(Brazilian Jazz, MPB, Electronic, Experimental) [CD] Gal Costa - Recanto - 2012, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 23. May 2017, 18:29
Gal / Recanto
Used drive  : ATAPI   iHAS122   F   Adapter: 1  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -e -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
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    ---------------------------------------------------------
        1  |  0:00.00 |  3:51.53 |         0    |    17377
        2  |  3:51.53 |  2:52.70 |     17378    |    30347
        3  |  6:44.48 |  3:41.43 |     30348    |    46965
        4  | 10:26.16 |  2:41.17 |     46966    |    59057
        5  | 13:07.33 |  5:35.21 |     59058    |    84203
        6  | 18:42.54 |  4:27.71 |     84204    |   104299
        7  | 23:10.50 |  3:34.42 |    104300    |   120391
        8  | 26:45.17 |  3:32.03 |    120392    |   136294
        9  | 30:17.20 |  3:40.13 |    136295    |   152807
       10  | 33:57.33 |  4:06.13 |    152808    |   171270
       11  | 38:03.46 |  3:50.29 |    171271    |   188549
Track  1
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
     Filename C:\rips\Gal - Recanto (2012) [FLAC] {WRASS301}\07 - Madre Deus.wav
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Track  8
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Track  9
     Filename C:\rips\Gal - Recanto (2012) [FLAC] {WRASS301}\09 - Sexo e Dinheiro.wav
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Track 10
     Filename C:\rips\Gal - Recanto (2012) [FLAC] {WRASS301}\10 - Miami Macelelê.wav
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Track 11
     Filename C:\rips\Gal - Recanto (2012) [FLAC] {WRASS301}\11 - Segunda.wav
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     Accurately ripped (confidence 1)  [7E8FD544]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
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==== Log checksum 61C0AC5FD0BB7F7270D0AD823B5522497F7F3B0FEBEAB52B4B1B59FC958D08DC ====

REM GENRE Latin
REM DATE 2012
REM DISCID 9309D20B
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Gal Costa"
TITLE "Recanto"
FILE "01 - Recanto Escuro.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Recanto Escuro"
    PERFORMER "Gal Costa"
    INDEX 01 00:00:00
FILE "02 - Cara do Mundo.wav" WAVE
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    TITLE "Cara do Mundo"
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    INDEX 01 00:00:00
FILE "03 - Autotune Autoerotico.wav" WAVE
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    INDEX 01 00:00:00
FILE "04 - Tudo Doi.wav" WAVE
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FILE "05 - Neguinho.wav" WAVE
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FILE "06 - O Menino.wav" WAVE
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FILE "07 - Madre Deus.wav" WAVE
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FILE "08 - Mansidao.wav" WAVE
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    INDEX 01 00:00:00
FILE "09 - Sexo e Dinheiro.wav" WAVE
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    INDEX 01 00:00:00
FILE "10 - Miami Maculele.wav" WAVE
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    INDEX 01 00:00:00
FILE "11 - Segunda.wav" WAVE
  TRACK 11 AUDIO
    TITLE "Segunda"
    PERFORMER "Gal Costa"
    INDEX 01 00:00:00

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Brazilian singer Gal Costa is one of MPB, or Brazilian popular music’s most enduring stars and this new album marks a radical departure from the past. However, despite the photo of a young Gal with fellow singer Caetano Veloso on the back of the main CD cover, this is certianly no exercise in retro, but rather a twenty-first century vision of the chanteuse. The twin musical talents of Moreno Veloso (son of Caetano) and Kassin are on hand here to provide a distinctly younger, electronica-driven feel to the veteran singer, but the key question is whether this has served to reinvigorate Gal, or merely place her in musical surroundings which are unbefitting. If one were to make a parallel with Diana Ross at the beginning of the 1980s, then the distinctive production of Nile Rodgers and Bernard Edwards from Chic opened up new avenues for the soul diva and attracted a whole new audience in the process. In truth here with the pairing of Gal and Veloso/Kassin it is highly questionable whether a younger audience will be enticed by the music and her long-term fans may actually be alienated by the whole experience. There is in fact an attempt at the dancefloor on ‘Neguinho’, but with a rock guitar and beat underpinning the song, this is a flawed effort. By far the most interesting piece and one with sympathetic accompaniment is on ‘O menino’ which is a haunting number where the voice of Gal is finally afforded the opportunity to take centre stage and what a gloriously natural and undistilled pure voice she still possesses. Ironically she is accompanied here by another set of musicians, Banda Rabotnik which is telling. Elsewhere there is a successful attempt at a more sensitive sound to accompany Gal on ‘Mansidao’ with Daniel Jobim on piano and long-time Caetano accompanist Jaques Morelenbaum on cello. What a pity the latter could not have produced the whole album with a more subtle element of electronica incorporated. Only on the minimalist ‘Recanto escuro’ does the electronic programming fit and even here the staccato rhythm pattern is intially unsettling for the listener. Above all one is left with the abiding impression on this recording that Moreno Veloso and Kassin have been left too much to their own devices here and that greater input on the production side from both father Caetano (he is cited as executive producer and several of/all the songs are written by him) and Morelenbaum would have resulted in a stonger album. As it stands too much of the instrumentation here comes across as self-indulgent musings by the production duo which would have been better placed on one of their own recordings.

Gal Costa - vocals
with
#1
Alberto Continentino - Fender Rhodes piano
Donatinho - keyboards
Kassin - electronic drums, synthesizer, clavinet, programming
Luis Filipe de Lima - 7-string guitar
Pedro Sa - guitar
#2
Davi Moraes - drums
Kassin - synthesizer
Pedro Sa - guitar
#3
Donatinho - synthesizer, Fender Rhodes piano
Kassin - electronic drums, synthesizer, programming
#4
Alberto Continentino - Fender Rhodes piano
Caetano Veloso - guitar
Kassin - electronic drums, synthesizer, programming
#5
Kassin - electric bass
Pedro Sa - guitar
Zeca Veloso - synthesizer, programming
#6
Bruno di Lullo - electric bass
Eduardo Manso - guitar
Estevao Case - caetron, delays, melotron
Leo Monteiro - electronic percussion, Electribe
Rafael Rocha - drums
#7
Bartolo - analog synthesizer, guitar
Leo Monteiro - noises, drums, synthesizer, electronic percussion
#8
Daniel Jobim - piano
Jaques Morelenbaum - cello
Kassin - programming
#9
Kassin - synthesizer, programming
#10
Gabi Guedes, Iuri Passos, Jaime Nascimento - percussion
Kassin - Wurlitzer piano, synthesizer, electronic drums, programming
Moreno Veloso - keyboards
#11
Moreno Veloso - prato e faca, guitar, cello