(Chamber Music, Modern Composition, Electroacoustic) [CD] Dominic Duval & Constance Cooper - Coming From Us - 2003, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 7. August 2014, 20:02
Dominic Duval & Constance Cooper / Coming From Us
Used drive  : PIONEER DVD-RW  DVR-115D   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
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TOC of the extracted CD
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        1  |  0:00.00 |  3:24.74 |         0    |    15373
        2  |  3:24.74 |  5:12.00 |     15374    |    38773
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        6  | 30:05.20 |  7:47.07 |    135395    |   170426
        7  | 37:52.27 |  2:17.19 |    170427    |   180720
        8  | 40:09.46 |  6:31.16 |    180721    |   210061
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Track  2
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Track  7
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Track  8
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum E37153594DE411205D9FFB53C80439AC1915E9E7A700504462D784D5EE69CD55 ====

REM GENRE "Chamber Music"
REM DATE 2003
REM DISCID 5D0AF008
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Dominic Duval & Constance Cooper"
TITLE "Coming From Us"
FILE "01 - Fanfare, Anti-Fanfare, Post-Anti-Fanfare.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Fanfare, Anti-Fanfare, Post-Anti-Fanfare"
    PERFORMER "Dominic Duval & Constance Cooper"
    INDEX 01 00:00:00
FILE "02 - Melody , Canon.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Melody / Canon"
    PERFORMER "Melody"
    INDEX 01 00:00:00
FILE "03 - Duo.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Duo"
    PERFORMER "Dominic Duval & Constance Cooper"
    INDEX 01 00:00:00
FILE "04 - Nightingale (Strings).wav" WAVE
  TRACK 04 AUDIO
    TITLE "Nightingale (Strings)"
    PERFORMER "Dominic Duval & Constance Cooper"
    INDEX 01 00:00:00
FILE "05 - Nightingale (Improv).wav" WAVE
  TRACK 05 AUDIO
    TITLE "Nightingale (Improv)"
    PERFORMER "Dominic Duval & Constance Cooper"
    INDEX 01 00:00:00
FILE "06 - Improv.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Improv"
    PERFORMER "Dominic Duval & Constance Cooper"
    INDEX 01 00:00:00
FILE "07 - Concerto For Soprano Violin- Mvt 1, Mvt 2.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Concerto For Soprano Violin: Mvt 1, Mvt 2"
    PERFORMER "Dominic Duval & Constance Cooper"
    INDEX 01 00:00:00
FILE "08 - Concerto For Soprano Violin- Mvt 3.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Concerto For Soprano Violin: Mvt 3"
    PERFORMER "Dominic Duval & Constance Cooper"
    INDEX 01 00:00:00

d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Fanfare, Anti-Fanfare, Post-Anti-Fanfare.wav]
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This track looks like CDDA with probability 99%
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Processing file: [02. Melody - Canon.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Duo.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. Nightingale (Strings).wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Nightingale (Improv).wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Improv.wav]
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This track looks like CDDA with probability 99%
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Processing file: [07. Concerto For Soprano Violin- Mvt 1, Mvt 2.wav]
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This track looks like CDDA with probability 100%
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Processing file: [08. Concerto For Soprano Violin- Mvt 3.wav]
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This track looks like CDDA with probability 100%
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Final Conclusion:
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These tracks looks like CDDA with probability 100%

All compositions by Constance Cooper
Producer: Dominic Duval
Executive producer for Quixotic Records: Ralph Krine
The concert "Coming From Us" was recorded February 7, 2001 at The Church of the Holy Apostles, NYC, NY
Engineering & mastering by Jon Rosenberg
Cover art: Nyna Cropas, "God and Lucifer Face-off" (acrylic/canvas, wood, and plywood). Collection of the artist, (C)1991 through the Canadian Artists' Representation Collective, Inc.
Liner notes: Constance Cooper
While it is impossible to categorize this music, one thing is certain: the results are magnificent by almost any measure. Constance Cooper is the sort of open-minded composer of "modern classical music" who pursues her own path, and, well, damn the torpedoes. This collection was recorded live at a concert in New York City called Coming from Us. Much of the music is composed, but in Cooper's world there is plenty of room for improvisation. It helps, of course, when bassist Dominic Duval (described in the liner notes as an "improviser of new classical music," but probably better known as a jazz improviser) is an integral part of the mix. He seems to regale in the composer's constructs, offering wickedly enervating, fanciful flights throughout. Duval, though, is not the only string player on the album who improvises, adding to the compositional strategies. Although the strings dominate the sound, Cooper keeps her audience off balance with occasional electronics and computer sounds, contributed by bassist William Kannar, pianist/ keyboardist C. Bryan Rulon, and oboist/English hornist Matt Sullivan. Each of the tracks is different in mood and compositional direction, maintaining the spirit of surprise without sacrificing accessibility. On "Melody/Canon," the instructions to the players are to perform "any of the written parts, in any range, and at any tempo," as Cooper delineates in her extensive liner notes. "Nightingale" "honors birds whose call is microtonal," while "Concerto for Solo Violin" features some first-rate improvisations from the strings, including Duval. There is never a tedious moment, and whether the listener approaches this though the lens of avant-garde jazz or from the perspective of modern classical music, or even from that of chamber music, he or she is unlikely to be disappointed with the swirls of sounds, creative mix of tunes, or genuine virtuosity from the players and the composer.

FirstAvenue:
William Kannar: bass, electronics, computer
C. Bryan Rulon: piano, synths, computer
Matt Sullivan: oboe, eng. hn, electronics
with
John Lad: treble & mezzo violins
Kurt Briggs: soprano violin
Erich Schoen-Rene: alto violin
Matt Goeke: tenor violin
Vernon Regehr: baritone violin
Dominic Duval: "small" bass