(Contemporary Jazz, Latin, Ethnic) [CD] Pete Rodriguez (feat. Luis Perdomo, Rudy Royston) - El Conde Negro - 2015, FLAC (tracks+.cue), lossless
![(Contemporary Jazz, Latin, Ethnic) [CD] Pete Rodriguez (feat. Luis Perdomo, Rudy Royston) - El Conde Negro - 2015, FLAC (tracks+.cue), lossless](/upload/000/u2/72/5b/contemporary-jazz-latin-ethnic-cd-pete-rodriguez-feat-lu.jpg "(Contemporary Jazz, Latin, Ethnic) [CD] Pete Rodriguez (feat. Luis Perdomo, Rudy Royston) - El Conde Negro - 2015, FLAC (tracks+.cue), lossless")
EL CONDE NEGRO
P E T E ' R O D R I G U E Z
Жанр: Contemporary Jazz, Latin, Ethnic
Страна-производитель диска: USA
Год издания: 2015
Издатель (лейбл): Destiny Records
Номер по каталогу: DR-0004
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 71:26
Источник (релизер): спасибо embeejay
Наличие сканов: front/back
Треклист:
1. Soy La Ley
2. Stolen Changes
3. Catalina La O
4. Gravity
5. Convergencia
6. Ten Fe
7. Sombras Que Paso
8. Perdomo's Blues
9. Guaguanco De Amor
10. El Conde Negro
P E T E ' R O D R I G U E Z
Жанр: Contemporary Jazz, Latin, Ethnic
Страна-производитель диска: USA
Год издания: 2015
Издатель (лейбл): Destiny Records
Номер по каталогу: DR-0004
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 71:26
Источник (релизер): спасибо embeejay
Наличие сканов: front/back
Треклист:
1. Soy La Ley
2. Stolen Changes
3. Catalina La O
4. Gravity
5. Convergencia
6. Ten Fe
7. Sombras Que Paso
8. Perdomo's Blues
9. Guaguanco De Amor
10. El Conde Negro
Лог создания рипа
Exact Audio Copy V1.0 beta 6 from 9. April 2015
EAC extraction logfile from 28. November 2015, 21:45
Pete Rodriguez / El Conde Negro
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2 | 7:30.03 | 6:00.01 | 33753 | 60753
3 | 13:30.04 | 7:31.02 | 60754 | 94580
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9 | 55:03.53 | 6:03.53 | 247778 | 275055
10 | 61:07.31 | 10:18.73 | 275056 | 321478
Track 1
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Track 4
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Track 5
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Track 6
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Track 7
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Track 8
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Track 9
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Track 10
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==== Log checksum 607B49C69789AA3549EF924D3CDD4421945BA0D6849D970B24B58531A2C329DD ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2015
REM DISCID 7F10BE0A
REM COMMENT "ExactAudioCopy v1.0b6"
PERFORMER "Pete Rodriguez"
TITLE "El Conde Negro"
FILE "01 - Soy La Ley.wav" WAVE
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TITLE "Soy La Ley"
PERFORMER "Pete Rodriguez"
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FILE "02 - Stolen Changes.wav" WAVE
TRACK 02 AUDIO
TITLE "Stolen Changes"
PERFORMER "Pete Rodriguez"
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INDEX 01 00:00:00
FILE "03 - Catalina La O.wav" WAVE
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PERFORMER "Pete Rodriguez"
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FILE "04 - Gravity.wav" WAVE
TRACK 04 AUDIO
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PERFORMER "Pete Rodriguez"
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FILE "05 - Convergencia.wav" WAVE
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FILE "06 - Ten Fe.wav" WAVE
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FILE "07 - Sombras Que Paso.wav" WAVE
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TITLE "Sombras Que Paso"
PERFORMER "Pete Rodriguez"
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INDEX 01 00:00:00
FILE "08 - Perdomo's Blues.wav" WAVE
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FILE "09 - Guaguanco De Amor.wav" WAVE
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Об альбоме
Latinjazznet
The younger Pete Rodriguez has always had big shoes to fill. Like most sons of famous parents nothing ever is a shoe-in. But remarkably the younger Rodriguez has never seemed to be overawed by the situation and like Chucho Valdés, Pete Rodriquez slid comfortably into his own skin and becoming a first rate trumpeter with a voice as singular as Woody Shaw or Freddie Hubbard he has carved a proverbial niche for himself. Today he continues to mark his territory with passion, grace and fire and not a little bit of pride as well. Mr. Rodriguez’s vocabulary is culled from the lexicons of jazz and Latin American music and is rich in folksy allusion, but here he breaks away from the pack and aligns himself with the likes of Wynton Marsalis. With a technique carefully honed from years of playing scales in a conservatoire and executing studies and pieces in the classical idiom, Pete Rodriguez is a class apart.
On El Conde Negro Pete Rodriguez seems bask in the burnished glow of his horn as he stretches and relaxes his way through ten beautifully wrought pieces for quintet. It is easy to be glib about such work. It is a definitive work, much more so than any of his other music. It is a work that is a clear sign of erudition and mystique that comes from maturation as well as being granted entry into a musical world of many secrets, one which can only be earned after much trepidation. Still there is also youthful buoyancy in this record. Mr. Rodriguez’s phrasing, particularly in the slow movements of these, rather than the purely cerebral achievements prodigy testing out his new-found skills.
The music – and it would be silly to single out a track; even two – drives the composer’s enthralling musical ideas with the kind of conviction that makes it difficult to turn off this disc without listening to it from beginning to end. Pete Rodriguez, guided by the marvelous arrangements by Luis Perdomo and the steadying hand of Ricky Rodriguez, Rudy Royston and Roberto Quinteiro, turns in strong performances incorporating dynamic, tempo and expressive changes that characterise his unique style of playing; something that has been wrought by years of learning on the street so to speak and also finely tuned skills and virtuosity that simply came from God.
This music is recorded with customary clarity, too, which adds an extra dimension to Pete Rodriguez’s performance, particularly in the last two charts. In more muscular passages of the title track where the trumpeter uses subject matter in repeatedly different scenarios and in the spontaneity of many contrasting idioms. Everything this ensemble has to throw at these pieces shows them to their best advantage – fleet-footed blowing and tongue-in-the-groove intonation and ensemble, and a sense of momentum that always drives the music in the right direction. This is, indeed, the definitive Pete Rodriguez.
5/5 stars
(Raul da Gama)
On El Conde Negro Pete Rodriguez seems bask in the burnished glow of his horn as he stretches and relaxes his way through ten beautifully wrought pieces for quintet. It is easy to be glib about such work. It is a definitive work, much more so than any of his other music. It is a work that is a clear sign of erudition and mystique that comes from maturation as well as being granted entry into a musical world of many secrets, one which can only be earned after much trepidation. Still there is also youthful buoyancy in this record. Mr. Rodriguez’s phrasing, particularly in the slow movements of these, rather than the purely cerebral achievements prodigy testing out his new-found skills.
The music – and it would be silly to single out a track; even two – drives the composer’s enthralling musical ideas with the kind of conviction that makes it difficult to turn off this disc without listening to it from beginning to end. Pete Rodriguez, guided by the marvelous arrangements by Luis Perdomo and the steadying hand of Ricky Rodriguez, Rudy Royston and Roberto Quinteiro, turns in strong performances incorporating dynamic, tempo and expressive changes that characterise his unique style of playing; something that has been wrought by years of learning on the street so to speak and also finely tuned skills and virtuosity that simply came from God.
This music is recorded with customary clarity, too, which adds an extra dimension to Pete Rodriguez’s performance, particularly in the last two charts. In more muscular passages of the title track where the trumpeter uses subject matter in repeatedly different scenarios and in the spontaneity of many contrasting idioms. Everything this ensemble has to throw at these pieces shows them to their best advantage – fleet-footed blowing and tongue-in-the-groove intonation and ensemble, and a sense of momentum that always drives the music in the right direction. This is, indeed, the definitive Pete Rodriguez.
5/5 stars
(Raul da Gama)
AllAboutJazz
Pete Rodriguez isn't a purist. He knows his salsa, as one would expect of the offspring of famed salsa vocal icon Pete "El Conde" Rodriguez, and he knows his jazz. But this trumpeter-vocalist sees no need to draw strong separation between the two. In creating El Conde Negro, Rodriguez mines Nuyorican musical veins and jazz lodes, ultimately mixing his finds together to create a form of music that's loyal to both camps yet highly original and completely mutable.
There's a wonderful balance between muscularity and sensitivity, flowing thought and fragmented gesticulation, and conventional wisdom and idiosyncratic play on this outing. That's due in no small part to the arrangements and the multidimensional personnel that Rodriguez put in place. And of that personnel, much can be said. There may be no pianist better suited to bridge the Latin-jazz divide than Luis Perdomo. He's fluent in languages from both sides of that hyphen and he incorporates graceful streams and hard-edged assertions in his work. Drumming heavyweight Rudy Royston, while rarely venturing into Latin jazz territory, is a chameleon, able to blend comfortably into any musical setting he enters. Both of those players give Rodriguez the edge that this music needs. The final two parts of the equation—percussionist Robert Quintero and bassist Ricky Rodriguez—have been steeped in Latin jazz, each having grown up with those sounds and worked with a long list of notable names. When brought together behind the warm and fluid horn and vocal work of Pete Rodriguez, these men make for a compelling match.
The material on El Conde Negro is split in origin, as the band touches on some of the leader's originals and some material often associated with his late father. The former category includes material with broken lines, mood swings, start-stop takeoffs and solo space ("Stolen Changes"); songs built on choppy thoughts and hard-driving mannerisms ("Perdomo's Blues"); and relatively laid-back tales that culminate with a bit more oomph ("Ten Fe"). The latter category, while looking toward the past in a way, still presents in totally up-to-date fashion. One number marries the dreamy, soft, hip, and refined ("Convergencia"); another gives pause to admire the chemistry between the leader and Perdomo ("Sombras Que Paso"); and a third captures the spirit of the original version while existing firmly in the here-and-now ("Soy La Ley"). With seductive salsa songs, spicy percussive rumbles, tight arrangements, pleasurable vocals, and strong soloing all in play, it's hard to know what to admire most about El Conde Negro.
4/5 stars
(Dan Bilawsky)
There's a wonderful balance between muscularity and sensitivity, flowing thought and fragmented gesticulation, and conventional wisdom and idiosyncratic play on this outing. That's due in no small part to the arrangements and the multidimensional personnel that Rodriguez put in place. And of that personnel, much can be said. There may be no pianist better suited to bridge the Latin-jazz divide than Luis Perdomo. He's fluent in languages from both sides of that hyphen and he incorporates graceful streams and hard-edged assertions in his work. Drumming heavyweight Rudy Royston, while rarely venturing into Latin jazz territory, is a chameleon, able to blend comfortably into any musical setting he enters. Both of those players give Rodriguez the edge that this music needs. The final two parts of the equation—percussionist Robert Quintero and bassist Ricky Rodriguez—have been steeped in Latin jazz, each having grown up with those sounds and worked with a long list of notable names. When brought together behind the warm and fluid horn and vocal work of Pete Rodriguez, these men make for a compelling match.
The material on El Conde Negro is split in origin, as the band touches on some of the leader's originals and some material often associated with his late father. The former category includes material with broken lines, mood swings, start-stop takeoffs and solo space ("Stolen Changes"); songs built on choppy thoughts and hard-driving mannerisms ("Perdomo's Blues"); and relatively laid-back tales that culminate with a bit more oomph ("Ten Fe"). The latter category, while looking toward the past in a way, still presents in totally up-to-date fashion. One number marries the dreamy, soft, hip, and refined ("Convergencia"); another gives pause to admire the chemistry between the leader and Perdomo ("Sombras Que Paso"); and a third captures the spirit of the original version while existing firmly in the here-and-now ("Soy La Ley"). With seductive salsa songs, spicy percussive rumbles, tight arrangements, pleasurable vocals, and strong soloing all in play, it's hard to know what to admire most about El Conde Negro.
4/5 stars
(Dan Bilawsky)
Состав
Pete Rodriguez - trumpet, vocals
Luis Perdomo - piano, Rhodes
Ricky Rodriguez - bass
Rudy Royston - drums
Robert Quintero - percussion
Luis Perdomo - piano, Rhodes
Ricky Rodriguez - bass
Rudy Royston - drums
Robert Quintero - percussion