(Contemporary Jazz/ Modern Big Band) Maria Schneider Orchestra - Allegresse - 2000, FLAC (tracks+.cue) lossless

Maria Schneider Orchestra
Allegresse
Жанр: Contemporary Jazz/ Modern Big Band
Страна-производитель диска: Germany
Год издания диска: 2000
Издатель (лейбл): Enja Records
Номер по каталогу: ENJ 9393 2
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:11:14
Источник (релизер): ruskaval
Наличие сканов в содержимом раздачи: да
Треклист:
01. Hang Gliding (13:20)
02. Nocturne (7:52)
03. Allegresse (11:47)
04. Dissolution (20:48)
05. Journey Home (9:07)
06. Sea Of Tranquility (8:20)
Лог создания рипа
Содержание индексной карты (.CUE)
Лог проверки качества
Об исполнителе (группе)
Об альбоме
Состав
Allegresse
Жанр: Contemporary Jazz/ Modern Big Band
Страна-производитель диска: Germany
Год издания диска: 2000
Издатель (лейбл): Enja Records
Номер по каталогу: ENJ 9393 2
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 1:11:14
Источник (релизер): ruskaval
Наличие сканов в содержимом раздачи: да
Треклист:
01. Hang Gliding (13:20)
02. Nocturne (7:52)
03. Allegresse (11:47)
04. Dissolution (20:48)
05. Journey Home (9:07)
06. Sea Of Tranquility (8:20)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009 EAC extraction logfile from 4. March 2011, 13:12 Maria Schneider Orchestra / Allegresse Used drive : TSSTcorpCD/DVDW TS-H552L Adapter: 3 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\FLAC\flac.exe Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -5" %s TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 13:20.10 | 0 | 60009 2 | 13:20.10 | 7:51.72 | 60010 | 95406 3 | 21:12.07 | 11:46.53 | 95407 | 148409 4 | 32:58.60 | 20:47.70 | 148410 | 242004 5 | 53:46.55 | 9:06.67 | 242005 | 283021 6 | 62:53.47 | 8:20.18 | 283022 | 320539 Track 1 Filename E:\EAC\Maria Schneider Orchestra - Allegresse (2000) {Enja}\01 - Hang Gliding.wav Pre-gap length 0:00:02.00 Peak level 85.9 % Track quality 100.0 % Test CRC D74CC3EE Copy CRC D74CC3EE Accurately ripped (confidence 4) [B24D9DAC] Copy OK Track 2 Filename E:\EAC\Maria Schneider Orchestra - Allegresse (2000) {Enja}\02 - Nocturne.wav Pre-gap length 0:00:06.33 Peak level 51.6 % Track quality 100.0 % Test CRC 21699664 Copy CRC 21699664 Accurately ripped (confidence 5) [DC5400D2] Copy OK Track 3 Filename E:\EAC\Maria Schneider Orchestra - Allegresse (2000) {Enja}\03 - Allegresse.wav Pre-gap length 0:00:01.89 Peak level 96.2 % Track quality 100.0 % Test CRC 32544E8C Copy CRC 32544E8C Accurately ripped (confidence 5) [AF4B37E4] Copy OK Track 4 Filename E:\EAC\Maria Schneider Orchestra - Allegresse (2000) {Enja}\04 - Dissolution.wav Pre-gap length 0:00:02.97 Peak level 100.0 % Track quality 100.0 % Test CRC 0BFD7175 Copy CRC 0BFD7175 Accurately ripped (confidence 5) [C975F42F] Copy OK Track 5 Filename E:\EAC\Maria Schneider Orchestra - Allegresse (2000) {Enja}\05 - Journey Home.wav Pre-gap length 0:00:00.90 Peak level 99.9 % Track quality 99.9 % Test CRC 94E9BC3C Copy CRC 94E9BC3C Accurately ripped (confidence 5) [520A31C7] Copy OK Track 6 Filename E:\EAC\Maria Schneider Orchestra - Allegresse (2000) {Enja}\06 - Sea Of Tranquility.wav Pre-gap length 0:00:05.36 Peak level 61.5 % Track quality 100.0 % Test CRC 5C4BC87F Copy CRC 5C4BC87F Accurately ripped (confidence 5) [91D3249C] Copy OK All tracks accurately ripped No errors occurred End of status report
REM GENRE Jazz REM DATE 2000 REM DISCID 5110B106 REM COMMENT "ExactAudioCopy v0.99pb5" PERFORMER "Maria Schneider Orchestra" TITLE "Allegresse" FILE "01 - Hang Gliding.wav" WAVE TRACK 01 AUDIO TITLE "Hang Gliding" PERFORMER "Maria Schneider Orchestra" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Nocturne" PERFORMER "Maria Schneider Orchestra" INDEX 00 13:13:60 FILE "02 - Nocturne.wav" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Allegresse" PERFORMER "Maria Schneider Orchestra" INDEX 00 07:50:05 FILE "03 - Allegresse.wav" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Dissolution" PERFORMER "Maria Schneider Orchestra" INDEX 00 11:43:55 FILE "04 - Dissolution.wav" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Journey Home" PERFORMER "Maria Schneider Orchestra" INDEX 00 20:47:02 FILE "05 - Journey Home.wav" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Sea Of Tranquility" PERFORMER "Maria Schneider Orchestra" INDEX 00 09:01:40 FILE "06 - Sea Of Tranquility.wav" WAVE INDEX 01 00:00:00
AUDIOCHECKER v2.0 beta (build 457) - by Dester - [email protected] ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ -=== DO NOT EDIT THIS FILE! ===- Path: ...\Maria Schneider Orchestra - Allegresse (2000) 1 -=- 01 - Hang Gliding.flac -=- CDDA (100%) 2 -=- 02 - Nocturne.flac -=- MPEG (90%) 3 -=- 03 - Allegresse.flac -=- CDDA (100%) 4 -=- 04 - Dissolution.flac -=- CDDA (100%) 5 -=- 05 - Journey Home.flac -=- CDDA (100%) 6 -=- 06 - Sea Of Tranquility.flac -=- CDDA (100%) Summary 85,00% CDDA 76007556
3/8/2011 7:36:41 AM - Maria Schneider’s music has been hailed by critics as “evocative, majestic, magical, heart-stoppingly gorgeous, and beyond categorization.” She and her orchestra became widely known starting in 1994 when they released their debut recording, “Evanescence.” With that recording, Schneider began to develop a highly personal way of writing for her 17-member collective, tailoring her compositions to distinctly highlight the unique voices of the group. Subsequently, the Maria Schneider Orchestra has performed at festivals and concert halls worldwide. She has received numerous commissions and guest conducting invites, working with more than 85 groups from over 30 countries spanning Europe, South America, Australia, Asia and North America.
Schneider’s music blurs the lines between genres, and as a result, her long list of commissioners has become quite varied. They include the Norrbotten Big Band and Danish Radio Orchestra with Toots Thielemans and Ivan Lins, the Metropole Orchestra in the Netherlands (several works), Orchestra National de Jazz (Recapitulation), Carnegie Hall Jazz Orchestra (El Viento), Monterey Jazz Festival (Scenes from Childhood, Willow Lake), The American Dance Festival (for dance company, Pilobolus–Dissolution), University of Miami Concert Jazz Band (Three Romances), Hunter College (Concert in the Garden, Sky Blue), Jazz at Lincoln Center (Buleria, Soleá y Rumba), Los Angeles Philharmonic Association (Aires de Lando), Peter Sellars’ New Crowned Hope Festival (Vienna’s Mozart Festival–Cerulean Skies), Kronos Quartet (String Quartet No. 1) and the Saint Paul Chamber Orchestra with soprano, Dawn Upshaw (Carlos Drummond de Andrade Stories), a work that will receive its New York premiere at Carnegie Hall, May 13th, 2011, conducted by Schneider.
Schneider’s most recent work (premiering June 12th, 2011), co-commissioned by the Ojai Festival, The Australian Chamber Orchestra and Cal Performances, will blur boundaries further as it features the Australian Chamber Orchestra, Dawn Upshaw, and two musicians long associated with Schneider’s own orchestra: pianist Frank Kimbrough, and multi-instrumentalist Scott Robinson. For this work, she is incorporating poems by poet laureate and Pulitzer Prize winner Ted Kooser, from his book ”Winter Morning Walks.”
Schneider and her orchestra have a distinguished recording career with nine Grammy nominations and two Grammy awards. “Concert in the Garden” (Best Large Ensemble Album), released only through her ArtistShare® website, became historic as the first record to win a Grammy with Internet-only sales. The second Grammy was awarded for Maria’s composition Cerulean Skies (Best Instrumental Composition).
Schneider continues to be a pioneer in funding her projects. She recently composed two works for her own orchestra with the involvement of commissioners, not from arts organizations, but directly from her ArtistShare® fan base. For these projects, she documented her process of creating the two new works for participating fans. The commissioners are Christophe Asselineau (The Thompson Fields), and Bill and Carol Bloemer, Justin Freed, Paul James and John Koerber (Lembrança).
"Concert in the Garden" and her orchestra’s latest album, "Sky Blue" (on which Cerulean Skies was recorded) were both named “Jazz Album of the Year” by the Jazz Journalists Association and the DOWNBEAT Critics Poll.
_____________________________
"Maria Schneider's orchestral jazz is about feeling. Like Wayne Shorter, she somehow expresses compassion through tones."
–THE NEW YORK TIMES–Ben Ratliff
Schneider’s music blurs the lines between genres, and as a result, her long list of commissioners has become quite varied. They include the Norrbotten Big Band and Danish Radio Orchestra with Toots Thielemans and Ivan Lins, the Metropole Orchestra in the Netherlands (several works), Orchestra National de Jazz (Recapitulation), Carnegie Hall Jazz Orchestra (El Viento), Monterey Jazz Festival (Scenes from Childhood, Willow Lake), The American Dance Festival (for dance company, Pilobolus–Dissolution), University of Miami Concert Jazz Band (Three Romances), Hunter College (Concert in the Garden, Sky Blue), Jazz at Lincoln Center (Buleria, Soleá y Rumba), Los Angeles Philharmonic Association (Aires de Lando), Peter Sellars’ New Crowned Hope Festival (Vienna’s Mozart Festival–Cerulean Skies), Kronos Quartet (String Quartet No. 1) and the Saint Paul Chamber Orchestra with soprano, Dawn Upshaw (Carlos Drummond de Andrade Stories), a work that will receive its New York premiere at Carnegie Hall, May 13th, 2011, conducted by Schneider.
Schneider’s most recent work (premiering June 12th, 2011), co-commissioned by the Ojai Festival, The Australian Chamber Orchestra and Cal Performances, will blur boundaries further as it features the Australian Chamber Orchestra, Dawn Upshaw, and two musicians long associated with Schneider’s own orchestra: pianist Frank Kimbrough, and multi-instrumentalist Scott Robinson. For this work, she is incorporating poems by poet laureate and Pulitzer Prize winner Ted Kooser, from his book ”Winter Morning Walks.”
Schneider and her orchestra have a distinguished recording career with nine Grammy nominations and two Grammy awards. “Concert in the Garden” (Best Large Ensemble Album), released only through her ArtistShare® website, became historic as the first record to win a Grammy with Internet-only sales. The second Grammy was awarded for Maria’s composition Cerulean Skies (Best Instrumental Composition).
Schneider continues to be a pioneer in funding her projects. She recently composed two works for her own orchestra with the involvement of commissioners, not from arts organizations, but directly from her ArtistShare® fan base. For these projects, she documented her process of creating the two new works for participating fans. The commissioners are Christophe Asselineau (The Thompson Fields), and Bill and Carol Bloemer, Justin Freed, Paul James and John Koerber (Lembrança).
"Concert in the Garden" and her orchestra’s latest album, "Sky Blue" (on which Cerulean Skies was recorded) were both named “Jazz Album of the Year” by the Jazz Journalists Association and the DOWNBEAT Critics Poll.
_____________________________
"Maria Schneider's orchestral jazz is about feeling. Like Wayne Shorter, she somehow expresses compassion through tones."
–THE NEW YORK TIMES–Ben Ratliff
ALLEGRESSE was nominated for the 2001 Grammy Award for Best Large Jazz Ensemble Album.
Similar in nature to the lush, orchestral jazz work of J.J. Johnson and Gil Evans, Schneider here conducts a large group in a suite of detailed and neo-classical pieces. By turns sentimental ("Nocturne") and carefree ("Hang Gliding"), it is a largely satisfying effort.
Similar in nature to the lush, orchestral jazz work of J.J. Johnson and Gil Evans, Schneider here conducts a large group in a suite of detailed and neo-classical pieces. By turns sentimental ("Nocturne") and carefree ("Hang Gliding"), it is a largely satisfying effort.
personnel
Tim Ries - soprano, clarinet, flute and alto flute
Charles Pillow - alto and soprano saxes, clarinet, flute, piccolo, oboe and English horn
Rich Perry - tenor sax and flute
Rick Margitza - tenor and soprano saxes and flute
Scott Robinson - baritone and bass saxes, clarinet and bass clarinet, flute and alto flute
Tony Kadleck - trumpet, piccolo trumpet and fluegelhorn
Greg Gisbert - trumpet and fluegelhorn
Laurie Frink - trumpet and fluegelhorn
Ingrid Jensen - trumpet and fluegelhorn
Dave Ballou - trumpet and fluegelhorn
Keith O'Quinn - trombone
Rock Ciccarone - trombone
Larry Farrell - trombone
George Flynn bass - trombone
Ben Monder - acoustic and electric guitar
Frank Kimbrough - piano
Tony Scherr - acoustic and electric bass
Tim Horner - drums
Jeff Ballard - percussion
produced by Bob Thompson and Maria Schneider
Tim Ries - soprano, clarinet, flute and alto flute
Charles Pillow - alto and soprano saxes, clarinet, flute, piccolo, oboe and English horn
Rich Perry - tenor sax and flute
Rick Margitza - tenor and soprano saxes and flute
Scott Robinson - baritone and bass saxes, clarinet and bass clarinet, flute and alto flute
Tony Kadleck - trumpet, piccolo trumpet and fluegelhorn
Greg Gisbert - trumpet and fluegelhorn
Laurie Frink - trumpet and fluegelhorn
Ingrid Jensen - trumpet and fluegelhorn
Dave Ballou - trumpet and fluegelhorn
Keith O'Quinn - trombone
Rock Ciccarone - trombone
Larry Farrell - trombone
George Flynn bass - trombone
Ben Monder - acoustic and electric guitar
Frank Kimbrough - piano
Tony Scherr - acoustic and electric bass
Tim Horner - drums
Jeff Ballard - percussion
produced by Bob Thompson and Maria Schneider
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777