(Contemporary Jazz, M-Base, Free Funk) Steve Coleman and Five Elements - Functional Arrhythmias - 2013, FLAC (tracks+.cue), lossless
Треклист:
STEVE COLEMAN AND FIVE ELEMENTS
FUNCTIONAL ARRHYTHMIAS
Жанр: Contemporary Jazz, M-Base, Free Funk
Страна-производитель диска: USA
Год издания: 2013
Издатель (лейбл): Pi Recordings
Номер по каталогу: Pi47
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 63:35
Источник (релизер): спасибо flavius
Наличие сканов в содержимом раздачи: да
Треклист:
01. Sinews
02. Medulla-Vagus
03. Chemical Intuition
04. Cerebrum Crossover
05. Limbic Cry
06. Cardiovascular
07. Respiratory Flow
08. Irregular Heartbeats
09. Cerebellum Lean
10. Lymph Swag [(Dance Of The Leukocytes)
11. Adrenal, Got Ghost
12. Assim-Elim
13. Hormone Trig
14. Snap-sis
Новый, "медицинский" альбом от Стива Коулмэна! 
FUNCTIONAL ARRHYTHMIAS
Жанр: Contemporary Jazz, M-Base, Free Funk
Страна-производитель диска: USA
Год издания: 2013
Издатель (лейбл): Pi Recordings
Номер по каталогу: Pi47
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 63:35
Источник (релизер): спасибо flavius
Наличие сканов в содержимом раздачи: да
Треклист:
01. Sinews
02. Medulla-Vagus
03. Chemical Intuition
04. Cerebrum Crossover
05. Limbic Cry
06. Cardiovascular
07. Respiratory Flow
08. Irregular Heartbeats
09. Cerebellum Lean
10. Lymph Swag [(Dance Of The Leukocytes)
11. Adrenal, Got Ghost
12. Assim-Elim
13. Hormone Trig
14. Snap-sis
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 25. April 2013, 22:04
Steve Coleman and Five Elements / Functional Arrhythmias
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Содержание индексной карты (.CUE)
REM GENRE "Pi Recordings 47"
REM DATE 2013
REM DISCID C20EF60E
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Steve Coleman and Five Elements"
TITLE "Functional Arrhythmias"
FILE "01 - Sinews.wav" WAVE
TRACK 01 AUDIO
TITLE "Sinews"
PERFORMER "Steve Coleman and Five Elements"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Medulla-Vagus"
PERFORMER "Steve Coleman and Five Elements"
INDEX 00 06:51:41
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TITLE "Chemical Intuition"
PERFORMER "Steve Coleman and Five Elements"
INDEX 01 00:00:00
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PERFORMER "Steve Coleman and Five Elements"
INDEX 00 03:56:25
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PERFORMER "Steve Coleman and Five Elements"
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PERFORMER "Steve Coleman and Five Elements"
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TITLE "Lymph Swag (Dance of the Leukocytes)"
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INDEX 01 00:00:00
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Об альбоме
AllAboutJazz
Ever the thinker, saxophonist Steve Coleman now delves into the connection between human biology and music with Functional Arrhythmias, perhaps his most accessible release in recent memory. With a vast discography that has covered everything from unadulterated funk in 1988's Sine Die (Pegasus) to advanced concepts in 2011's The Mancy of Sound (Pi), his curiosity and influence continue to expand.
Coleman reenlists the kinetic rhythm-section of Anthony Tidd (electric bass) and Sean Rickman (drums) who appeared on The Sonic Language of Myth ((RCA Victor, 1999). The two provide a groove center throughout the set as Coleman and young trumpet star Jonathan Finlayson provide the leads and tight vamps in the funky opener "Sinews" and the fragmented cooker "Snap-sis." Add to the mix guitarist Miles Okazaki, who's proven to be another intrepid artist as he adds color and texture in the intriguing Henry Threadgill-esque contrapuntalism on "Lymph Swag (Dance of the Leukocytes)."
Like other perceptive bandleaders, the caliber of these younger musicians speaks of Coleman's listening abilities. Tidd's electric bass is supple yet pronounced with nuanced punctuations and Rickman's multicolored traps dance with accuracy and nuance. The connection between Coleman and Finlayson is superb, the saxophone's alto countering and engaging the young trumpeter's lyricism. Coleman's heady compositions have, at times, diminished the fact that he's an excellent saxophonist, as evinced in "Cerebellum Lean"'s swaying groove or the tender balladry in "Respiratory Flow."
The intriguing title refers "to the irrational rhythms found in healthy human heartbeat patterns and many of its compositions utilize the heartbeat pulse," with Coleman crediting drummer/percussionist Milford Graves for providing inspiration for his pioneering research on the subject matter. At the end of the day, though, it is about the music, and this release provides stimulation for both the mind and body. (Mark F. Turner)
Coleman reenlists the kinetic rhythm-section of Anthony Tidd (electric bass) and Sean Rickman (drums) who appeared on The Sonic Language of Myth ((RCA Victor, 1999). The two provide a groove center throughout the set as Coleman and young trumpet star Jonathan Finlayson provide the leads and tight vamps in the funky opener "Sinews" and the fragmented cooker "Snap-sis." Add to the mix guitarist Miles Okazaki, who's proven to be another intrepid artist as he adds color and texture in the intriguing Henry Threadgill-esque contrapuntalism on "Lymph Swag (Dance of the Leukocytes)."
Like other perceptive bandleaders, the caliber of these younger musicians speaks of Coleman's listening abilities. Tidd's electric bass is supple yet pronounced with nuanced punctuations and Rickman's multicolored traps dance with accuracy and nuance. The connection between Coleman and Finlayson is superb, the saxophone's alto countering and engaging the young trumpeter's lyricism. Coleman's heady compositions have, at times, diminished the fact that he's an excellent saxophonist, as evinced in "Cerebellum Lean"'s swaying groove or the tender balladry in "Respiratory Flow."
The intriguing title refers "to the irrational rhythms found in healthy human heartbeat patterns and many of its compositions utilize the heartbeat pulse," with Coleman crediting drummer/percussionist Milford Graves for providing inspiration for his pioneering research on the subject matter. At the end of the day, though, it is about the music, and this release provides stimulation for both the mind and body. (Mark F. Turner)
BBC
New York alto saxophonist Steve Coleman has pared his long-running Five Elements combo down to a pointed quartet, ditching the trimmings that have decorated recent incarnations.
This enables a particularly hardened cerebral-funk manifestation of Coleman’s M-Base sound. Actually, he insists that this isn’t a musical style, but rather an attitude behind its creation. Just as well, as in similar fashion to fellow altoman Ornette Coleman’s harmolodics method, nobody has ever adequately explained the ground-rule parameters of the form.
Adding to this album’s conceptual heft, Coleman has improvised whilst pondering the body’s inner mechanisms, the way that necessary functions intersect during their daily motion: as if brain, heart, lungs, bowels, blood and sputum were the very embodiments of different musicians.
Then, he transcribed these (usually solo) results, passing them on to the band and forming them into full compositions. These realisations combine studied patterns and progressions with a lusty means of expression, mixing stern logic and limber intuition.
The tight convolutions of Sinews feature cool-school alto writhing on a bed of tensile bounce. A warm bass bulge sags under the taut viscera of the horns, intricate drum cycles locked precisely with skins and hi-hat chattering.
Five tracks feature the guitar of Miles Okazaki, joining Coleman, trumpeter Jonathan Finlayson, electric bassist Anthony Tidd and drummer Sean Rickman. These in particular invoke the sound of Ornette’s guitar-laden Prime Time outfit. Finlayson has frequently partnered with the younger altoist Steve Lehman, who could himself be viewed as a (Steve) Coleman descendant.
These 14 pieces are relatively short, in jazz terms. The horns speck their melodies in fractured tandem on Medulla-Vagus, sparring closely across the tune’s thickly extruded bassline. There’s a gentler spaciousness to Chemical Intuition, which could almost qualify as the album’s ballad, with its searching, questioning quality.
Cerebrum Crossover has a cascading woodblock ricketiness, with a disjointed fanfare of horns using teamwork to assemble the theme, sharing the phrases with a dialogue of construction. It’s a strangely-coordinated procession. Then, the warlike tumble of Cardiovascular makes its chase of colliding corpuscles.
This is the most exciting and substantial Coleman release of the last few years, rigorously challenging, pumped with insinuating melodies, sleek with propulsive energies and pulsating with a uniquely globular funkiness. (Martin Longley)
This enables a particularly hardened cerebral-funk manifestation of Coleman’s M-Base sound. Actually, he insists that this isn’t a musical style, but rather an attitude behind its creation. Just as well, as in similar fashion to fellow altoman Ornette Coleman’s harmolodics method, nobody has ever adequately explained the ground-rule parameters of the form.
Adding to this album’s conceptual heft, Coleman has improvised whilst pondering the body’s inner mechanisms, the way that necessary functions intersect during their daily motion: as if brain, heart, lungs, bowels, blood and sputum were the very embodiments of different musicians.
Then, he transcribed these (usually solo) results, passing them on to the band and forming them into full compositions. These realisations combine studied patterns and progressions with a lusty means of expression, mixing stern logic and limber intuition.
The tight convolutions of Sinews feature cool-school alto writhing on a bed of tensile bounce. A warm bass bulge sags under the taut viscera of the horns, intricate drum cycles locked precisely with skins and hi-hat chattering.
Five tracks feature the guitar of Miles Okazaki, joining Coleman, trumpeter Jonathan Finlayson, electric bassist Anthony Tidd and drummer Sean Rickman. These in particular invoke the sound of Ornette’s guitar-laden Prime Time outfit. Finlayson has frequently partnered with the younger altoist Steve Lehman, who could himself be viewed as a (Steve) Coleman descendant.
These 14 pieces are relatively short, in jazz terms. The horns speck their melodies in fractured tandem on Medulla-Vagus, sparring closely across the tune’s thickly extruded bassline. There’s a gentler spaciousness to Chemical Intuition, which could almost qualify as the album’s ballad, with its searching, questioning quality.
Cerebrum Crossover has a cascading woodblock ricketiness, with a disjointed fanfare of horns using teamwork to assemble the theme, sharing the phrases with a dialogue of construction. It’s a strangely-coordinated procession. Then, the warlike tumble of Cardiovascular makes its chase of colliding corpuscles.
This is the most exciting and substantial Coleman release of the last few years, rigorously challenging, pumped with insinuating melodies, sleek with propulsive energies and pulsating with a uniquely globular funkiness. (Martin Longley)
Состав
Steve Coleman - alto saxophone
Jonathan Finlayson - trumpet
Anthony Tidd - electric bass
Sean Rickman - drums
Miles Okazaki - guitar (2, 6, 8, 10, 11)
Jonathan Finlayson - trumpet
Anthony Tidd - electric bass
Sean Rickman - drums
Miles Okazaki - guitar (2, 6, 8, 10, 11)
