(Contemporary Jazz) [CD] Helen Sung (feat. Seamus Blake, Reuben Rogers, Regina Carter, Paquito D'Rivera a.o.) - Anthem for a New Day - 2014, FLAC (tracks+.cue), lossless
![(Contemporary Jazz) [CD] Helen Sung (feat. Seamus Blake, Reuben Rogers, Regina Carter, Paquito D'Rivera a.o.) - Anthem for a New Day - 2014, FLAC (tracks+.cue), lossless](/upload/000/u2/20/0d/contemporary-jazz-cd-helen-sung-feat-seamus-blake-reuben.jpg "(Contemporary Jazz) [CD] Helen Sung (feat. Seamus Blake, Reuben Rogers, Regina Carter, Paquito D'Rivera a.o.) - Anthem for a New Day - 2014, FLAC (tracks+.cue), lossless")
Треклист:
HELEN SUNG
ANTHEM FOR A NEW DAY
Жанр: Contemporary Jazz
Страна-производитель диска: USA
Год издания: 2014
Издатель (лейбл): Concord Records
Номер по каталогу: CJA-34496-02
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 51:40
Источник (релизер): спасибо ch3mn3rd
Наличие сканов в содержимом раздачи: front
Треклист:
1. Brother Thelonious
2. Armando's Rhumba
3. Hidden
4. It Don't Mean a Thing (If It Ain't Got That Swing)
5. Hope Springs Eternally
6. Anthem for a New Day
7. Never Let Me Go
8. Chaos Theory
9. Epistrophy
10. Equipoise
ANTHEM FOR A NEW DAY
Жанр: Contemporary Jazz
Страна-производитель диска: USA
Год издания: 2014
Издатель (лейбл): Concord Records
Номер по каталогу: CJA-34496-02
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 51:40
Источник (релизер): спасибо ch3mn3rd
Наличие сканов в содержимом раздачи: front
Треклист:
1. Brother Thelonious
2. Armando's Rhumba
3. Hidden
4. It Don't Mean a Thing (If It Ain't Got That Swing)
5. Hope Springs Eternally
6. Anthem for a New Day
7. Never Let Me Go
8. Chaos Theory
9. Epistrophy
10. Equipoise
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 16. March 2014, 21:11
Helen Sung / Anthem for a New Day
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Gap handling : Appended to previous track
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TOC of the extracted CD
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Track 1
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Track 2
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Track 4
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Track 5
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Track 6
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Track 7
Filename C:\EAC Rips\Anthem for a New Day\07 - Never Let Me Go.wav
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Track 8
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Track 9
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Track 10
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==== Log checksum 94CFF46DAB76B503B32C463F7D2CD2DD44A79B849D3A425C262A616ACEFFEBA1 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2014
REM DISCID 940C1C0A
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Helen Sung"
TITLE "Anthem for a New Day"
FILE "01 - Brother Thelonious.wav" WAVE
TRACK 01 AUDIO
TITLE "Brother Thelonious"
PERFORMER "Helen Sung"
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INDEX 01 00:00:00
FILE "02 - Armando's Rhumba.wav" WAVE
TRACK 02 AUDIO
TITLE "Armando's Rhumba"
PERFORMER "Helen Sung"
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INDEX 01 00:00:00
FILE "03 - Hidden.wav" WAVE
TRACK 03 AUDIO
TITLE "Hidden"
PERFORMER "Helen Sung"
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INDEX 01 00:00:00
FILE "04 - It Don't Mean a Thing (If it Ain't Got That Swing).wav" WAVE
TRACK 04 AUDIO
TITLE "It Don't Mean a Thing (If it Ain't Got That Swing)"
PERFORMER "Helen Sung"
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FILE "05 - Hope Springs Eternally.wav" WAVE
TRACK 05 AUDIO
TITLE "Hope Springs Eternally"
PERFORMER "Helen Sung"
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FILE "06 - Anthem for a New Day.wav" WAVE
TRACK 06 AUDIO
TITLE "Anthem for a New Day"
PERFORMER "Helen Sung"
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FILE "07 - Never Let Me Go.wav" WAVE
TRACK 07 AUDIO
TITLE "Never Let Me Go"
PERFORMER "Helen Sung"
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FILE "08 - Chaos Theory.wav" WAVE
TRACK 08 AUDIO
TITLE "Chaos Theory"
PERFORMER "Helen Sung"
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FILE "09 - Epistrophy.wav" WAVE
TRACK 09 AUDIO
TITLE "Epistrophy"
PERFORMER "Helen Sung"
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FILE "10 - Equipoise.wav" WAVE
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Об альбоме
AllMusicGuide
Although she has released several trio albums, Helen Sung's 2014 album, Anthem for a New Day, is the pianist's first quintet album. As the 2007 Mary Lou Williams Piano Competition winner, Sung has displayed her virtuosic abilities backing such luminaries as trumpeter Clark Terry, saxophonist Wayne Shorter, and trumpeter Jon Faddis, just to name a few. Here, Sung takes center stage backed by a stellar cast of supporting players including saxophonist Seamus Blake, trumpeter Ingrid Jensen, bassist Reuben Rogers, drummer Obed Calvaire, and others. In a jazz world split between more esoteric avant-garde albums and safe, standards-heavy albums, with Anthem for a New Day Sung finds the perfect balance between intellectual, exploratory improvisation and no-nonsense, finely tailored jazz arranging. On Anthem for a New Day, Sung primarily delves into a handful of new compositions, from the buoyant "Armando's Rhumba" to the expansive "Hidden," as well as several well-chosen covers, including a gorgeous "Never Let Me Go," featuring violinist Regina Carter, and the tense yet funky "Epistrophy." These are immaculate and organically arranged pieces, all played in a swinging, straight-ahead style that allows for all musicians involved to shine. All of which is even more impressive when you consider that Sung, a classical student in college, didn't seriously began exploring jazz until after graduating from the University of Texas in 1995. After years of paying her dues as a sideman and "shedding" her chops in trio settings, with Anthem for a New Day Sung has delivered the soundtrack to the next phase of her career as a jazz leader. (Matt Collar)
AllAboutJazz
There's a bit of the iconoclast in pianist Helen Sung. Her musical journey began in the classical world, and didn't take its rebellious tangent into jazz until her college years, after a chance encounter with a Harry Connick, Jr. concert, in a "bang on the piano" solo interlude. And then there was pianist Tommy Flanagan's solo on saxophonist Charlie Parker "Confirmation," and Sung was jazz bitten, in the best way.
Anthem for a New Day, Sung's sixth album—her first on Concord Records—represents a full blossoming of Sung's talents—as a pianist, band leader, arranger and writer.
Not that Sung has turned her back on her classical experience. You can hear it in her take on Duke Ellington's "It Don't Mean a Thing (If It Ain't Got That Swing,)" which doesn't swing much, but does indeed showcase her classically tinged technique. And the album's opener, "Brother Thelonious"—written on commission as a theme song for a Belgian ale of the same name— features a crisp Sung piano solo that revs into high gear for some "piano banging" of the highest and most technically-proficient order.
This is mostly a sextet outing, with Sung employing a trumpeter (the always marvelous Ingrid Jensen) for the first time on one of her discs. Jensen's front line playing with saxophonist Seamus Blake opens "Brother Thelonious," leading into her searing trumpet solo that gives way to Blake's robustly smoldering bluster that Sung fans into high flames on her solo.
Sung brings in some guests. Clarinetist Paquito D'Rivera joins the pianist in an ebullient duet (with accompanying palmas) on Chick Corea's "Armundo's Rhumba," and violinist Regina Carter sits in on "Hidden," a pensive Sung original, and on a very distinctively-arranged Great American Songbook tune, "Never Let Me Go."
"Chaos Theory," another Sung-penned tune, takes things into freer territory, with the piano slipping into an exquisite rapid- fire mode. Sung adds another color to her palette on the disc's title tune, with bass clarinetist John Ellis sitting in. Beginning as a dark-hued tone poem, with Sung shining on Fender Rhodes, the sound shifts to a proud and bold proclamation, a neo-funk/free flying "Here I Am!" anthem that has Sung, Jensen and Blake playing off each other in what sounds like a choreographed street fight, jazz style.
And what has Helen Sung done to Thelonious Monk's "Epistrophy?" The sextet sounds like a big band; Monk's quirky angularity is translated into an anthem, that leads into the set's closer, a Sung piano solo that represents, it seems a centered-ness, a confident calm from the always evolving Helen Sung. (Dan McClenaghan)
Anthem for a New Day, Sung's sixth album—her first on Concord Records—represents a full blossoming of Sung's talents—as a pianist, band leader, arranger and writer.
Not that Sung has turned her back on her classical experience. You can hear it in her take on Duke Ellington's "It Don't Mean a Thing (If It Ain't Got That Swing,)" which doesn't swing much, but does indeed showcase her classically tinged technique. And the album's opener, "Brother Thelonious"—written on commission as a theme song for a Belgian ale of the same name— features a crisp Sung piano solo that revs into high gear for some "piano banging" of the highest and most technically-proficient order.
This is mostly a sextet outing, with Sung employing a trumpeter (the always marvelous Ingrid Jensen) for the first time on one of her discs. Jensen's front line playing with saxophonist Seamus Blake opens "Brother Thelonious," leading into her searing trumpet solo that gives way to Blake's robustly smoldering bluster that Sung fans into high flames on her solo.
Sung brings in some guests. Clarinetist Paquito D'Rivera joins the pianist in an ebullient duet (with accompanying palmas) on Chick Corea's "Armundo's Rhumba," and violinist Regina Carter sits in on "Hidden," a pensive Sung original, and on a very distinctively-arranged Great American Songbook tune, "Never Let Me Go."
"Chaos Theory," another Sung-penned tune, takes things into freer territory, with the piano slipping into an exquisite rapid- fire mode. Sung adds another color to her palette on the disc's title tune, with bass clarinetist John Ellis sitting in. Beginning as a dark-hued tone poem, with Sung shining on Fender Rhodes, the sound shifts to a proud and bold proclamation, a neo-funk/free flying "Here I Am!" anthem that has Sung, Jensen and Blake playing off each other in what sounds like a choreographed street fight, jazz style.
And what has Helen Sung done to Thelonious Monk's "Epistrophy?" The sextet sounds like a big band; Monk's quirky angularity is translated into an anthem, that leads into the set's closer, a Sung piano solo that represents, it seems a centered-ness, a confident calm from the always evolving Helen Sung. (Dan McClenaghan)
Состав
Helen Sung - piano, Fender Rhodes
Seamus Blake - tenor and soprano saxophones
Ingrid Jensen - trumpet
Reuben Rogers - bass
Obed Calvaire - drums
Samuel Torres - percussion
guests
Regina Carter - violin (3, 7)
Paquito D'Rivera - clarinet (2)
John Ellis - bass clarinet (6)
Seamus Blake - tenor and soprano saxophones
Ingrid Jensen - trumpet
Reuben Rogers - bass
Obed Calvaire - drums
Samuel Torres - percussion
guests
Regina Carter - violin (3, 7)
Paquito D'Rivera - clarinet (2)
John Ellis - bass clarinet (6)