping by Powell followed by the rhythm section. When the trumpet and guitar enter, things get edgier, more intricate and fragmentary, though Feliciati and Weiss keep the groove circular, even when Vu and Harrison get skronky. The guitarist's "North Wind (Mistral)" begins as a free floating, midtempo ballad before it transforms itself into a creative, swinging, tour de force where both Vu and Weiss shine. Vu's "Old and New" sounds like its title. While the trumpeter plays a post-bop melody that threatens to break into song at any moment, the rest of the band stretches his harmonies' time to where it slips, yet continues to swing. Feliciati's "That Evening," with quiet bass and trumpet intertwining in the intro, is mesmerizing. When Powell and Weiss enter, they do so haltingly at first, but still allow Vu to play scattered and blurred notes before deconstructing the song's ballad-like structure into a whisper as it fades. Holy Abyss is a collaborative union that communicates at the highest levels of disciplined and intuitive musicianship; the complexities in these tunes are easy to underestimate by a casual listener, because these players make it all sound as if they were joining together for an informal jam session, rather than exploring the wildly sophisticated, expansive musical terrain they actually do.

Joel Harrison: guitar
Lorenzo Feliciati: acoustic bass
Cuong Vu: trumpet
Roy Powell: piano, Hammond B-3
Dan Weiss: drums